Related Research Articles
Arthur Baker is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album Jill Jones (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, "In The Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed 'the Massive Jungle Mix' for Tina Turner's UK top 40 lead single from her 1996 album Wildest Dreams "Whatever You Want". Arthur Baker's songs are represented by Downtown Music Publishing.
Peter Anton Orlovsky was an American poet and actor. He was the long-time partner of Allen Ginsberg.
Freeez were an English electronic music group, initially known as one of the UK's main jazz-funk bands of the early 1980s. Initiated by John Rocca, Freeez consisted of various musicians, originally with Rocca and others such as Andy Stennett (keyboards), Peter Maas and Paul Morgan or Everton McCalla (drums). They had an international hit with "IOU", and a UK Top 10 with "Southern Freeez".
John Rocca is an English dance music performer, remixer and record producer, most well known for his band Freeez.
"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances. The lyrics describe a young couple who fantasize about the romantic freedom they would earn as adults. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of the power pop genre. Its innovative quality also influenced the development of progressive pop.
"One More Try" is a song recorded by the British singer George Michael from his debut solo studio album, Faith (1987). It was released on 11 April 1988 as the album's fourth single by Columbia Records. The song hit number one on both the Billboard Hot 100 and the Hot R&B/Hip-Hop Songs chart.
"Be My Baby" is a song written by Jeff Barry, Ellie Greenwich, and Phil Spector. It was recorded on July 5, 1963 at Gold Star Studios Hollywood by American girl group the Ronettes and released as a single in August 1963 and later placed on their 1964 debut LP Presenting the Fabulous Ronettes featuring Veronica. Ronnie Spector is the only Ronette to appear on the single; her future husband Phil produced their elaborately layered recording in what is now considered a quintessential example of his Wall of Sound production formula.
Bottoms of Barrels is the second album by Omaha, Nebraska's Tilly and the Wall. It was released on 2006-05-23 on Team Love Records.
"Beat Surrender" was The Jam's final single, and was released on 22 November 1982. It became the band's fourth No. 1 hit in the UK Singles Chart for two weeks in December 1982.
Extras is a compilation by the British group The Jam. Released in April 1992 it includes 26 B-sides, rarities, and unreleased tracks.
"I Do" is a song written by Brian Wilson and Roger Christian, originally released as a single by American vocal group the Castells in March 1964. The recording was also produced and arranged by Wilson. The song's lyrics illustrate a young man getting ready for marriage. Its melody was derived from "County Fair", a song Wilson had earlier written for the Beach Boys.
"I.O.U." is a song from 1983 by British musical group Freeez, their most successful hit. The song "IOU", was written & produced by Arthur Baker and remixed by Jellybean Benitez & Arthur Baker.
"Pop Goes My Love"/"Scratch Goes My Dub" is a single recorded for Beggars Banquet Records by British group Freeez. It was produced by Arthur Baker and featured on the album "Gonna Get You". The song reached #26 in the UK Singles Chart. In the United States, the single reached #47 on the Billboard R&B singles chart and #5 in the Hot Dance Club Play chart.
Southern Freeez is the debut album by the British jazz-funk band Freeez, first released in 1981 by John Rocca on his Pink Rythm record label and then signed to Beggars Banquet.
"Southern Freeez" produced by John Rocca was the first single released by British dance band Freeez from the debut Southern Freeez (album) of the same name. The album was self funded by John Rocca and initially released on his Pink Rythm record label before being signed to Beggars Banquet.
"Keep in Touch" is the debut single and first song by British jazz-funk/dance band Freeez. Self funded and released, the idea for the song came from lead artist John Rocca, while playing with another informal group led by Jean-Paul 'Bluey' Maunick, who was then in between UK brit funk projects Light of the World and Incognito. Derived from the group, the personnel performing on the recording were Maunick (guitar), Peter Maas (bass), Paul Morgan (drums), Jason Wright (keyboards), and Rocca (percussion).
Soul UK is the seventh studio album by English singer-songwriter Beverley Knight. The album was released on 4 July 2011, and features covers of British soul songs that inspired her whilst growing up. The album includes a live DVD of the tracks, filmed on 7 April at the Porchester Hall in London.
Beat Street - Volume 1 and Beat Street - Volume 2 are soundtrack albums for the 1984 drama film of the same name. It was released in 1984 by Atlantic Records. Both albums were produced by Harry Belafonte, a calypso artist best known for his 1956 hit "Day-O ", and prolific freestyle music producer and remixer Arthur Baker, who collaborated with music artists including Freeez, Afrika Bambaataa, and New Order.
"Round and Around" is the fourth solo single release from British singer Jaki Graham, following her previous single, a duet with David Grant, "Could It Be I'm Falling in Love". It was the third single taken from her debut studio album, Heaven Knows.
I've Never Been to Me is a studio album by American singer Nancy Wilson, released by Capitol Records in June 1977. It was produced by Gene and Billy Page, who had previously worked with Wilson on All in Love Is Fair (1974) and Come Get to This (1975). Gene Page also served as arranger and conductor for most songs. Garry Sherman produced and arranged four songs. As with most of Wilson's albums from the 1970s, I've Never Been to Me features more of an R&B and soul music sound.
References
- ↑ song "That Beats My Patience" on Discogs.com
- ↑ song "That Beats My Patience" on Discogs.com