The Temple of Zeus Theos at Dura Europos was built in the second century AD and was among the most important sanctuaries of the city. The structure was located in the centre of the settlement. It had an area of around 37 m2 and took up half an insula. It was excavated by an American-French team between December 1933 and March 1939.
The entrance to the temple was on the east side. Above it was an inscription which named the builder as one Seleukos and the year of construction as AD 114. [1] The excavators interpreted the inscription as referring to the completion of the exterior ("public") portions of the complex. [2] The early second-century date is usually accepted for the construction of the temple as a whole. [3] The temple complex contained a monumental court, within which there was a large Naos. On the north and south sides of the court there was a series of rooms, most with benches lining all the walls. It shares these features in common with other Parthian-era religious buildings at Dura. [4]
The Naos was located on the west side of the court as a free-standing structure. It had four rooms. The largest was the cella. This had wall paintings which were found in tiny fragments but were able to be largely reconstructed. On the back wall, the cult image of the god was depicted. He stood next to a chariot and was crowned by Nike.
On the side walls of the hall, there were three registers of images of the donors who had financed this temple and their family members. [5] Their names were written next to their images. They appear to be the members of two influential families, one of which is known as the family of Lysias. Several inscriptions were found, all in Greek. Next to the cella was a smaller room, which was probably the temple treasury. Some gemstones were found here. A dedicatory inscription on a stele is dated AD 120/121 and was dedicated by one Seleukos.
Dura-Europos was a Hellenistic, Parthian, and Roman border city built on an escarpment 90 metres above the southwestern bank of the Euphrates river. It is located near the village of Salhiyé, in present-day Syria. Dura-Europos was founded around 300 BC by Seleucus I Nicator, who founded the Seleucid Empire as one of the Diadochi of Alexander the Great. In 113 BC, Parthians conquered the city, and held it, with one brief Roman intermission, until 165 AD. Under Parthian rule, it became an important provincial administrative centre. The Romans decisively captured Dura-Europos in 165 AD and greatly enlarged it as their easternmost stronghold in Mesopotamia, until it was captured by the Sasanian Empire after a siege in 256–257 AD. Its population was deported, and the abandoned city eventually became covered by sand and mud and disappeared from sight.
Clark Hopkins was an American archaeologist. During the 1930s he led the joint French-American excavations at Dura Europos. In later years he was professor of art and archeology at the University of Michigan.
Parthian art was Iranian art made during the Parthian Empire from 247 BC to 224 AD, based in the Near East. It has a mixture of Persian and Hellenistic influences. For some time after the period of the Parthian Empire, art in its styles continued for some time. A typical feature of Parthian art is the frontality of the people shown. Even in narrative representations, the actors do not look at the object of their action, but at the viewer. These are features that anticipate the art of medieval Europe and Byzantium.
The Temple of the Gadde is a temple in the modern-day Syrian city of Dura-Europos, located near the agora. It contained reliefs dedicated to the tutelary deities of Dura-Europos and the nearby city of Palmyra, after whom the temple was named by its excavators. The temple was excavated between 1934 and January 1936 by the French/American expedition of Yale University, led by Michael Rostovtzeff.
The Temple of Bel, also known as the Temple of the Palmyrene gods, was located in Dura Europos, an ancient city on the Euphrates, in modern Syria. The temple was established in the first century BC and is celebrated primarily for its wall paintings. Despite the modern names of the structure, it is uncertain which gods were worshipped in the structure. Under Roman rule, the temple was dedicated to the Emperor Alexander Severus. In that period, the temple was located within the military camp of the XXth Palmyrene cohort.
The Temple of Zeus Cyrius stood in the city of Dura-Europos (Syria) and The construction of the original temenos is dated by the inscriptions above its altar and on its cult reliefs to the end of the second decade of the first century after Christ. It was excavated in 1934 by a joint French-American expedition.
The Temple of Adonis in Dura-Europos was discovered by a French-American expedition of Yale University led by Michael Rostovtzeff and was excavated between 1931 and 1934.
The Statue of Hercules was discovered in the Temple of Zeus Megistos in Dura-Europos during the 1935–1937 excavations undertaken by Yale University and the French Academy. The statue dates from the period of Roman rule at Dura-Europos. It is now in the possession of the Yale Art Gallery.
The Palace of the Dux Ripae was the largest and most important building in Dura-Europos during the period of Roman rule. According to the inscriptions, the Palace was erected under Elagabalus and it seems to have survived until the Sassanid conquest of Dura-Europos in AD 256.
Susan M. Hopkins (1900–1969) was an archaeologist known for her work on the excavations at Dura-Europos.
The scutum from Dura-Europos is the only surviving semi-cylindrical shield (scutum) from Roman times. It is now in the Yale University Art Gallery. The shield was found in the excavation campaign of 1928/37 on Tower 19 of Dura-Europos. The city was besieged by the Sassanids in 256, eventually captured and destroyed. The dry climate enables very good conservation conditions for organic materials such as wood. Since the city housed a Roman garrison and was lost during a siege, a particularly large number of weapons were found during the excavations.
The so-called Dolicheneum is a temple in Dura Europos in the east of today's Syria, where Jupiter Dolichenus and god called Zeus Helios Mithras Turmasgade may have been worshiped. The remains of the temple were excavated in 1935/36, but results were never fully published.
The so-called necropolis temple was in the north of Dura-Europos, outside the city walls, about 150 m northwest of the main gate.
The Mithraeum of Dura Europos was found during excavations in the city in 1934. It is considered to be one of the best-preserved and best-documented cult buildings of Mithraism.
The Temple of Aphlad was an ancient temple located in the southwestern corner of Dura Europos, and dedicated to the god Aphlad. Aphlad was originally a Semitic Mesopotamian god from the city of Anath, and presence of his cult in Dura is revealing of its religious and cultural diversity. The temple itself consists of an open courtyard with multiple scattered rooms and altars, similar to the Temple of Bel, which was located in an analogous position in the northwestern corner of Dura.
The Temple of Artemis Azzanathkona is located in Dura Europos in the east of present-day Syria, and was dedicated to a syncretic belief of Artemis and Azzanathkona.
The Temple of Atargatis in Dura-Europos was one of the main temples of the city. The temple was built in the first century AD, when the city was under Parthian rule, and excavated in 1928–1929 under the direction of Maurice Pillet.
The Temple of Zeus Megistos is in Dura-Europos in the east of the city in a part of the city that is modernly referred to as the Acropolis. It was one of the main temples of the city, the oldest construction phases of which perhaps go back to the time when the city was under Greek rule. The temple is not well preserved and the results of its excavations are not fully published. Several times the temple has been the target of excavations. The first excavations took place in 1928–37. The ceramics have hardly been recorded, which makes dating the older layers more difficult. The excavators presented some reconstructions of the oldest Greek temple. In particular, the more recent excavations from 1992 and 2002 raise doubts about older reconstructions and interpretations.
The Homeric shield is one of three figural painted shields found together in an embankment within a Roman garrison during the excavations of Dura-Europos. Dura-Europos was a border city of various empires throughout antiquity, and in modern archaeology is noteworthy for its large amount of well-preserved artifacts. Having been virtually untouched for centuries, and with favorable soil, an unusual amount of organic material has been preserved at Dura-Europos. This shield and those found alongside it date from the middle of the 3rd century CE, a period in which a large portion of the city was co-opted as a Roman military base. The shields were deliberately discarded unfinished during the Sassanian siege of Dura Europos. It is widely believed to depict two scenes from the Trojan war: the admission of the Trojan horse into Troy, and the subsequent sack of the city. It is one of few examples of Roman painting on wood, and one of very few Roman painted wooden shields to have survived from antiquity. The shield has now deteriorated beyond most detail being discernible to the naked eye. This is due to the unintended adverse effects of a binding agent applied to the shield in the 1930s in the hopes of preserving the pigmentation.
The building that is referred to as the Priests' House, or House of Priests, at Dura-Europos near the village of Salhiyah in eastern present-day Syria, is one of three buildings that was excavated in block H2. It is hypothesized to be the home of priests from the Temple of Atargatis based on its proximity to the two neighboring temples and graffiti found in the third Excavation season.
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