"I.O.U." | ||||
---|---|---|---|---|
![]() | ||||
Single by Freeez | ||||
from the album Gonna Get You | ||||
B-side |
| |||
Released | 17 June 1983 | |||
Studio | Unique (New York City) | |||
Genre | Electro-funk [1] | |||
Length |
| |||
Label | Beggars Banquet | |||
Songwriter(s) | Arthur Baker | |||
Producer(s) | Arthur Baker | |||
Freeez singles chronology | ||||
| ||||
Freeez singles chronology | ||||
|
"I.O.U." is a song by British musical group Freeez, released in 1983. The song was written and produced by Arthur Baker and remixed by Jellybean Benitez and Arthur Baker. The song was an international hit, reaching number two on the UK Singles Chart, making the top ten in many European charts and topping the US Billboard Dance/Disco chart. It was the 20th-best-selling single of 1983 in the United Kingdom. [2]
The accompanying video featured children with skateboards and BMX bicycles recreating New York hip-hop culture.
In 1986, a 12-inch single was released in the US by the Criminal Records company, with new remixes. Some of these remixes were given a re-release during 1987 in the UK for the Citybeat label as "I.O.U. (The Ultimate Mixes '87)", however, it only reached number 23 on the UK Singles Chart.
The song has been sampled multiple times. Cutfather and Joe used a sample for their remix of Brandy's 2002 single "Full Moon"; Cheryl Cole for the song "Let's Get Down" from her 2010 album Messy Little Raindrops as does Wawa for the remix of StoneBridge's 2007 single S.O.S. Jamie xx uses a vocal sample for the song "Girl", which closes his debut solo album In Colour . In 2019, Detroit rapper Babytron of ShittyBoyz used this sample for the song "Jesus Shuttlesworth", the third track of his debut album Bin Reaper. In 2021 the international DJ/Producer Paolo Pellegrino used the sample and the chorus, and had a new song rewritten together with the singer and songwriter Shibui, also changing the title to Destiny.
7-inch vinyl
No. | Title | Length |
---|---|---|
1. | "I.O.U." | 3:48 |
No. | Title | Length |
---|---|---|
1. | "I Dub U" | 4:38 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." |
No. | Title | Length |
---|---|---|
1. | "Pop Goes My Love" |
12-inch vinyl
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Megamix) | 8:43 |
No. | Title | Length |
---|---|---|
1. | "I Dub U" | 7:37 |
2. | "We Got the Jazz" | 4:04 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Megamix) | 8:43 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Accapella Mix) | 4:03 |
2. | "We Got the Jazz" | 4:04 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." | 7:50 |
No. | Title | Length |
---|---|---|
1. | "I. Dub. U." | 7:49 |
2. | "Acapella U." (not on all releases) | 2:50 |
12-inch vinyl
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Ultimate Club, Vocal Mix) | 8:00 |
2. | "I.O.U." (Ultimate Drumapella) | 4:10 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Ultimate Shakedown Gogo, Vocal Mix) | 6:37 |
2. | "I.O.U." (Ultimate Club, Dub Mix) | 6:50 |
7-inch vinyl
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Club Vocal Edit) | 3:55 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Shakedown Vocal Edit) | 3:55 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Shakedown) | 3:55 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Club) | 4:00 |
12-inch vinyl
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Ultimate Club Dub Mix) | 6:32 |
2. | "I.O.U." (Ultimate Club Vocal Mix) | 6:02 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Ultimate Shakedown Vocal Mix) | 6:37 |
2. | "I.O.U." (Ultimate Shakedown Instrumental Mix) | 5:18 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Ultimate Shakedown Vocal Mix) | 6:40 |
2. | "I.O.U." (Ultimate Shakedown Instrumental Mix) | 5:25 |
No. | Title | Length |
---|---|---|
1. | "I.O.U." (Ultimate Club Vocal Mix) | 6:10 |
2. | "I.O.U." (Ultimate Club Dub Mix) | 6:35 |
Additional personnel for 1986/87 versions
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [25] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
"Confusion" is the sixth single by British group New Order, originally released in August 1983 on Factory Records with the catalogue number FAC 93. The follow-up to their breakthrough hit "Blue Monday", it was produced and co-written by influential New York DJ Arthur Baker, charting at No. 1 on the UK Indie Chart, No. 12 on the UK Singles Chart and the top 10 in Ireland and New Zealand, as well as reaching No. 5 on Billboard's Dance Club Songs.
The Lurkers are a British punk rock band from Uxbridge, West London. They were the first group to be on Beggars Banquet Records for whom they released two albums, the first of which charted in the UK Albums Chart, while five singles also charted in the UK singles chart.
Arthur Baker is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album Jill Jones (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, "In the Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed the "Massive Jungle Mix" for Tina Turner's UK top 40 single "Whatever You Want". Arthur Baker's songs are represented by Downtown Music Publishing.
"Birds Fly (Whisper to a Scream)", given the reversed title "Whisper to a Scream (Birds Fly)" in some markets, is a song by the British band The Icicle Works. It was released in 1983 as the first single from the band's 1984 debut eponymous album The Icicle Works, and re-released in March 1984. The song was written by Ian McNabb, the band's lead singer, and produced by Hugh Jones.
Freeez were an English electronic music group, initially known as one of the UK's main jazz-funk bands of the early 1980s before transitioning to an electro style. Initiated by John Rocca, Freeez consisted of various musicians, originally with Rocca and others such as Andy Stennett (keyboards), Peter Maas and Paul Morgan or Everton McCalla (drums). They had an international hit with "IOU", and a UK top 10 with "Southern Freeez".
John Rocca is an English dance music performer, remixer, percussionist, and record producer, most well known for his band Freeez.
"Love Will Save the Day" is a song recorded by American singer Whitney Houston from her second diamond studio album Whitney (1987). The song was released in May 1988 by Arista Records as the album's fifth single. The song did not have a music video but was still successful, climbing into the US top ten. Written by Toni C and produced by John "Jellybean" Benitez, it is one of the uptempo singles on the album that also includes "I Wanna Dance with Somebody" and "So Emotional".
"Everything Counts" is a song by the English electronic music band Depeche Mode from their third studio album, Construction Time Again (1983). A live version of the song was released in 1989 to support the band's live album 101. The original single reached No. 6 on the UK Singles Chart, whereas the live version reached No. 22.
"Gambler" is a song by American singer Madonna from the soundtrack album to the 1985 film Vision Quest. The song was written solely by Madonna, while the production was handled by John "Jellybean" Benitez at her request. It was released as the second single from the film's soundtrack album on October 3, 1985, by Geffen Records. "Gambler" was never released as a single in the United States, at the request of Madonna's own Sire Records. The music video of the song is an excerpt from the film.
"Sidewalk Talk" is a song by American record producer John "Jellybean" Benitez from his first extended play, Wotupski!?! (1984). It was released on October 21, 1984, by EMI Records as the first single from the EP. The song was written by Madonna and produced by Benitez. They had initially met in 1983 and Benitez worked as a producer on Madonna's self-titled debut album. When he started work on his debut EP, Wotupski!?!, Madonna wrote "Sidewalk Talk" for him. The song features bass and electric guitars, synthesizers, piano, and drums. Lead vocals are by Catherine Buchanan with additional chorus vocals by Madonna.
"Every Heartbeat" is a song by American Christian singer Amy Grant. It was released in June 1991 by A&M Records as the third single from her ninth studio album, Heart in Motion (1991), though it was the second from the album to be released to mainstream pop radio. It reached No. 2 on the US Billboard Hot 100 and on the Adult Contemporary chart for one and six weeks, respectively. Charlie Peacock wrote the song's music and chorus lyrics, with Grant and Wayne Kirkpatrick composing the remaining lyrics.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
"Keep This Fire Burning" is a song by Swedish recording artist Robyn, released as the first single from her third album Don't Stop the Music. The single was released in Sweden on 21 September 2002, where it became her highest charting single since 1995's "Do You Really Want Me ". The song was also released as a single in Australia under the name "By Your Side" due to the Australian bushfires which were happening at the time. In 2008, a re-recorded version of the song appeared on the special edition of Robyn's eponymous album.
"Banquet" is a song from British band Bloc Party's debut album Silent Alarm. Originally released on a double A-side single along with "Staying Fat" in May 2004 by Moshi Moshi Records, it was re-released as a regular single in the United Kingdom by Wichita Recordings on 25 April 2005. It was their first single to chart on the Billboard Modern Rock Tracks where it came in at number 34, and is often credited as their breakthrough single in North America. It was also featured in the song "Bloc Party" on the Fort Minor Mixtape: We Major. It was ranked No. 31 in NME's top 100 tracks of the decade, and was number 54 in Triple J's Hottest 100 of all time. It peaked at No. 13 on the UK Singles Chart. In 2011, NME placed it at number 20 on its list "150 Best Tracks of the Past 15 Years". The song was featured in the 2018/19 video game Life Is Strange 2.
"She Sells Sanctuary" is a song by British rock band the Cult. It is from their second studio album, Love (1985), and was released as a single on 13 May 1985, peaking at number 15 on the UK Singles Chart in July of the same year. In March 2023, the British Phonographic Industry (BPI) awarded the song a platinum certification for sales and streams of over 600,000. In January 1993, the song was re-released as "Sanctuary MCMXCIII" and experienced chart success once more, matching its original peak on the UK Singles Chart and entering the top 10 in New Zealand. The song was also certified 2× Platinum in Canada and platinum in New Zealand.
"The Sound of the Crowd" is a song by the British synth-pop group The Human League. It became the band's commercial breakthrough, reaching #12 on the UK singles chart in May 1981.
"Feelin' Fine" is a song written by Darren Mew and originally released as a happy hardcore song in 1998 under the alias Unique. In 2003, Ultrabeat released a cover of the song with newly added lyrics as their second single; it reached number 12 on the UK Singles Chart.
"Beat the Clock" is a 1979 song by the American pop and rock duo Sparks. Produced by famed disco producer Giorgio Moroder, it was released as the fourth single from the band's eighth studio album No. 1 in Heaven.
"Pop Goes My Love"/"Scratch Goes My Dub" is a single recorded for Beggars Banquet Records by British group Freeez. It was produced by Arthur Baker and featured on the album Gonna Get You. The song reached #26 in the UK Singles Chart. In the United States, the single reached #47 on the Billboard R&B singles chart and #5 in the Hot Dance Club Play chart.
"Southern Freeez" produced by John Rocca was the first single released by British dance band Freeez from their debut album, also entitled Southern Freeez. The album was self-funded by member John Rocca and initially released on his Pink Rhythm record label before the group was signed to Beggars Banquet.