Arthur Baker | |
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Background information | |
Born | Boston, Massachusetts, U.S. | April 22, 1955
Genres | |
Occupations |
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Years active | 1982–1996, 2006–present |
Labels |
Arthur Baker (born April 22, 1955) is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album Jill Jones (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, "In the Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed the "Massive Jungle Mix" for Tina Turner's UK top 40 single "Whatever You Want" (co-written by himself, Taylor Dayne and Fred Zarr). [2] [3] Arthur Baker's songs are represented by Downtown Music Publishing.
Born in Boston, Massachusetts, [4] on April 22, 1955, [1] Baker first worked as a club DJ in Boston in the early-1970s, where he was known for playing crowd-pleasing soul and Philly soul. Nonetheless, he had little patience for DJing, saying in an interview: "[If] I didn't get a good reaction on a record, I'd just rip it off, break it up and throw it on the dancefloor." [4]
Baker's production career started off with a few disco recording sessions in Boston. Legendary disco remixer Tom Moulton, who was signed to Casablanca at the time, was required to release an album of his own as part of the deal for working for the label. Tom's brother Jerry came across the sessions written and recorded by Baker, Tony Carbone, and Larry Wedgeworth and bought them in a deal from Baker. Moulton then remixed the tracks and released them as his 1979 album "T.J.M" Baker talked about the album in an interview with Red Bull Music Academy in 2012.
"Well, when I was in Boston, I went into a recording studio...Intermedia Studios ... the first Aerosmith album was recorded there. I took an engineering course there....from there I kept on doing things.... I went to my family and I borrowed like a thousand dollars, from my grandmother, my father, just about anyone. Got money from them and I decided to make an album. Something like a Gamble & Huff album. It was like doing a full album with strings on every track. I mean it was crazy, and I probably spent like 15 grand. And then Tom Moulton's brother heard it and said "Oh we love the songs, we'll buy it from you but we're going to re-record everything." So this was the first time I got f***ed in the record business. Listen up for this one! So, basically he said: "Here's the money, you'll get publishing." Because you know, I'd written all the songs. And he said : " We just want the tapes, we're not going to use them but we just want them so we can listen to them better." So of course, I gave him the multitracks, and a year later it came out as T.J.M. He'd used everything I'd done, and he sort of remixed it or mixed it. So, I got a bit screwed on that one."
— Arthur Baker
Baker also released a single under the moniker "North End" on West End Records in 1979, "Kind of Life (Kind of Love)".
In 1981, Baker moved to New York, where he continued to DJ while pursuing a career as a producer. His first successful single was "Happy Days", which he released under the name North End on Emergency Records in 1981.
In the early 1980s, prior to digital recording equipment that would emerge a decade later, Baker and his contemporaries created remixes on analog tape. He worked closely with the Latin Rascals, which were influenced by the earlier work of Tom Moulton, John Morales (of Morales and Munzibai), and Walter Gibbons, the creator of the first commercially available twelve-inch single, a remix of Double Exposure's "Ten Percent". The Latin Rascals would eventually edit the work of every major United States dance-music producer active in the 1980s, but in the early days, the duo was part of Baker's circle.
Baker went on to work for hip-hop label Tommy Boy Records, where he produced Afrika Bambaataa and the Soul Sonic Force's "Planet Rock" single, which was a hit in the summer of 1982. [5] The record combined elements from two Kraftwerk recordings, "Trans Europe Express" and "Numbers", which were interpolated by studio musicians, rather than sampled. Later that year, using unused tracks from "Planet Rock", he later produced Planet Patrol's "Play at Your Own Risk" single in 1982, another group with a hit album in 1983.
Also during 1982, he produced the single "Walking on Sunshine" by Rocker's Revenge featuring Donny Calvin which hit number one on the US Dance chart on September 18 that year.
In 1983, Baker found work doing dance remixes of pop and rock hits, first with Cyndi Lauper's "Girls Just Wanna Have Fun", and Bruce Springsteen's "Dancing in the Dark", "Cover Me", and "Born in the U.S.A." from his Born in the U.S.A. album. Also during 1983, Baker produced the track "I.O.U." by Freeez, which was one of the biggest dance hits of the year in the UK. In 1984, Baker contributed his "Breakers' Revenge" to the Beat Street score and movie soundtrack, which he also helped produce. He is the remixer and additional producer for songs for Hall and Oates ("Out of Touch", "Method of Modern Love", "Possession Obsession", "Dance On Your Knees") and Diana Ross ("Swept Away", co-written and co-produced by Daryl Hall). In 1985, he produced three songs on Jennifer Holliday's album Say You Love Me, the biggest hit being "No Frills Love", a song he co-wrote, co-produced, arranged and remixed. The remixes for Pet Shop Boys' "Suburbia" followed in 1986.
Following these successes, Baker came to the attention of Manchester alternative dance group New Order, who co-wrote "Confusion" with him (and Baker can be seen prominently in the music video of the former). The 12-inch single "Confusion" was a crossover hit on the US dance charts, and established a relationship between Baker and the band that has continued since.
Narrowly missing out on signing the Beastie Boys to his Streetwise Records label, Baker did manage to sign the group New Edition, which had success with its single "Candy Girl".
In 1984, Baker worked with Hall & Oates as mix consultant on their album Big Bam Boom , and the result was a markedly urban and electronic sound for the duo. Baker co-wrote the opening instrumental, "Dance On Your Knees", with Daryl Hall. He also remixed that song and the album's other three chart hits: "Out Of Touch", "Method Of Modern Love", and "Possession Obsession". Baker also contributed three remixes to "Tease Me", the lead-off track on (Ohio Players and Parliament Funkadelic alum) Walter "Junie" Morrison's "Evacuate Your Seats" Techno-Freqs EP.
In 1985, Baker helped Bob Dylan complete his Empire Burlesque album as mixer and arranger, and with Little Steven Van Zandt organized and produced the anti-apartheid anthem "Sun City" by Artists United Against Apartheid. He was later honored by the United Nations Special Committee against Apartheid for "high valuable contribution to the international campaign for the elimination of apartheid and the establishment of a non-racial and democratic society in South Africa".[ citation needed ]
In the late 1980s and later into the 1990s, Baker worked with soul star Al Green, writing and producing the international hit "The Message is Love" and the anti-handgun song "Leave the Guns at Home". In 1989, he released the album Merge on A&M Records as Arthur Baker and the Backbeat Disciples, and remixed Neneh Cherry's debut single "Buffalo Stance". He was also the music supervisor of the films Fried Green Tomatoes and Listen Up – The Lives of Quincy Jones . In 1991, he released a second album under Arthur Baker and the Backbeat Disciples, Give in to the Rhythm.
In the 1990s, following a break from production for some years, Baker moved to London, and established a chain of successful bars—The Elbow Rooms—across the city. He also owns the Tiny Robot restaurant and The Starland Social Club members bar in London, located in Notting Hill. He continues to work as a DJ and music producer and recently produced "Part-A" for the genre-busting London Electro Metal band Monsta.
The Arthur Baker remix of "Spaceman" by Babylon Zoo was used in the 1995 Levi's commercial "Planet".
In 2006, the financial services company Visa used a Baker-produced track from Afrika Bambaataa's "Looking For the Perfect Beat" as the backing music of a Visa Check Card commercial. In the ad, an animated worm drawn on the pages of a checkbook does the 1980s dance known as the Worm.
Year | Single | Peak positions | Album | |||
---|---|---|---|---|---|---|
US Dance [6] | NED | BEL (FLA) | UK [7] | |||
1986 | "Jummp-Back" | 16 | — | — | 83 | Don't Push Your Luck |
"Ain't Gonna Pay One Red Cent" | — | — | — | — | ||
"Turn Me Loose" | 5 | — | — | 60 | ||
1987 | "Private Party" | 39 | — | — | 57 | |
"Tighten Up (I Just Can't Stop Dancin')" | 23 | 13 | 11 | 24 | ||
1988 | "Sworn to Fun" (US only) | — | — | — | — | |
"Thieves" (UK only) | — | — | — | — | ||
"—" denotes releases that did not chart or were not released. |
Year | Single | Peak positions | Album | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
US Dance [8] | UK [7] | |||||||||||
1987 | "Put the Needle to the Record" | 10 | 63 | Locked Up | ||||||||
1989 | "When the Funk Hits the Fan" | — | — | |||||||||
1990 | "House Time, Anytime" (US only) | — | — | |||||||||
"Everybody (Rap)" (feat. Wendell Williams)(Criminal Element Orchestra credited on UK releases only) | — | 30 | The Best of Criminal Element Orchestra | |||||||||
"Could It Be I'm Falling in Love" (with Tkeylow)(US only) | — | — | ||||||||||
1991 | "What Is the Criminal Element? (La Da Dee La Da Daa)" (feat. Princessa)(US only) | — | — | |||||||||
1992 | "ABC/OPP" (feat. Tim Bryant)(US only) | — | — | |||||||||
1996 | "Go Around" (UK only) | — | 89 | Single only | ||||||||
"—" denotes releases that did not chart or were not released. |
Year | Single | Peak positions | Album | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
US [9] | US R&B [10] | US Dance [11] | AUS [12] [13] | NZ | NED | BEL (FLA) | GER | AUT | UK [14] | |||
1989 | "It's Your Time" (feat. Shirley Lewis) | — | — | — | — | — | — | — | — | — | 64 | Merge |
"Talk It Over" (feat. John Warren) | — | — | — | 153 | — | — | — | — | — | — | ||
"The Message Is Love" (feat. Al Green) | — | 84 | 39 | 46 | 10 | 12 | 9 | 6 | 4 | 38 | ||
1990 | "Last Thing on My Mind" (feat. John Warren) | — | — | — | — | — | — | — | — | — | — | |
1991 | "Let There Be Love" | — | — | 14 | — | — | — | — | — | — | — | Give In to the Rhythm |
"Leave the Guns at Home" (feat. Al Green) | — | 69 | — | — | — | — | — | — | — | — | ||
"Kiss the Ground (You Walk On)" (feat. Adele Bertei) | — | — | 47 | — | — | — | — | — | — | — | ||
1992 | "I O U" (feat. Nikeeta) | 93 | — | 19 | — | — | — | — | — | — | — | |
"—" denotes releases that did not chart or were not released. |
Year | Single | Peak positions | Album | |||
---|---|---|---|---|---|---|
US Dance | NED | BEL (FLA) | UK | |||
1984 | "Breaker's Revenge" | 19 | — | — | — | Beat Street OST |
"Who You Stealin' From" (by Guru)(US only) | — | — | — | — | Singles only | |
1986 | "(I Want to Go To) Chicago" (by R.T. & the Rockmen Unlimited) | — | — | — | — | |
1987 | "The Opera House" (by Jack E Makossa) | 6 | 21 | 10 | 48 | |
1991 | "Over & Over" (by Pleasure Pump) | — | — | — | — | |
"Why Can't We See" (by Blind Truth feat. Táta Vega & Toney Lee) | — | — | — | — | ||
1993 | "Love Is the Key" (by Blind Truth feat. Táta Vega) | — | — | — | — | |
1994 | "Boombaata" (by Blind Truth) | — | — | — | — | |
1996 | "It's So Hard" (Angel Moraes re-presents Blind Truth) | — | — | — | — | |
"You're Mine" (Arthur Baker presents Blow Out Express)(UK only) | — | — | — | — | ||
"Down the Pub" (Blowout Express presents Norman & Christopher)(UK only) | — | — | — | — | ||
1997 | "Blowout Expressions" (by Arthur Baker presents Blowout Express)(UK only) | — | — | — | — | |
"Stop! Love Patrol" (by Baker/Robie Project) | — | — | — | — | ||
1998 | "The Break '98" | — | — | — | — | |
1999 | "Breaker's Revenge '99" (UK only) | — | — | — | — | |
2002 | "Hold Your Head Up" (by Arthur Argent)(UK only) | — | — | — | — | |
2003 | "Real Fookin' Noise" (by Arthur Argent)(UK only) | — | — | — | — | |
"Return to New York" (feat. Princess Superstar)(UK only) | — | — | — | — | ||
"1000 Years" (feat. Astrid Williamson)(US only) | 22 | — | — | — | ||
2004 | "This Feelin'" (by AB/DC)(UK only) | — | — | — | — | |
2006 | "Glow" (feat. Tim Wheeler)(UK only) | — | — | — | 82 | |
2009 | "Tear Down the Walls" (feat. Nona Hendryx & Ladonna)(UK only) | — | — | — | — | |
"—" denotes releases that did not chart or were not released. |
Planet Rock: The Album is an old school hip hop album by Afrika Bambaataa & Soulsonic Force, released in 1986 as a collection of previous singles. The song "Planet Rock" was one of the earliest hits of the hip hop music genre and remains one of its pioneering recordings. The single's liner notes include members of Kraftwerk with the songwriting credits. In creating the track, portions of Kraftwerk's "Numbers" and "Trans-Europe Express" were interpolated, along with portions of songs by Captain Sky and Ennio Morricone.
Mantronix was an influential 1980s hip hop and electro funk music group from New York City. The band was formed by DJ Kurtis Mantronik and rapper MC Tee. The group is primarily remembered for its pioneering blend of old school hip hop, electronic, and club music. They underwent several genre and line-up changes during its seven-year existence between 1984 and 1991, and released five albums beginning with their 1985 debut The Album.
Rajinder Singh Rai, better known by his stage name Panjabi MC, is a British-Indian recording artist, rapper, record producer and DJ. He is best known for the worldwide Bhangra 2002 hit "Mundian To Bach Ke", which sold 10 million copies worldwide, making it one of the best-selling singles of all time. Among other songs, he gained acclaim with the 2003 release "Jogi". AllMusic has called him "one of the most prominent names in bhangra".
Chris Barbosa is an American record producer and Freestyle pioneer from New York.
Maximilian Lenz, known by his stage name WestBam, is a German DJ and musician. He is the co-founder of the record label Low Spirit.
Planet Patrol is an American electro group originating in the 1980s. The members were Arthur Baker, John Robie, and a quintet of vocalists led by Herbert J. Jackson, Joseph Lites, Rodney Butler, Michael Anthony Jones, and Melvin B. Franklin. The group only produced a single album, the self-titled Planet Patrol in 1983, which peaked at #64 on the Billboard R&B Albums chart.
Jocelyn Enriquez is a Filipino American dance-pop singer born and raised in the San Francisco Bay Area. Her most popular songs are "Do You Miss Me", "A Little Bit of Ecstasy", and the Stars on 54 cover of Gordon Lightfoot's "If You Could Read My Mind". Her success helped inspire and pave the way for many Asian American, particularly Filipino Americans from the San Francisco Bay Area, artists during the mid to late 1990s such as Buffy, Kai, One Vo1ce, Pinay, Sharyn Maceren, and others.
Kurtis el Khaleel, known by the stage name Kurtis Mantronik, is a Jamaican-born hip hop and electronic-music artist, DJ, remixer, and producer. He was the leader, DJ, and keyboardist of the influential 1980s hip hop and electro-funk group Mantronix. He currently lives in South Africa where he has produced and remixed house and techno music tracks by artists such as India, Junior Senior, Kylie Minogue, Fatboy Slim, The Chemical Brothers, Michael Gray, Victoria Beckham, Liberty X, S Club, and Mim. Mantronik was influential in the development of hip hop music: notably, he laid the foundations for Southern hip hop genres such as Miami bass and trap music, and helped popularize the Amen break.
Artists United Against Apartheid was a 1985 protest group founded by activist and performer Steven Van Zandt and record producer Arthur Baker to protest against apartheid in South Africa. The group produced the song "Sun City" and the album Sun City that year, which is considered a notable anti-apartheid song.
Gino Soccio is a Canadian disco record producer based in Montreal. His only US Billboard Hot 100 entry was the #48 hit single "Dancer" in 1979, but he did hit #1 on the US Hot Dance Music/Club Play chart twice. "Dancer" peaked at #46 in the UK Singles Chart in May 1979. Soccio's third biggest hit, "It's Alright" / "Look at Yourself", from his album, Face to Face, reached #2 for 5 weeks also on the Hot Dance Music/Club Play chart. "Turn It Around" was released only as a single in 1984.
Will to Power is an American dance-pop group that originated in South Florida in the mid-1980s, founded by Miami producer Bob Rosenberg. The group recorded a number of hit singles on the Billboard dance and pop charts in the late 1980s and early 1990s, most notably "Baby, I Love Your Way/Freebird Medley", a medley of 1970s hits by Peter Frampton and Lynyrd Skynyrd that reached the top of the Billboard Hot 100 in December 1988. A second hit was "I'm Not in Love", a cover of 10cc's 1975 hit: number 7 on Billboard Hot 100 in 1990.
Marc Kinchen, known by his initials MK, is an American DJ, record producer and remixer. He hit number-one on the US Billboard Hot Dance Music/Club Play chart in 1993 and 1994 with the songs "Always" and "Love Changes". Lead vocals on both of those tracks were performed by Alana Simon. The combo also recorded the underground house music classic anthem "Burning". "Always" peaked at number 69 on the UK Singles Chart in February 1995. MK also hit the dance chart with "4 You", using the pseudonym 4th Measure Men.
"Disco Inferno" is a song by American disco band the Trammps from their 1976 studio album of same name. With two other cuts by the group, it reached No. 1 on the US Billboard Dance Club Songs chart in early 1977, but had limited mainstream success until 1978, after being included on the soundtrack to the 1977 film Saturday Night Fever, when a re-release hit number eleven on the Billboard Hot 100 chart.
"Whatever You Want" is a song performed by American recording artist Tina Turner from her ninth studio album, Wildest Dreams (1996). It was written by Arthur Baker, Fred Zarr, and Taylor Dayne and is noted for its different levels of energy and strong vocal performance, as well as its orchestral arrangement and complex production, courtesy of producer Trevor Horn.
Fuel for the Fire is the second album by British duo Naked Eyes, released in 1984. The band had top 40 success with the first single off the album, "(What) In the Name of Love", produced by Arthur Baker, which reached No. 39 in the US on the Billboard Hot 100, and in a remix by Baker, No. 35 on the Dance chart. The album peaked at No. 83 on the Billboard Top 200 Albums chart.
"Planet Rock" is a song by the American hip hop artists Afrika Bambaataa and the Soul Sonic Force. The song was produced by Arthur Baker and released by Tommy Boy Records in 1982. The recording came together after DJ and producer Baker met with Bambaataa and the two bonded over the idea of creating a song about their mutual appreciation for the band Kraftwerk. Baker and Bambaataa had worked together previously on the song "Jazzy Sensation" and decided to compose a more electronic based version of the hip hop song, as opposed to the more disco-oriented work popular at the time. Along with musician John Robie, the group recorded the single at Intergalactic Studios in New York. Robie duplicated the sound on the record and had Bambaataa's rappers in the Soul Sonic Force rap over it. To create the raps, the lyricist of the group, Emcee G.L.O.B.E., had to develop a style he called "mc popping", which involved rapping off time, an unusual style at the time.
Graham Stack is an English born record producer and songwriter who has written and produced hit records for many artists including James Arthur, JLS, Kylie Minogue, Take That, LeAnn Rimes, Tina Turner, Girls Aloud, Atomic Kitten, Steps, Westlife, Donna Summer, Rod Stewart, Il Divo and Natalie Cole.
Mark Picchiotti is an American DJ, producer, remixer and songwriter based out of Chicago, Illinois. As a remixer and producer, Picchiotti has amassed 24 number one singles on the Billboard Dance Club Songs chart, and he has remixed such artists as Beyoncé, Katy Perry, Mariah Carey, Rihanna, Daft Punk, The Killers, AC/DC, Florence and The Machine, Amy Grant, Foster The People, Michael Jackson, Madonna, Sia, Sybil, Enriqué Iglesias, and Mary J. Blige. In 2002, he produced and co-wrote the Kylie Minogue single “Give It To Me” for her 8x-Platinum album Fever. Picchiotti was also voted one of the 40 most influential remixers of all time by UK publication Blues & Soul Magazine. His DJ residencies at nightclubs in his hometown of Chicago have included Shelter, Smartbar, Berlin, Crobar, and Medusa’s; as well as UK nightclubs Ministry of Sound (London) and Hard Times (Leeds). He continues to travel the globe performing at notable clubs such as Pacha (Portugal) and El Divino (Ibiza). He has also headlined the Sydney Gay and Lesbian Mardi Gras festival and DJed its infamous daytime after-party Laneway.
Lance Taylor, also known as Afrika Bambaataa, is an American DJ, rapper, and record producer from South Bronx, New York City. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.
DJ Mog is a Northern Irish house music DJ and producer, known for the single "Somewhere" which reached No. 1 on the U.S. Billboard Hot Dance Airplay chart.