Terrance James Houle (born 1975) is an Internationally recognized Canadian interdisciplinary artist and member of the Kainai Nation and ancestry from the Sandy Bay Reservation, Manitoba. His Mother is Maxine WeaselFat from the Kainai Nation and Father Donald Vernon Houle from Sandy Bay Reservation in Manitoba, they are both 3rd generation Residential School attendees & reside on the Blood reservation in Southern Alberta, Canada. His work ranges from subversive to humorous absurdity to solemn and poetic artistic expressions. His work often relates to the physical body as it investigates issues of history, colonization, Aboriginal identity and representation in popular culture, as well as conceptual ideas based on memory, home, and reserve communities. Currently, He has co-directed a Short Animation Otanimm/Onnimm with his daughter Neko which is currently touring Film festivals, In Los Angeles, NYC, Toronto, New Zealand, Vancouver, Oxford & many more. Recently their short film won the prestigious Golden Sheaf Indigenous Award at Yorkton Film Festival and is Neko's First Award in Film at 17 years old.
[1] [2] [3] Houle works in whatever media strikes him, and has produced work in photography, painting, installation, mass marketing, performance, music, video, and film. [4] Houle is based in Calgary, Alberta. [5]
Houle was born in 1975 in Calgary, Alberta, Canada. He holds a BFA degree in Fibre & textiles from the Alberta College of Art and Design 2003. [6] [4] His father was an army sergeant in the Canadian Armed Forces, and the family moved around a lot. [3] This constant relocation reinforced the importance of his Aboriginal identity and cultural backgrounds to Houle, which formed the basis of his art practice. [3] He has been involved with Aboriginal communities all his life, traveling across North America to participate in Powwow dancing along with his native ceremonies. He has one Daughter Neko Wong-Houle born 2003 who is a registered member of the Kainai Nation, Saulteaux and of Chinese & Romanian Decent
Since 2014, Houle has been working on an ongoing collaborative project titled GHOST DAYS. GHOST DAYS evokes colonial and non-colonial histories that exist in the light of night as in the darkness of the day, and awakens a collaboration with artists, audience, and spirit. [13] So far it has involved a residency at Banff Centre for the Arts, [14] performances, a blog, music tracks on Soundcloud and Bandcamp, and a feature length film hosted by Vimeo and represented by Vtape. The film was shot at IXL Brick Factory Medalta Clay Historical, Medicine Hat, Alberta.
His work Your Dreams Are Killing My Culture (2009) was purchased for the permanent collection of the National Gallery of Canada in 2011. [15] His work is also included in the permanent collections of the Glenbow Museum, [16] the Art Gallery of Greater Victoria [17] and the Alberta Foundation for the Arts. [18]
Houle and his daughter Neko won the prestigious 2021 Yorkton Film Festival Golden Shear Indigenous Award for their short animation "Otanimm/Onnimm" produced in 2019/20. He received the 2004 Enbridge Emerging Artist Award presented at the Mayors Luncheon for the Arts, City of Calgary, Alberta. He was awarded Best Experimental Film at the 2004 imagineNATIVE Film and Media Festival in Toronto, Ontario. He was also an invited participant in the Banff Centre for the Arts program Communion and Other Conversations Artist in Residency Program at Banff, Alberta, in 2003. [3]
The culture of Alberta refers to the art, customs, and traditions of the people of Alberta. Alberta entered into Confederation in 1905, placing her in a tie with Saskatchewan as the country's second youngest province. Despite her short history, the province possesses a rich culture. The vastness of the land and variation of geography – which includes mountains, foothills, grassland, parkland, forest, and rockland – have served as important sources of creative inspiration across all art forms. Alberta's primary industries of farming, ranching, and petroleum also play a major part in the province's culture and identity.
The Glenbow Museum is an art and history regional museum in the city of Calgary, Alberta, Canada. The museum focuses on Western Canadian history and culture, including Indigenous perspectives. The Glenbow was established as a private non-profit foundation in 1955 by lawyer, businessman and philanthropist Eric Lafferty Harvie with materials from his personal collection.
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Hugh Aylmer Dempsey, was a Canadian historian, an author and the Chief Curator Emeritus of the Glenbow Museum in Calgary, Alberta. Dempsey authored more than 20 books, focusing primarily on the history of people of the Blackfoot Confederacy. He received an honorary doctorate from the University of Calgary and was made an honorary chief of the Kainai Blackfoot in 1967. For his contributions to the study of the Plains Indians, Dempsey was awarded membership in the Order of Canada in 1975.
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Nancy Tousley is a senior art critic, journalist, art writer and independent curator whose practice has included writing for a major daily newspaper, art magazines, and exhibition catalogues.
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Linda Craddock is a Canadian visual artist living in Calgary, Alberta. Her work has been featured in exhibitions since 1973.
Adrian Stimson is an artist and a member of the Siksika Nation.
Ronald Benjamin Moppett is a Canadian painter. He is known primarily for abstract paintings and for works in which he combines paint and collage, along with non-traditional materials. Moppett is based in Calgary, Alberta.