New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. The members regrouped after the disbandment of their previous band Joy Division due to the death by suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. New Order's integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville.
"Blue Monday" is a song by the English rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records. It appears on certain cassette and CD versions of New Order's second studio album, Power, Corruption & Lies (1983). The track was written and produced by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner.
"Everything's Gone Green" is the third single by the English rock band New Order, released in December 1981.
"Temptation" is a stand-alone single released by English band New Order on Factory Records in 1982. The single reached number 29 on the UK Singles Chart.
"Sub-culture" is a song by English rock band New Order. It was released as the second and final single from their third studio album, Low-Life (1985) on 28 October 1985 by Factory Records.
"Shellshock" is a single released by British group New Order on 17 March 1986. The song originally appeared on the soundtrack to the movie Pretty in Pink one month prior to its single release. Production is credited to New Order and John Robie, and is loosely inspired by the 1983 Robie-produced R&B club hit, "One More Shot"—a studio project where Robie performed under the band name, C-Bank, and featuring vocals by Jenny Burton.
"Bizarre Love Triangle" is a song by English rock band New Order, released as a single in November 1986 from their fourth studio album, Brotherhood (1986), which reached the top five on the US Hot Dance Music/Club Play Singles chart, and No. 5 on the Australian ARIA Charts in March 1987.
"1963" is a track by English rock group New Order. It was originally released as a B-side to "True Faith" in 1987 and appeared on the Substance compilation of the same year. It was then released as a single in January 1995, in a radio mix by Arthur Baker.
"Shock the Monkey" is a song by English rock musician Peter Gabriel. It was released in September 1982 as the first single from his fourth self-titled studio album, issued in the US under the title Security.
Joshua Winkelman, better known by his stage name Josh Wink, is an American electronic dance music DJ, label owner, producer, and remixer. He is a native of Philadelphia, United States. A pioneering DJ in the American rave scene during the early 1990s, Wink was the most prominent exponent of the tribal forms of techno and house in the U.S. In 1995, he released several hits, including "Don't Laugh", "I'm Ready", and "Higher State of Consciousness," which topped the dance charts in Europe. He has had many club hits such as "How's Your Evening So Far?" and "Superfreak (Freak)" and has also gained much attention for his remixes of Stabbing Westward, FC Kahuna, Paul Oakenfold, Moby, Towa Tei, Ladytron and Depeche Mode, among others.
Twisted Tenderness is the third and final studio album by British supergroup Electronic, released in April 1999 by Parlophone in the UK and eighteen months later by Koch Records in the USA in 2000. It was re-released in 2001 as Twisted Tenderness::Deluxe by Koch with a second disc of B-sides and remixes added.
"Spooky" is a song by English rock band New Order. It was released in December 1993 as the fourth and final single from their sixth studio album, Republic (1993). The song would be their last single proper until 2001's "Crystal".
"If I Say Yes" is a 1986 single by British pop group Five Star, and was the follow-up to their biggest-ever UK single, the #2 ranked "Rain or Shine". It was the fourth release from the group's Silk & Steel album. A 3:43 remixed version of the song, which was the version released in the U.S., appeared on the group's 1989 Greatest Hits album.
"Swept Away" is a song by American R&B singer Diana Ross for her album of the same name. Ross released the song as the album's second single on August 14, 1984 by the RCA. It was written by Daryl Hall, Sara Allen and produced by Hall and Arthur Baker. Ross wrote the spoken lyrics at the beginning of the song and Hall also provided background vocals on it.
"Thieves Like Us" is a single by British band New Order, released in April 1984 by Factory Records, catalogue number FAC 103. It is named after the 1974 film Thieves Like Us, directed by Robert Altman. Guitarist and lead singer Bernard Sumner stated during a TV interview in 1984 that the song's title was suggested by John Benitez.
In 1976, Salsoul Records released their eighth release, Walter Gibbons' remix of Double Exposure's disco song "Ten Percent". "Ten Percent" was the first commercially available 12-inch single. Although, according to the record label, the actual title of this record is Ten Per Cent, not Ten Percent.
"Loverboy" is Billy Ocean's second single from his 1984 album, Suddenly. It was produced by Keith Diamond and reached number 2 on the U.S. Billboard Hot 100 as well as hitting number 20 on the soul chart, and number 15 on the UK Singles Chart in February 1985. It also reached the top spot of the Hot Dance Music/Club Play chart in the U.S., in an extended version. The track was released on the Jive label under the catalogue reference, JIVE 80. The song was played in the first episode of the long-running BBC One medical drama Casualty on 6 September 1986.
"Fresh" is a song by the American group Kool & the Gang. Released as a single in 1984 from the album Emergency, the song peaked at #9 on the U.S. Hot 100 chart, and #11 on the UK chart. It also reached number one on both the U.S. R&B chart and U.S. Dance chart.
"Another Sleepless Night" is a 1990 song written and produced by Mike "Hitman" Wilson, and recorded by American dance music singer Shawn Christopher. The single, the lead off track from the album of the same name (1992), was the first of two number ones on the US Billboard Hot Dance Club Play chart for the Chicago-born artist, reaching the top spot in February 1991. It also charted at number 67 on the Billboard Hot 100. In the UK, the song was released in 1991, and again in 1999, peaking at number 50 on the UK Singles Chart and number eight on the UK Dance Singles Chart.
"Don't Lose the Magic" is a 1992 dance/house song recorded by American singer Shawn Christopher, which was co-written by Mike "Hitman" Wilson, Shawn's brother Gavin Christopher and Bill Dickens, and co-produced by Wilson with Neal Howard, Chris Cooke, George Hess and engineer Goh Hotoda. The single was the follow-up to "Another Sleepless Night", as well as her second number-one single on the Billboard Hot Dance Club Play chart, reaching the top spot on March 28, 1992, for two weeks. On the Billboard Hot 100 chart, it peaked at number 71, while in the United Kingdom, it reached number 30 on the UK Singles Chart, her highest chart position there. A 1999, remix of the song also hit the US Dance chart.
