A tenor drum is a membranophone without a snare. There are several types of tenor drums.
Early music tenor drums, or long drums, are cylindrical membranophone without snare used in Medieval, Renaissance and Baroque music. They consist in of a cylinder of wood, covered with skin heads on both ends, that are tensioned by ropes. Played with two sticks, this type of drum varies in pitch, according to its size.
In a symphony orchestra's percussion section, a tenor drum is a low-pitched drum, similar in size to a field snare, but without snares and played with soft mallets or hard sticks. It is larger in diameter than depth, and tonally is midway between the bass drum and unsnared side drum. Berlioz scored for 2 tenor drums in the "Grande messe des morts". His "Te Deum" requires 6 tenor drums. Wagner wrote for this drum in "Rienzi", "Lohengrin", "Die Walküre", “Götterdämmerung”, and "Parsifal". Strauss used it in "Ein Heldenleben", and Elgar in his 3rd "Pomp and Circumstance" march. It is noticeable in scores by 20th-century composers such as Stravinsky, Honegger, Milhaud, Benjamin Britten, William Walton, Aaron Copland and Samuel Barber. Witold Lutoslawski calls for a tenor drum in his Concerto for Orchestra and Arnold Schoenberg writes for it in his Gurrelieder.
Tenor drums are used as a marching percussion instrument, commonly as mounted sets of 4-6 drums allowing one person to carry and play multiple drums simultaneously. Other names for these drums include names specific to configurations by number of drums: "duos" (2 drums), "tris", "trios", "trips", or "triples" (3 drums), "quads" (4 drums), "quints" (5 drums), and "squints," "hexes," "six-packs," "tenors" or "sextets" (6 drums). The number-specific term "quads" is often used as a generic term for configurations with more than four drums due to it being the original and most common configuration.
Typically there are four main drums, usually either 8, 10, 12, and 13 inches in diameter (which is referred to as a high school configuration or small block tenors) or 10, 12, 13, and 14 inches in diameter (referred to as a Corps configuration or big block tenors), plus one or two accent drums (typically 6 or 8 inches in diameter). The accent drums are also known as shot, gock, spock, or spike drums; they are usually tightened as high as they can go to achieve maximum effect. Other percussion instruments, such as cowbells or cymbals mounted to the rim, are sometimes also added.
The purpose of the tenors in the marching band is to add more color to the music. In big lines, there can be as many as 6 tenor players. Many high school marching bands will have one to three tenors, while it is typical for World Class drum corps to contain as many as four or five. They tend to supplement the snare part, and often the tenor parts are rudimentally identical to the snare parts. Movement around the drums allows tenors to function as melodic percussion, as each drum has a different pitch.
A four drum configuration is typically arranged so that the lowest drum is to the player's far left, the second lowest is on the player's far right, the second highest is on the middle left, and the highest is on the middle right. This makes it easier to play common patterns, and is easier to balance than if the drums were in ascending size order. This arrangement is ideal for right-handed players and is almost always the arrangement in lines that consist of more than one tenor player for uniformity. If there is a fifth drum (often called the shot or spock drum) it is placed between the player and the highest two drums. If there are six drums, the fifth and sixth drum are centered closest to the player's body.
Most of the time, tenor drums are tuned relatively tightly, giving them a high-pitched sound that carries well outdoors. Within the set of drums, the main drums are tuned to relative intervals (more common intervals being the minor 3rd, perfect 4th, and perfect 5th), while the accent drums are generally tuned as high as possible without breaking the head (often humorously referred to as "higher" and "highest", in the case of a 6-drum set).
Tenor drums are played with mallets or drumsticks. A wide variety of implements are available, encompassing a full spectrum of shaft materials (hickory and aluminum are the most popular), head materials (wood, plastic/nylon, rubber, felt, and fleece "puffs" are all common), and head shape/size (ranging from large "cartwheel" discs, sometimes referred to as "cookie cutters", to traditional drum stick beads).
Tenor players use matched grip. This facilitates tenor techniques such as "sweeps" or "scrapes" (playing double-bounce, or roll strokes in succession, while moving across different drums) and "crossovers" (crossing one hand over the other to reach a drum). These techniques allow an incredible variety of rhythmic and melodic figures possible on the tenors, as well as adding a distinct visual element to tenor playing.
The drums are played near the edge of the head, like timpani, these areas are often called "zones". This allows for the optimum resonance and fundamental tone of the drum to project. Rim shots are not needed to be hit hard depending on the choice of sticks; hard hits can warp aluminum sticks. The player's sticks can move across the main four drums in a pattern that forms a straight line from drum-to-drum, or the closest part of the drum to the player's body. This reduces the amount of space the player must travel to execute some of the more complex movement patterns. It also allows for less upper arm motion from side-to-side, which streamlines movement to play patterns, and also makes it easier to balance the weight of the drums while marching, or even running, with the drums on.
Originally a rope-tensioned drum, giving way to modern rod tension, the single tenor drum occupied a unique position in the drum corps of military and civilian pipe bands, being used as both timekeepers, accents to the musical ensemble, as well as spectacle.
Three types of tenor drum are played in modern pipe bands :
This type of drum is often used in pipe bands around the world, along with individual solo competitions. It is mainly used in the "flourishing tenor" style, as a part of the bass section (or midsection).
In most countries under the Commonwealth of Nations, as well as in the United States, the Philippines, Taiwan, the Netherlands, Indonesia, Italy, Colombia, Panama, Nicaragua, Guatemala, Bolivia, Peru, Brazil, Germany, Spain and France, the tradition of the single tenor drum is maintained by a few military bands, several police bands and many civil marching bands, corps of drums, classic style drum and bugle corps and fanfare bands. The form of the single tenor drum used in these countries is that of a marching drum similar to a snare drum but is without snares, these drums can also be tuned to have a high pitch so that a line of tenor percussionists can run split parts amongst them, in France, Spain, Italy and Germany the form is that of a cylindric drum similar to those used in the field snare drums and the aforementioned early music drum but without the snares. It can also be referred to as a Flub drum.
In the US, single-head tenor drums are popular amongst the ranks of HBCU (historically Black colleges and universities) drumlines, especially in the southern states, where they are used on either the basis of being knee tenors (how snare drums are played) or upright tenors (how bass drums are played). For example, the University of Arkansas at Pine Bluff (UAPB) Marching Musical Machine of the Mid-South's 2 Kold Krank tenor section uses the upright style single-head tenor drums while their rivals, The Alabama State University (ASU) Mighty Marching Hornets' TTB tenor section incorporates the knee single head tenor drums. Either way, these drums are mounted in the same manner as in the marching snare drum, in either slings or the shoulder harness, and can be beaten by either sticks or soft/hard mallets; if in the latter, a mixed form of the pipe band flourish and alto beat is used, while some single tenor drummers are of the rhythm type like those in the Fightin' Texas Aggie Band, while others, like in Germany's many civil fanfare bands, play the alto tenor form or rhythm tenor to accent the bass and snare drums.
The show-style (or Historical Black College University) style incorporates specialized solos for tenor drums, including fanfares (also known as drum callouts), which are played predominantly though football games.
In Spain and Italy, the tenor drums in military bands there are beaten using only a single soft mallet, which is beaten in similar manner just like in the Commonwealth alto tenor drums of pipe bands. Only the French Republican Guard Band has a sole single head tenor drum used as part of the drumline, played using hard sticks.
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.
A drum kit is a collection of drums, cymbals, and sometimes other auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching drumsticks, and uses their feet to operate hi-hat and bass drum pedals.
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and cordophone.
The snare drum is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band.
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished.
Timpani or kettledrums are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are pedal timpani and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands.
A pipe band is a musical ensemble consisting of pipers and drummers. The term pipes and drums, used by military pipe bands is also common.
Classic drum and bugle corps are musical ensembles that descended from military bugle and drum units returning from World War I and succeeding wars. Traditionally, drum and bugle corps served as signaling units as early as before the American Civil War, with these signaling units having descended in some fashion from ancient drum and fife corps. With the advent of the radio, bugle signaling units became obsolete and surplus equipment was sold to veteran organizations. These organizations formed drum and bugle corps of civilians and veterans, and the corps performed in community events and local celebrations. Over time, rivalries between corps emerged and the competitive drum and bugle corps circuit evolved.
Snare technique is the technique used to play a snare drum.
A drum roll is a technique used by percussionists to produce a sustained sound for the duration of a written note.
All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by drawing the bow across the string; it is accomplished upon the drum and allied percussion instruments by the roll.
THE SNARE DRUM ROLL.
The roll consists of an even reiteration of beats sufficiently rapid to prohibit rhythmic analysis. To produce an impression of sustentation, these beats must be absolutely even both in power and in sequence. Uneven beats in a roll destroy the impression of sustentation. Evenness is then the primary quality to strive for in roll; speed is the secondary quality to strive for.
There are two possible ways of producing an absolutely even sequence: (1) hand alternation of single stroke and (2) hand alternation of double strokes...The snare drum roll is produced by hand alternation of double strokes.
The "open roll" is produced by [initially] slow hand alternation. Two strokes in each hand alternately are produced by wrist movement and each beat should follow its predecessor in clock-like precision.
A percussion mallet or beater is an object used to strike or beat a percussion instrument in order to produce its sound.
Marching percussion instruments are percussion instruments specially designed to be played while moving. This is achieved by attaching the drum(s) to a special harness worn by the drummer, although not all marching bands use such harnesses and instead use traditional baldrics to sling their drums.
A tabor, tabret (Welsh: Tabwrdd), Tambour De Provence, or Tambourin (Provencal) is a portable snare drum typically played either with one hand or with two drumsticks. The word "tabor" is simply an English variant of a Latin-derived word meaning "drum"—cf. French: tambour, Italian: tamburo It has been used in the military as a marching instrument, and has been used as accompaniment in parades and processions.
Marching brass instruments are brass instruments specially designed to be played while moving. Most instruments do not have a marching version - only the following have marching versions:
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in the orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine.
A Corps of Drums, sometimes known as a Fife and Drum Corps, Fifes and Drums or Field Music is a traditional European military music formation. In contrast to a military band, a Corps of Drums' primary role is communication. Historically, music was used as signaling device throughout the day for keeping marching tempo and delivering commands. Today, the primary role of a Corps of Drums is ceremonial, performing in parades and military ceremonies. Besides drums, this formation may contain a variety of instruments including trumpets, bugles, and fifes.
A fanfare band, fanfare corps, fanfare battery, fanfare team, horn and drum corps, bugle band, drum and bugle corps, or trumpet and drum band is a military or civilian musical ensemble composed of percussion instruments, bugles, natural horns and natural trumpets. Fanfare bands are the descendants of the old medieval trumpet and drum teams that sounded fanfares on important occasions and are related to drum and bugle corps internationally.
A fanfare orchestra is a type of brass band consisting of the entire saxophone family, trumpets, trombones, euphoniums, baritone horns, flugelhorns and alto/tenor- or F-horns, as well as percussion. They are seldom seen outside of Europe, with a high concentration of these bands in Belgium and the Netherlands, many of them civil bands with a few Dutch bands also serving the Armed forces of the Netherlands and its veterans.
The Scottish tenor drum is a musical instrument used within Scottish pipe bands. It is a double-headed membranophone that is held vertically with one head up, one head down, and played with soft mallets on the top head only. Common sizes of drums are 15, 16, 18, or 20 inch in diameter, with 12, 14, or 16 inch depth. The playing style of the Scottish tenor drum has varied throughout the years, but there is typically a variation of the combination of swings and rhythmic accompaniment to the Scottish snare drum and the Great Highland Bagpipes. It is similar to the more common marching band style tenor drum.
In percussion, grip refers to the manner in which the player holds the sticks or mallets, whether drum sticks or other mallets.