William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
Ten Years After are a British blues rock group, most popular in the late 1960s and early 1970s. Between 1968 and 1973, the band had eight consecutive Top 40 albums on the UK Albums Chart. In addition, they had twelve albums enter the US Billboard 200. They are best known for tracks such as "I'm Going Home", "Hear Me Calling", "I'd Love to Change the World" and "Love Like a Man".
Richard "Ric" Lee is an English drummer of the blues rock band Ten Years After.
Michael George "Chick" Churchill is an English keyboard player of the blues rock band Ten Years After.
The Complete Blue Horizon Sessions 1967–1969 is a boxed set by British blues rock band Fleetwood Mac, released in 1999. It is a six-CD compilation of previously released material, plus outtakes and unreleased tracks from the band's early line-up, coming in a longbox with individually boxed CDs and a booklet of extensive notes and anecdotes, written by the record's producer Mike Vernon. It represents the entire recorded output of Fleetwood Mac while they were signed to the Blue Horizon label.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
Undead is a live album by Ten Years After, recorded at the small jazz club Klooks Kleek in London on 14 May 1968, and released in July of that year. The show combined blues, boogie and jazz playing that merged more traditional rock and roll with 1950s-style jump blues. The album "amply illustrates" Alvin Lee's "eclectic" use of the pentatonic scale mixed with other modalities.
Recorded Live is the second live album by British blues rock musicians Ten Years After, which was released as a double LP in 1973.
Live at the Fillmore East 1970, is the fourth live album by Ten Years After recorded in February 1970. This double-disc album features many rock and blues covers, such as Chuck Berry's "Sweet Little Sixteen", and "Roll Over Beethoven" and also Willie Dixon's "Spoonful", which was also covered by Cream on their albums Fresh Cream and Wheels of Fire. Unlike Ten Years After studio album A Space In Time - which was released next year, in 1971 - Live at the Fillmore East does not have as much of a pop sound, but more of a 1950s blues sound.
Cricklewood Green is the fourth studio album by blues rock band Ten Years After, released in 1970.
Ssssh is the third studio album by blues rock band Ten Years After, released in 1969. The album charted #20 on the Billboard 200 and #4 on the UK charts.
Stonedhenge is the second studio album, and third album overall, by English blues rock band Ten Years After, released in February 1969 by Deram Records. It was recorded with producer Mike Vernon at London's Decca Studios in September 1968.
Alvin Lee and Company is an album of material previously unavailable on LP released by their old record label Deram after they had switched to Chrysalis Records in the UK and Columbia Records in the US. It consists of 2 non album singles, "Rock Your Mama" and "Portable People", the latter's b side "The Sounds", a live track, "Crossroads" and two outtakes, "Hold Me Tight" and "Boogie On".
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Watt is the fifth studio album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen", which is a recording from the 1970 Isle of Wight Festival.
Rock & Roll Music to the World is the seventh studio album by the English blues rock band Ten Years After, released in 1972. It includes several Ten Years After standards, including "Standing at the Station", "Choo Choo Mama", and the title track.
Live at the Cafe Au Go Go is the debut album by the American band the Blues Project, recorded live during the Blues Bag four-day concert on the evenings of November 24–27, 1965 at the Cafe Au Go Go in New York City. The recording finished up in January, 1966 at the same venue, by which time Tommy Flanders had left the band. They scaled down their usual lengthy arrangements for the album due to time constraints and record label wariness.
Projections is the second album by the American blues rock band the Blues Project. Produced by Tom Wilson and released by Verve/Folkways in November 1966, the album was their first studio release and examined a more rock-based sound. Jim Marshall was credited as the photographer of the album cover.
Positive Vibrations is the eighth studio album by the English blues rock band, Ten Years After, which was released in 1974. Shortly after the release of this album, the band broke up. The album peaked at #81 in the US Billboard 200 chart.
Now is the tenth studio album by blues rock band Ten Years After, released in 2004.
