The Anthology: 1947–1972 is a double compilation album by Chicago blues singer and guitarist Muddy Waters. It contains many of his best-known songs, including his R&B single chart hits "I'm Your Hoochie Coochie Man", "Just Make Love to Me ", and "I'm Ready". Chess and MCA Records released the set on August 28, 2001.
Undead is a live album by Ten Years After, recorded at the small jazz club, Klooks Kleek, in London, May 1968, and released in August of that year. The show combined blues, boogie and jazz playing that merged more traditional rock and roll with 1950s-style jump blues. The album "amply illustrates" Alvin Lee's "eclectic" use of the pentatonic scale mixed with other modalities.
Live at the Fillmore East 1970, is the fourth live album by Ten Years After recorded in February 1970. This double-disc album features many rock and blues covers, such as Chuck Berry's "Sweet Little Sixteen", and "Roll Over Beethoven" and also Willie Dixon's "Spoonful", which was also covered by Cream on their albums Fresh Cream and Wheels of Fire. Unlike Ten Years After studio album A Space In Time - which was released next year, in 1971 - Live At The Fillmore East does not have as much of a pop sound, but more of a 1950s blues sound.
Let the Good Times Roll: The Music of Louis Jordan is the thirty seventh studio album by B. B. King, released in 1999. It is a tribute album to jazz saxophonist and singer Louis Jordan, and is made up entirely of covers of songs written or performed by Jordan. The album was released in 1999 on MCA Records.
Cricklewood Green is the fourth studio album by blues rock band Ten Years After, released in 1970.
Ssssh is the third studio album by blues rock band Ten Years After, released in 1969. The album charted #20 on the Billboard 200 and #4 on the UK charts.
Stonedhenge is the second studio album released by the English blues rock band Ten Years After, released in 1969.
Alvin Lee and Company is the third compilation album by Ten Years After released by their old record label Deram after they had switched to Columbia Records. It consists of songs that did not make it on the older records and a few alternative versions of old songs.
Ten Years After is the debut album by English blues rock band Ten Years After. Recorded at Decca Studios in London in September 1967, and released on October 27, 1967, it was one of the first blues rock albums by British musicians. It has less original material than the band's later works, which were, in most cases, composed entirely of Alvin Lee's songs.
What's Shakin' is a compilation album released by Elektra Records in June 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
Rock & Roll Music to the World is the seventh studio album by the English blues rock band Ten Years After, released in 1972. It includes several Ten Years After standards, including "Standing at the Station", "Choo Choo Mama", and the title track.
The Live Adventures of Mike Bloomfield and Al Kooper is a double album recorded at the Fillmore West venue; the album is a successor to the studio album Super Session, which included Stephen Stills in addition to Bloomfield and Kooper, and had achieved commercial and critical success earlier in 1968.
"Good Morning, School Girl" is a blues standard which has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl".
Sometimes I Feel Like Cryin' is an album by American folk singer Odetta, released in 1962. It was her first release for RCA Victor.
Projections is the second album by American blues rock band The Blues Project. Produced by Tom Wilson and released by Verve/Folkways in November 1966, the album was their first studio release and examined a more rock-based sound. Jim Marshall was credited as the photographer of the album cover.
Positive Vibrations is the eighth studio album by the English blues rock band, Ten Years After, which was released in 1974. Shortly after the release of this album, the band broke up. The album peaked at #81 in the US Billboard 200 chart.
"Sugar Mama" or "Sugar Mama Blues" is a song that is a standard of the blues. Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray, it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red, Sonny Boy Williamson I, and Tommy McClennan. John Lee Hooker and Howlin' Wolf later adapted "Sugar Mama" for electric blues and rock group Led Zeppelin reworked it during early recording sessions.
"Early in the Morning" is a blues song that was recorded by Sonny Boy Williamson I in 1937. Identified as a blues standard, it was inspired by earlier blues songs. "Early in the Morning" has been recorded by numerous musicians, including Junior Wells, who made it part of his repertoire.
Now is the tenth studio album by blues rock band Ten Years After, released in 2004.
