Recording
The recording session took place before the squad met up on the afternoon of 25 March 1990, prior to an international match at Wembley. The FA had requested members of the squad be involved in recording the song and six players turned up on the day; John Barnes, Peter Beardsley, Paul Gascoigne, Steve McMahon, Chris Waddle and Des Walker. On the day of the recording, the lyrics had yet to be finalised, with players, band members and others all collaborating on parts. There was a good mood in the studio as the players added their vocals to the backing track that New Order had put together. The FA placed no restrictions or indeed gave any guidance to New Order, although Bloomfield had warned that he did not want anything associated with hooliganism.
A plan to have each player take turns to sing a line of the rap verse was abandoned, and instead it was decided to audition each player to perform the rap in its entirety. John Barnes ended up being selected after Beardsley, Gascoigne, McMahon and Walker were all deemed unsuitable either due to their broad northern English accents or inability to keep the required rhythm. Waddle was not auditioned as Barnes was selected before he was trialled. [6] [7] As such, Barnes was the only player given a leading vocal on the song, the others being restricted to backing vocals. [8]
The backing track for "World in Motion..." bore some similarities to the instrumental theme tune for the DEF II current affairs programme, Reportage , [9] which had been written for the show by Stephen Morris and Gillian Gilbert of New Order. "World in Motion..." was produced by Stephen Hague, who had also produced one of the group's earlier hits, "True Faith". The single was released on 21 May 1990. [10] It was New Order's last release on Factory Records.
The "They think it's all over" quotation, uttered by football commentator Kenneth Wolstenholme at the end of the 1966 World Cup Final, between England and West Germany, is utilised at the beginning and end of the track (though not the original; Wolstenholme re-recorded the phrase specially for the producers), and somewhat less known samples, such as "A beauty scored by Bobby Charlton" and "We Want Goals", are taken from Goal!, the official documentary film of the tournament of 1966; the voice is that of actor Nigel Patrick.
The squad with Allen shout "express yourself" in the verses and sing the refrain at the end; in the "Carabinieri mix" they are also heard providing backing vocals in the chorus.
John Barnes' rap
A rap is performed by England player John Barnes towards the end of the track. The song was not originally going to feature a rap; it was the brainchild of Keith Allen after he had been recruited to help inject some humour into the song in case of poor reception. [11]
The rap verse has been described as the most memorable part of the original song. According to BBC News entertainment reporter Chris Leggett, Barnes's 1990 effort was the first time a footballer had managed a respectable performance in a World Cup song, all previous efforts having been marked by out-of-tune recordings and mimed performances on the likes of Top of the Pops . [12] Writers such as Tom McGowan have claimed "even England fans who weren't alive in 1990" know the lyrics. [6]
"The B-Side"
The single's B-side, an early version of the A-side, was titled "The B-Side", extending the football theme of the release. It was produced by former Swans member Roli Mosimann. Besides a different arrangement and some different lyrics, this version lacks the commentary samples and squad vocals, with Keith Allen's "naff football chants and JB impersonation" (as credited on the sleeve) in their place.
Remixes
Like "True Faith", "Fine Time" and "Round & Round" before it, the single was issued on two separate 12" singles, the first featuring the original mix of the song, the second containing reinterpretations by outside remixers. This would be the last New Order single released in this way until "Be a Rebel" in 2020/21. Remixers Andrew Weatherall and Terry Farley were supplied with an alternative chorus vocal, with the result that the chorus hook on their mixes runs "We've got the world in motion" rather than the original "Love's got the world in motion".
In 1996, LFO's Mark Bell remixed version of the song appeared on The Beautiful Game , which was released to tie in with Euro 96.
In 2010, one reworked version of the song was used in an advert for the Mars Bar. [13] The A side features heavily in the film Butterfly Kiss ; both the song itself is heard as well as the two main actresses singing versions of it.
Re-release
The single was re-released for the 2002 FIFA World Cup, this time with the track "Such a Good Thing" replacing "The B-Side". It failed to enter the UK Top 40. This version was planned to have David Beckham performing the rap, but the F.A. vetoed the idea. [14] It was due to have been re-released again in remixed form for the 2006 FIFA World Cup, but despite a release date in the United Kingdom of 29 May 2006, a last-minute decision was taken to shelve this release and the remix has never surfaced. "Such a Good Thing" would be the final original New Order song to be released as a B-side, with all following singles simply including alternate mixes of the A-side and/or previously released tracks (typically in a remixed form).
Legacy
In 1998, New Order performed the song live for the first time at the Reading Festival with Allen. In the interim time Allen had written another England football song, the unofficial release "Vindaloo". Allen performed it with the band again at the Move Festival at the Old Trafford Cricket Ground in 2002, [15] and in 2005 at Glastonbury.
John Barnes has occasionally revisited his rap during public appearances. [16] [17]
The song has often been compared to "Three Lions", with polls often conducted during England campaigns asking fans which song is better. [18]
In July 2021, the song entered the UK Singles Chart again, charting at number 61 on the chart dated 9–15 July 2021.
New Order are an English band whose integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. The band was formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The members regrouped after the disbandment of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville.
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