Big Bam Boom | ||||
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Studio album by | ||||
Released | October 12, 1984 | |||
Recorded | Summer 1984 | |||
Studio | Electric Lady, New York City [1] | |||
Genre | ||||
Length | 40:13 | |||
Label | RCA Records | |||
Producer |
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Hall & Oates chronology | ||||
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Singles from Big Bam Boom | ||||
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Big Bam Boom is the twelfth studio album by American duo Daryl Hall & John Oates, released by RCA Records on October 12, 1984. It marked the end of one of the most successful album runs by a duo of the 1980s. RCA issued a remastered version in July 2004 with four bonus tracks. The lead single "Out of Touch" was a #1 pop hit, and charted in several other areas (#24 Hot Black Singles, #8 on the Adult Contemporary charts and #1 on the dance charts, #48 in the UK). Another song, the Daryl Hall and Janna Allen-penned "Method of Modern Love", reached #5, and "Some Things Are Better Left Unsaid" reached #18.
Musical styles on the album include pop, rock, and dance-rock, with R&B/soul influences. It has even more of an electronic, urban feel to it than their previous albums, combining their song structure and vocals with the latest technical advances in recording and playing. [2] The album employed some of the most sophisticated equipment used in the recording industry at the time. [2]
Big Bam Boom peaked at No. 5 in the United States and sold over three million copies worldwide. [3]
The making of Big Bam Boom involved a mixture of traditional recordings and state-of-the-art technologies. [2]
We embraced each new device on its merits as a tool to enhance and integrate into the recording process. For us, they were instruments to be used to achieve an end: service and enrich the songs.
—John Oates in his autobiography. [2]
The duo opted to record on analog tape rather than the then-new digital multitrack machines, and due to their commercial success they were able to take advantage of the latest musical devices available at the time, specially the most advanced polyphonic synthesizers like Synclavier and the Fairlight. [2]
Bob Clearmountain, one of the producers and drummer Mickey Curry recorded various drum sounds, manipulating delays and reverbs to create huge dramatic bottom end that is emblematic of this album and the 1980s in general. [2]
Thanks to the new polyphonic synthesizers, the duo experimented with new sounds, for example, recording Boy Scout canteens, cardboard boxes, vocals, footsteps in gravel, etc., and combined them with newer and more sophisticated drum machines. [2]
To promote the album, the duo embarked on the Big Bam Boom Tour – Live Through '85; [4] they did most of the travel in a private plane. [5] MTV provided tour date and ticket outlet announcements and the channel's name appeared on all tickets and print advertising, and was tagged on all radio spots. [4] The duo performed a show at The Forum in Inglewood, California, on December 17, 1984, with a satellite-delivered live broadcast of the concert; it aired the following day. [6] The radio broadcast was remastered and released on CD, via music download and streaming in 2015 under the title: The LA Forum – 17 Dec 1984. [7]
Review scores | |
---|---|
Source | Rating |
AllMusic | [8] |
Robert Christgau | B [9] |
The Rolling Stone Album Guide | [10] |
In a review for AllMusic, Stephen Thomas Erlewine called Big Bam Boom "a sprawling and diffuse album" and "a bigger, noisier record than its predecessors, with its rhythms smacking around in an echo chamber and each track built on layers of synthesizers and studio effects". In Erlewine's opinion, it was a disappointment coming after a trio of albums that had very few flaws. Erlewine also criticized the production on the album saying that "it obscures the dark undercurrent to many of the tunes, several of which seem to foreshadow the duo's long hiatus following this record". [8]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dance on Your Knees" | 1:25 | |
2. | "Out of Touch" |
| 4:21 |
3. | "Method of Modern Love" |
| 5:32 |
4. | "Bank on Your Love" |
| 4:17 |
5. | "Some Things Are Better Left Unsaid" | Hall | 5:27 |
6. | "Going Thru the Motions" |
| 5:39 |
7. | "Cold Dark and Yesterday" | Oates | 4:41 |
8. | "All American Girl" |
| 4:28 |
9. | "Possession Obsession" |
| 4:36 |
Total length: | 40:13 |
No. | Title | Writer(s) | Length |
---|---|---|---|
10. | "Out of Touch" (12" version) |
| 7:35 |
11. | "Method of Modern Love" (12" version) |
| 7:48 |
12. | "Possession Obsession" (12" version) |
| 6:28 |
13. | "Dance on Your Knees" (12" version) |
| 6:38 |
The album debuted at number 33 on the Billboard 200 the week of October 27, 1984 as the highest debut of the week. After five weeks it peaked at number five on the chart on December 1, 1984. The album remained on the chart for 51 weeks and was ranked as the 17th most successful album of 1985 on the Billboard 200. [13] [14] [15] Additionally, it reached number 25 on the Top R&B/Hip-Hop Albums chart the week of January 12, 1985. [16]
By December 1984, the album had sold one million copies in the US, and was certified Platinum on December 3, 1984. Eventually, it sold an additional one million copies, and was certified double Platinum by the RIAA on April 1, 1985. [17]
In the United Kingdom the album debuted and peaked at number 28 on October 28, 1984 and was present on the chart for 13 weeks. [18] It was certified Silver by the BPI on February 1, 1985 for shipments of 60,000. [19]
Chart (1984) | Peak position |
---|---|
Australian Albums (Kent Music Report) [20] | 20 |
Canada Top Albums/CDs ( RPM ) [21] | 12 |
Dutch Albums (Album Top 100) [22] | 43 |
German Albums (Offizielle Top 100) [23] | 47 |
New Zealand Albums (RMNZ) [24] | 12 |
Swedish Albums (Sverigetopplistan) [25] | 16 |
UK Albums (OCC) [26] | 28 |
US Billboard 200 [14] | 5 |
US Top R&B/Hip-Hop Albums (Billboard) [16] | 25 |
Chart (1985) | Position |
---|---|
US Billboard 200 [15] | 17 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [27] | 2× Platinum | 200,000^ |
United Kingdom (BPI) [19] | Silver | 60,000^ |
United States (RIAA) [17] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
Daryl Hall and John Oates, commonly known as Hall & Oates, were an American rock duo formed in Philadelphia in 1970. Daryl Hall was generally the lead vocalist; John Oates primarily played the electric guitar and provided backing vocals. The two wrote most of the songs they performed, either separately or in collaboration. They achieved their greatest fame from the mid-1970s to the late 1980s with a fusion of rock and roll, soul music, and rhythm and blues.
"Kiss on My List" is a song by American duo Hall & Oates. It was written by Daryl Hall and Janna Allen, and produced by Hall and John Oates. It was the third single release from their ninth studio album, Voices (1980), and became their second US Billboard Hot 100 number-one single. It spent three weeks at the top spot.
"Out of Touch" is a song by American duo Daryl Hall & John Oates from their twelfth studio album Big Bam Boom (1984). The song was released as the lead single from Big Bam Boom on Thursday, October 4, 1984, by RCA Records. This song was their last Billboard Hot 100 number-one single, topping the chart for two weeks in December 1984. It also became the duo's fourteenth consecutive top 40 hit since 1980.
Private Eyes is the tenth studio album by American pop rock duo Hall & Oates, released on September 1, 1981, by RCA Records. The album includes two number-one singles—the title track and "I Can't Go for That ", as well as the top-10 single "Did It in a Minute". "I Can't Go for That " also spent a week at the top of the R&B chart.
Change of Season is the fourteenth studio album by American pop music duo Daryl Hall & John Oates. The album was released in October 1990, by Arista Records. The lead single "So Close" peaked at No. 11 on the Billboard Hot 100 and was their last Top 40 hit, while the second single "Don't Hold Back Your Love" just missed the Top 40 reaching #41. It was their second and final album for Arista.
Ooh Yeah! is the thirteenth studio album by American pop rock duo Daryl Hall & John Oates, released on April 28, 1988. It was their first studio release in four years and their first with Arista Records. Though the album went platinum in the United States and produced a No. 3 entry with the single "Everything Your Heart Desires", as well as the singles "Missed Opportunity" and "Downtown Life" reaching number 29 and 31 respectively, it charted lower, and sold fewer copies than the band's previous albums. Ooh Yeah! was the last Hall & Oates album to feature Janna Allen as a co-writer before her 1993 death from leukemia.
X-Static is the eighth studio album by American pop music duo Daryl Hall & John Oates. The album was released in September 1979 by RCA Records. Buddah Records re-released the album with two bonus tracks in 2000.
Rock 'n Soul Part 1 is a greatest hits album by American musical duo Hall & Oates, credited as "Daryl Hall John Oates" on the album cover. Released by RCA Records on October 18, 1983, the album featured mostly hit singles recorded by the duo and released by RCA, along with one single from the duo's period with Atlantic Records and two previously unreleased songs recorded earlier in the year: "Say It Isn't So" and "Adult Education".
H2O is the eleventh studio album by American pop rock duo Daryl Hall & John Oates, released on October 4, 1982, by RCA Records. It peaked at number three on the Billboard 200, making it the duo's highest-charting album, and has been certified double platinum by the Recording Industry Association of America (RIAA) with sales of over two million copies. The album title is a play on the chemical formula for water, where "H" is for Hall and "O" is for Oates. It features three US top-10 singles, including "Maneater", the most successful single of their career, spending four weeks at number one on the Billboard Hot 100. The album marks the first appearance for longtime bassist and musical director Tom "T-Bone" Wolk.
Bigger Than Both of Us is the fifth studio album by American pop rock duo Daryl Hall and John Oates. The album was released on September 8, 1976, by RCA Records and peaked at #13 on the Billboard Top 200 Albums chart. The album included the first of their six #1 singles on the Billboard Hot 100, "Rich Girl" as well as the singles "Back Together Again" and "Do What You Want, Be What You Are". Hall & Oates released a song titled "Bigger Than Both of Us" on their Beauty on a Back Street album one year later. "Do What You Want, Be What You Are" was covered by The Dramatics in 1979.
Live at the Apollo is an album by Daryl Hall & John Oates released in September 1985, recorded live at the Apollo Theater in New York. It is subtitled "With David Ruffin & Eddie Kendricks", of The Temptations-fame. The album is a mixture of their classics and some then-current songs by Hall & Oates. A VHS video of this concert with a different running order was released in 1987.
War Babies is the third studio album by American pop music duo Daryl Hall & John Oates. The album was released in October 1974, by Atlantic Records. It was their last of three albums for Atlantic Records before moving to RCA Records. The album was produced by Todd Rundgren. Rundgren and other members of Utopia, his then-recently-formed prog-rock band, perform on the record.
Daryl Hall & John Oates is the fourth studio album by American pop music duo Hall & Oates. The album was released on August 18, 1975, by RCA Records. It is sometimes referred to as The Silver Album because of its metallic-foil cover. The album spawned three singles: "Camellia", "Alone Too Long" and "Sara Smile". "Sara Smile" peaked at number four on the Billboard Hot 100, becoming the duo's first top 40 and first top ten hit.
Whole Oats is the debut studio album by American pop music duo Hall & Oates. The album was released in September 1972, by Atlantic Records.
The Very Best of Daryl Hall & John Oates is a 2001 compilation album by the duo Hall & Oates. It reached number 34 on the Billboard 200 and #1 on the Top Pop Catalog Albums Chart. Assembled from the duo's years with RCA Records (1975–1984), the compilation features the full-length album versions of most songs rather than their edited single versions.
"Say It Isn't So" is a song performed by American pop rock duo Daryl Hall & John Oates, and written by Daryl Hall. It was released by RCA Records in October 1983 as the first of two new singles from their compilation album Rock 'n Soul Part 1, released that same year. The song was remixed as a "special extended dance mix" by John "Jellybean" Benitez, which topped Billboard magazine's Hot Dance Club Play chart. The song peaked at number two on the Billboard Hot 100 for four weeks, behind coincidentally "Say Say Say" by Paul McCartney and Michael Jackson.
"One on One" is a song performed by American duo Daryl Hall & John Oates. Written by member Daryl Hall, the song was released as the second single from their eleventh studio album H2O in January 1983. Backed by minimalistic, synthesizer-based production, the song's lyrics incorporate various sports metaphors to describe seduction. Daryl Hall performs lead vocals, while John Oates provides backing harmony vocals. It peaked at number seven on the US Billboard Hot 100, becoming one of three top ten singles from H2O.
"Private Eyes" is a 1981 single by American duo Daryl Hall & John Oates and the title track from their album of the same name. The song was number one on the Billboard Hot 100 charts for two weeks, from November 7 through November 20, 1981. This single was the band's third of six number one hits, and their second number one hit of the 1980s. It was succeeded in the number one position by Olivia Newton-John's "Physical," which was coincidentally succeeded by another single from Hall & Oates, "I Can't Go for That ".
"She's Gone" is a song written and originally performed by the American duo Daryl Hall and John Oates. The soul ballad is included on their 1973 album, Abandoned Luncheonette.
Voices is the ninth studio album by American pop rock duo Daryl Hall & John Oates. The album was released on July 29, 1980, by RCA Records. It spent 100 weeks on the Billboard 200, peaking at number 17. In 2020, the album was ranked number 80 on The Greatest 80 Albums of 1980 by Rolling Stone magazine.
Hall and Oates also shot to No. 1 on the dance charts, No. 8 on the adult contemporary charts, No. 24 on the R&B charts and No. 48 in the UK — helping Big Bam Boom sell more than three million copies.
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