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The Peter Saville Show Soundtrack | ||||
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EP by | ||||
Released | 2003 | |||
Genre | Ambient | |||
Length | 30:15 | |||
Label | London | |||
Producer | New Order | |||
New Order chronology | ||||
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The Peter Saville Show Soundtrack is an EP released by British band New Order in 2003. It was produced to accompany a Peter Saville exhibition, The Peter Saville Show, which appeared at London's Design Museum in 2003, [1] and from 23 January to 18 April 2004 at Urbis in Manchester. [2]
Peter Saville was a partner in Factory Records and a graphic designer who designed many record sleeves for Joy Division and New Order throughout their careers at Factory Records. The exhibition included this artwork and other graphic design from Saville's ongoing career. [3]
Although The Peter Saville Show Soundtrack is credited to New Order, only New Order members Stephen Morris, Peter Hook and Phil Cunningham were involved in producing the music [4] - Bernard Sumner was not present for the recording. This was a CD-only release, limited to 3,000 copies. It was released by London Records with the catalogue number "SAVILLE1".
As is typical of many New Order releases, the sleeve of the CD has no printed information of its contents. The front cover shows Saville at his drawing board, whereas the back shows a screen print frame for the Peter Saville Show exhibition poster. The inner sleeve (made of a slightly lighter weight card) shows two photographs (one on front and one on back) of the exhibition artwork in preparation. The disc itself states that The Peter Saville Show Soundtrack was written and produced by New Order and mixed by Merv De Peyer. It also states that the design and photography was by the Graphic Thought Facility. The only indication of a catalogue number is shown on the reverse (shiny) side of the disc. Around the centre hole clearly reads 'DISCTRONICS' and 'SAVILLE 1 01'.
Barney Bubbles was an English graphic artist whose work encompassed graphic design and music video direction. Bubbles, who also sketched and painted privately, is best known for his distinctive contribution to the design practices associated with the British independent music scene of the 1970s and 1980s. His record sleeves, laden with symbols and riddles, were his most recognisable output.
New Order are an English band whose integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. The band was formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The members regrouped after the disbandment of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville.
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
Power, Corruption & Lies is the second studio album by the English band New Order, released on 2 May 1983 by Factory Records. The album features more electronic tracks than their 1981 debut Movement, with heavier use of synthesisers. The album was met with widespread acclaim, and has been included in music industry lists of the greatest albums of the 1980s and of all time. The cover artwork was by Peter Saville, and in 2010 it was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail.
"Blue Monday" is a song by the British rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records. It appears on certain cassette and CD versions of New Order's second studio album, Power, Corruption & Lies (1983). The track was written and produced by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner.
Low-Life is the third studio album by English band New Order, released on 13 May 1985 by Factory Records. It is considered to be among the band's strongest work, displaying the moment they completed their transformation from post-punk hold-overs to dance-rockers. The album shows New Order's increased incorporation of synthesisers and samplers, while still preserving the rock elements of their earlier work. The original Factory CD issues of the album were mastered with pre-emphasis.
Brotherhood is the fourth studio album by the English band New Order, released on 29 September 1986 by Factory Records. It contains a mixture of post-punk and electronic styles, roughly divided between the two sides. The album includes "Bizarre Love Triangle", the band's breakthrough single in the United States and Australia; it was the only track from the album released as a single and as a video.
Peter Andrew Saville is an English art director and graphic designer. He designed many record sleeves for Factory Records, which he co-founded in 1978 alongside Tony Wilson and Alan Erasmus.
"The Perfect Kiss" is a song by the English alternative dance and rock band New Order. It was recorded at Britannia Row Studios in London and released on 13 May 1985. It is the first New Order song to be released as a single while also included on a studio album (Low-Life). The vinyl version has Factory catalogue number FAC 123 and the video has the opposite number, FAC 321.
"Ceremony" is a song written by Joy Division, and first released as New Order's debut single in 1981. The track and its B-side, "In a Lonely Place", were recorded as Joy Division prior to the death of Ian Curtis. Both were re-recorded and carried over to Joy Division's re-formation as New Order.
"Everything's Gone Green" is the third single by the English rock band New Order, released in December 1981.
"Murder" is the eighth single by British band New Order.
"Sub-culture" is a song by English rock band New Order. It was released as the second and final single from their third studio album, Low-Life (1985) on 28 October 1985 by Factory Records.
"Run 2" is a song by English rock band New Order. It was released by Factory Records on 28 August 1989 as the third and final single from their fifth studio album, Technique (1989). The album version was listed as simply "Run".
An album cover is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to:
Section 25 are an English post-punk and electronic band, best known for the 1984 single "Looking from a Hilltop", associated with Manchester record label Factory Records.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
The World Record Club Ltd. was the name of a company in the United Kingdom which issued long-playing records and reel-to-reel tapes, mainly of classical music and jazz, through a membership mail-order system during the 1950s and 1960s.
Digilogue is a music album of recordings which became the twentieth commercial release by the British avant-garde music group :zoviet*france:. It was first released in 1996 in limited edition 12 inch clear vinyl format by the United States record label, Soleilmoon Recordings. Subsequently, a CD version was released in 1998 by Soleilmoon Recordings, with additional tracks. The album reach #73 on the CMJ Radio Top 200 charts in the U.S.
Always Now is the debut studio album by Section 25. It was released in September 1981 through iconic Manchester record label Factory with the catalogue number FACT 45. The album was produced by Martin Hannett, best known for producing both of Joy Division's studio albums. Joy Division front man Ian Curtis has been credited as co-producing the record in parts before his death in May 1980. Recording took place in February 1981 at Britannia Row Studios in Islington, London, owned by Pink Floyd.