Low-Life | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 13 May 1985 | |||
Recorded | 1984 | |||
Studio | Jam and Britannia Row, London | |||
Genre | ||||
Length | 40:05 | |||
Label | Factory | |||
Producer | New Order | |||
New Order chronology | ||||
| ||||
Singles from Low-Life | ||||
|
Low-Life is the third studio album by English rock band New Order, released on 13 May 1985 by Factory Records. It is considered to be among the band's strongest work, displaying the moment they completed their transformation from post-punk hold-overs to dance-rockers. The album shows New Order's increased incorporation of synthesisers and samplers, while still preserving the rock elements of their earlier work. The original Factory CD issues of the album were mastered with pre-emphasis.
The songs on this album formed the basis of the band's live concert video Pumped Full of Drugs, filmed in Tokyo shortly before the album's release. The music video for "The Perfect Kiss" was directed by Jonathan Demme.
The album's artwork is the only New Order release to feature photographs of the band members on its cover; according to designer Peter Saville, the decision to do this was due to him growing tired of his previous "concept covers." [4] To photograph the band, Saville took portraits of them with instant film, which he saw as more versatile than conventional 135 film, stating that "you could push it and do funny things with it. It was very graphic and very dynamic. The grain and the texture made everything look like a movie film." [4] Saville further stated that the band were initially reluctant to depict themselves in the artwork; however, thanks in part to the rapid turnaround of instant film, they grew to enjoy the photoshoot after seeing the results. [4] The album comes packaged with drummer/keyboardist Stephen Morris on the front cover, while inside the case are four photographs and a semi-transparent piece of paper with the band's name, allowing consumers to choose which band member is seen through the sleeve.
The album was preceded by the release of the full-length version of "The Perfect Kiss" as a single (only an edited version appears on the album). John Robie's remix of "Sub-culture" was also released as a 12″ single. Both of these extended versions eventually were included on 1987's Substance .
In 2008, the album was re-released in a Collector's Edition with a bonus disc, including the 17-minute complete version of "Elegia", which was only previously available on a limited edition disc of the 2002 box set Retro and, for the first time in digital format, the unedited 12″ mix of "The Perfect Kiss".
In 2023, the album was re-released as the Definitive Edition, featuring bonus CDs and DVDs with previously unreleased content. [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
The A.V. Club | A− [7] |
Blender | [8] |
Entertainment Weekly | A− [9] |
Pitchfork | 9.0/10 [1] |
Q | [10] |
The Rolling Stone Album Guide | [11] |
Select | 5/5 [12] |
Uncut | [13] |
The Village Voice | B+ [14] |
In a contemporary review of Low-Life for the Los Angeles Times , Richard Cromelin stated that New Order's "varied menu of soul-pop, techno-rock, delicate instrumental moods, and driving, clattering percussion offers adventure in texture at every turn", and that while the album does not contain "anything as transcendent" as "Love Will Tear Us Apart" by New Order's precursor Joy Division, "its confidence and imagination suggest that the possibility is still there." [15] Robert Christgau of The Village Voice noted New Order's attempt to insert some "affect" into its music and wrote that the band "has its heart (or a reasonable facsimile thereof) in the right place, so one doesn't want to quibble." [14] While panning "Love Vigilantes" as "an appallingly naive self-parody", Steve Sutherland of Melody Maker found that the remainder of the album "boasts the most articulate sound since The Cocteaus' Treasure , elevating depression to ecstasy." [16]
John Bush of AllMusic wrote that Low-Life was "in every way, the artistic equal" of New Order's previous album Power, Corruption & Lies , as well as "the point where the band's fusion of rock and electronics became seamless". [6] The A.V. Club 's Josh Modell similarly noted that the album "completely locked the disco influences into sync with New Order's pop leanings". [7] David Quantick, writing in Uncut , felt that Low-Life was "the first New Order album that sounds like an album", with Bernard Sumner's "most human lyrics" complementing Gillian Gilbert and Stephen Morris' "pop axis" and Peter Hook's "breath-taking" bass performances. [13] In 2000, Q magazine placed Low-Life at number 97 on its list of the "100 Greatest British Albums Ever". [17] Low-Life was included in the book 1001 Albums You Must Hear Before You Die . [18]
All tracks are written by New Order, except where noted
No. | Title | Length |
---|---|---|
1. | "Love Vigilantes" | 4:16 |
2. | "The Perfect Kiss" | 4:51 |
3. | "This Time of Night" | 4:45 |
4. | "Sunrise" | 6:01 |
No. | Title | Length |
---|---|---|
1. | "Elegia" | 4:56 |
2. | "Sooner Than You Think" | 5:12 |
3. | "Sub-culture" | 4:58 |
4. | "Face Up" | 5:02 |
Total length: | 40:05 |
No. | Title | Length |
---|---|---|
1. | "The Perfect Kiss" (12″ version) | 8:49 |
2. | "Sub-culture" (John Robie remix) | 7:27 |
3. | "Shellshock" ( Substance edit; writers: New Order, Robie) | 6:28 |
4. | "Shame of the Nation" (12″ version; writers: New Order, Robie) | 7:55 |
5. | "Elegia" (full version) | 17:29 |
6. | "Let's Go" (from the Salvation! soundtrack) | 3:44 |
7. | "Salvation Theme" (from the Salvation! soundtrack) | 2:18 |
8. | "Dub Vulture" | 7:57 |
Total length: | 62:08 |
No. | Title | Length |
---|---|---|
1. | "Love Vigilantes" (TV pitch instrumental edit) | 6:14 |
2. | "The Perfect Kiss" (writing session recording) | 3:17 |
3. | "Untitled No. 1" (writing session recording) | 1:30 |
4. | "Sunrise" (instrumental rough mix) | 5:48 |
5. | "Elegia" (full length version) | 17:30 |
6. | "Sooner Than You Think" (album session unedited version) | 6:24 |
7. | "Sub-Culture" (album session early instrumental version) | 6:07 |
8. | "Face Up" (writing session recording) | 3:34 |
9. | "Let's Go" (album session instrumental) | 4:14 |
10. | "Untitled No. 2" (writing session recording) | 5:53 |
11. | "Sunrise" (writing session recording) | 4:32 |
12. | "Love Vigilantes" (writing session recording) | 4:18 |
13. | "Sooner Than You Think" (writing session recording) | 3:04 |
14. | "Skullcrusher" (demo) | 5:37 |
Total length: | 78:10 |
Credits adapted from the liner notes of Low-Life. [19]
Chart (1985) | Peak position |
---|---|
Australian Albums (Kent Music Report) [20] | 70 |
Canada Top Albums/CDs ( RPM ) [21] | 26 |
Dutch Albums (Album Top 100) [22] | 34 |
European Albums ( Music & Media ) [23] | 41 |
New Zealand Albums (RMNZ) [24] | 11 |
Swedish Albums (Sverigetopplistan) [25] | 20 |
UK Albums (OCC) [26] | 7 |
UK Independent Albums (MRIB) [27] | 1 |
US Billboard 200 [28] | 94 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [29] | Gold | 50,000^ |
United Kingdom (BPI) [30] | Silver | 60,000‡ |
^ Shipments figures based on certification alone. |
Closer is the second and final studio album by the English rock band Joy Division, released on 18 July 1980 by Factory Records. Produced by Martin Hannett, it was released two months after the suicide of the band's lead singer and lyricist Ian Curtis. The album reached No. 6 on the UK Albums Chart and peaked at No. 3 in New Zealand in September 1981. Closer was also named NME Album of the Year. It was remastered and re-released in 2007.
Power, Corruption & Lies is the second studio album by the English rock band New Order, released on 2 May 1983 by Factory Records. The album features more electronic tracks than their 1981 debut Movement, with heavier use of synthesisers. The album was met with widespread acclaim, and has been included in music industry lists of the greatest albums of the 1980s and of all time. The cover artwork was by Peter Saville, and in 2010 it was one of ten classic album covers from British artists commemorated on a UK postage stamp issued by the Royal Mail.
Fear of Music is the third studio album by the American new wave band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May 1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart. It spawned the singles "Life During Wartime", "I Zimbra", and "Cities".
I Just Can't Stop It is the debut studio album by British ska band the Beat, released on 23 May 1980 by Go-Feet Records in the United Kingdom. It was released the same year in the United States on Sire Records under the band name The English Beat". In Australia, it was released on Go-Feet under the band name The British Beat.
Discography: The Complete Singles Collection is the first greatest hits album by English synth-pop duo Pet Shop Boys, released on 4 November 1991 by Parlophone.
Technique is the fifth studio album by English rock band New Order. Released on 30 January 1989 by Factory Records, the album was partly recorded on the island of Ibiza, and incorporates Balearic beat and acid house influences into the group's dance-rock sound. The album was influenced by the then growing acid scene, and Sumner's experiences at Shoom in London.
The Best of New Order is a greatest hits album by English band New Order. It was released in the United Kingdom on 21 November 1994 by London Records and, with a different track listing, in the United States on 14 March 1995 by Qwest Records and Warner Bros. Records. Like Republic, the band's most recent studio album at the time, the cover and liner notes stylise the group's name as one word (NewOrder) instead of the usual New Order.
Brotherhood is the fourth studio album by the English rock band New Order, released on 29 September 1986 by Factory Records. It contains a mixture of post-punk and electronic styles, roughly divided between the two sides. The album includes "Bizarre Love Triangle", the band's breakthrough single in the United States and Australia; it was the only track from the album released as a single and as a video.
Night and Day is the fifth studio album by English musician Joe Jackson, released on 25 June 1982 by A&M Records. It reached the top five in both the United Kingdom and United States, Jackson's only studio album to do so in either country. The album has been certified gold in the UK and US, and achieved platinum status in Canada. It has sold over one million copies.
Republic is the sixth studio album by English band New Order. It was first released on 3 May 1993 in the United Kingdom by CentreDate Co Ltd in association with London Records and on 11 May 1993 in the United States by Qwest and Warner Bros. Records. It was the band's first album following the demise of their former label Factory Records, and would be their last studio album for eight years until 2001's Get Ready.
Rum Sodomy & the Lash is the second studio album by the London-based, Irish folk punk band the Pogues, released on 5 August 1985. The album reached number 13 on the UK charts. The track "A Pair of Brown Eyes", based on an older Irish tune, reached number 72 on the UK singles chart. "The Old Main Drag" later appeared on the soundtrack to the film My Own Private Idaho.
Some Great Reward is the fourth studio album by the English electronic music band Depeche Mode, released on 24 September 1984 by Mute Records. The album peaked at number five in the United Kingdom and number 51 in the United States, and was supported by the Some Great Reward Tour. This also saw the band using samplers, much like they did in their previous studio album Construction Time Again (1983), which they would continue to use in their following studio albums Black Celebration (1986) and Music for the Masses (1987).
"Touched by the Hand of God" is the fifteenth single by English band New Order, released as a single on 7 December 1987. The song was originally recorded for the soundtrack to the film Salvation! and the version released as a single was remixed by Arthur Baker. The B-side was a dub remix, titled "Touched by the Hand of Dub", and the release had the catalogue number FAC 193; its production is credited to New Order.
Savage is the sixth studio album by British pop duo Eurythmics, released on 9 November 1987 by RCA Records.
Movement is the debut studio album by English rock band New Order, released on 13 November 1981 by Factory Records. Recorded in the wake of Joy Division frontman Ian Curtis' suicide the previous year, the album is a continuation of the dark post-punk sound of Joy Division's material, increasing the use of synthesizers while still being predominantly rooted in rock. At the time of its release, the album was not particularly well received by critics or audiences, only peaking at number thirty on the UK Albums Chart; the band would gradually shift to a more electronic sound over the course of the next year.
Songs of Faith and Devotion is the eighth studio album by English electronic music band Depeche Mode. It was first released on 22 March 1993 in the United Kingdom by Mute Records and a day later in the United States by Sire Records and Reprise Records. The album incorporated a more aggressive, darker rock-oriented tone than its predecessor Violator (1990), largely influenced by the emerging alternative rock and grunge scenes in the United States.
Pop! The First 20 Hits is a greatest hits collection from Erasure, released on 16 November 1992 in Germany and the UK and 24 November 1992 in the United States. The album utilises a straightforward format: all of Erasure's singles up to that point, sequenced in chronological order with the addition of the Hamburg Mix of Erasure's first ever single, "Who Needs Love ".
Automatic is the third studio album by Scottish alternative rock band the Jesus and Mary Chain, released on 9 October 1989 by Blanco y Negro Records. The group on this record consists of the core duo of brothers William and Jim Reid, with a drum machine providing percussion and synthesised bass. The only other credited musician was Richard Thomas, who joined the touring version of the Jesus and Mary Chain as a drummer. Thomas drummed on "Gimme Hell" and was a former member of Dif Juz. He also made appearances on Cocteau Twins' 1986 album Victorialand and This Mortal Coil's 1986 album Filigree & Shadow.
Promise is the second studio album by English band Sade, released in the United Kingdom on 4 November 1985 by Epic Records and in the United States on 15 November 1985 by Portrait Records. Recording for the album began in February and lasted until August 1985. The band co-produced the album with the same team of producers they worked with on their debut album, Diamond Life, including Robin Millar, Mike Pela and Ben Rogan. The album's title comes from a letter from Sade Adu's father where he refers to the "promise of hope" to recover from cancer.
Total: From Joy Division to New Order is a compilation album of material from the British bands Joy Division and New Order. It was released in the United Kingdom on 6 June 2011 by Rhino Entertainment and is the first album to feature songs from both bands in one album. It features five Joy Division tracks, including "Love Will Tear Us Apart", and thirteen New Order tracks, including a previously unreleased track, "Hellbent". A digital deluxe version also includes music videos.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)