That Bloody Woman is a 2015 punk-rock musical written by Luke Di Somma and Gregory Cooper. It is based on the life of Kate Sheppard and charts the suffragism struggle in New Zealand and its opposition by Richard Seddon. The musical was commissioned by Christchurch Arts Festival and premiered there in August 2015. It played in Auckland and Christchurch in 2016, and toured New Plymouth, Wellington and Dunedin in 2017. An original cast recording was made and released in 2016. That Bloody Woman is set to hit the Christchurch stage once again as Showbiz Christchurch prepare for their opening night on 5 July, featuring an all-female creative team and rock band.
Luke Di Somma describes seeing "emo rock musical" Bloody, Bloody Andrew Jackson in Los Angeles in 2010 and being inspired to consider what the New Zealand-equivalent story would be. He sought out a co-writer, and found Gregory Cooper, who he had only met once, and who when approached had to Google the term "librettist". [1] In July 2010 the pair had written a first draft of what they consider was still a very conventional musical. At that point they had 17 songs, only one of which made it into the final version. Overall they estimate they wrote 60 songs for the production, consulting Hansard so they could use words and phrases from the original suffrage debates. [1] With funding from Creative New Zealand, they kept working and took part in a workshop at the Court Theatre. [1] Audience testing in May 2013 showed Court Theatre artistic director Ross Gumbley that the piece had potential even though overall it did not work, and Kate was too unlikeable. [1]
Christchurch Arts Festival director Craig Cooper got in touch in March 2014 and offered Di Somma and Cooper the use of the spiegeltent at the festival. The restrictions this placed on set design and approach forced the writers to consider the piece as more of a cabaret, with Kate "coming back in time to tell us what went wrong because her legacy got f*****." [1] Using a 1977 Bette Midler concert in Cleveland as inspiration for Kate's character, Cooper rewrote the first half of the musical in a week. [1] Around this time, the original director Shane Bosher had other commitments, and Kip Chapman was selected to replace him. Di Somma admits that the songs for the last part of the musical were not written until after rehearsals had already begun. The rehearsal period was three weeks in July 2015. [1]
The musical premiered at the Arts Centre in Christchurch as a part of the Christchurch Arts Festival, which had commissioned it. The show was originally programmed for three nights from 28 August 2015. It was directed by Kip Chapman, with Esther Stephens as Kate Sheppard and Geoff Dolan as Richard "King Dick" Seddon. Phoebe Hurst, Amy Straker, Kyle Chuen and Cameron Douglas comprised "The Gang". [2]
All three shows sold out, and all received standing ovations. [1] Colin McColl, the artistic director of the Auckland Theatre Company, said "I was blown away. I was astounded at how clever the lyrics were and the whole concept of a punk rock musical." He immediately dropped a show from his year's schedule in order to put That Bloody Woman on in Auckland. [1]
The production then toured New Zealand, appearing at Sky City Theatre, Auckland, and Court Theatre, Christchurch, in 2016, Crystal Palace, New Plymouth, Opera House, Wellington, the Fortune Theatre, Dunedin, the Theatre Royal in Nelson, a spiegeltent and the Hawera Memorial Theatre at the Taranaki International Arts Festival, the Clarence Street Theatre in Hamilton, the Municipal Theatre in Napier, and a spiegeltent in Tauranga in 2017. [3] [4] The tour was directed by Jennifer Ward-Lealand. [2]
Critics have described the show as a "badass feminist rock show not to be missed" [5] and "outstandingly successful". [6] Esther Stephens as Kate was "charming yet defiant and persistent, commanding the stage effortlessly and always sympathetic". In contrast, Richard “King Dick" Seddon was "patronising, fur-bedecked, ponytail-pulling and a thoroughly nasty misogynist" which Geoffrey Dolan played with "serious loathsomeness". [7]
The show opens in 1868 with Kate Sheppard travelling from England to New Zealand and settling in Christchurch, where she meets and marries accountant Walter, and has a son, Douglas. She meets her best friend Jennie and Jennie's husband William Lovell-Smith. Kate realises that social and economic inequities were just as bad in New Zealand as in England, and the women had little power to effect change. Problems of alcohol and domestic violence are described.
The turning point for Kate is attending an event in 1885 where she hears the Women's Christian Temperance Union's Mary Leavett speak. Kate goes on to establish the New Zealand WCTU with Ada Wells and Jennie Lovell-Smith. Despite lots of activities with the WCTU, Kate realises nothing is changing, and nothing will change until women have the right to vote.
The 1891 suffrage petition is begun, and women use bicycles to access large areas to canvas support. However, 10,000 signatures is not enough and the petition fails. Richard "King Dick" Seddon rails against Kate and her followers, and works to discredit them.
A second petition gets more than 20,000 signatures, but Kate's efforts are again stymied by Seddon. Walter takes their son to England and Kate is unable to stop him as children are legally the property of their father. Kate also reveals that she is in love with William Lovell-Smith, her best friend's husband. Kate's female supporters urge her not to give up. In 1893, a third petition gathers 30,000 signatures. The bill passes, New Zealand is the first country in the world to grant women the vote.
Performer names for the first cast are given in brackets, as although Kate Sheppard and Dick Seddon are named parts, the performers playing The Gang change roles through the performance. The roles they play include Jennie Lovell-Smith, Ada Wells, Mary Leavitt, Walter Sheppard, William Lovell-Smith, Kate's uncle and father, suffrage supporters Sir John Hall and Sir John Ballance, and an unnamed vicar. The Gang were Phoebe Hurst, Amy Straker, Kyle Chuen and Cameron Douglas in the original cast.
An original cast recording was released 1 December 2016, having been funded by crowdsourcing. [8] [10]
Date | Place | Production Company and Crew | Cast |
---|---|---|---|
August 2015, and subsequent national tour | Christchurch Arts Centre, and national tour | Director Kip Chapman Musical Director: Luke Di Somma Associate Musical Director: Andy Manning Set Designer: Rachael Walker Costume Designer: Lisa Holmes AV Designer: Brendan Albrey Choreography: Jillian Gambino | Esther Stephens as Kate Sheppard Geoffrey Dolan as Dick Seddon Phoebe Hurst, Amy Straker, Kyle Chuen and Cameron Douglas as The Gang [2] [6] |
June 2018 | Centrepoint, Palmerston North | Presented by Centrepoint Theatre. Director: Lyndee-Jane Rutherford Musical director: Kane Parsons Choreographer: Leigh Evans | Lisa Chappell as Kate Sheppard Jeff Kingsford-Brown as Dick Seddon Supporting cast: Janine Bonny, Gary Clark, Kirsten Clark, Frankie Curd, Indiya Henman, Ellen Hodder, Steve Jenkins, Katte Johnston, Rebekah Matsas, Helena Pawson, Trudy Pearson, Leona Revell, Laura Signal and Michelle Thompson [11] |
4 February – 7 March 2021 | Stagecraft Theatre, Wellington | Directors: Joy Hellyer & Paul Kay Musical Director: Katie Morton Orchestrations by Luke Di Somma, Andy Manning, Cameron Burnett, Tim Heeringa & Hannah Elise | Frankie Leota as Kate Sheppard Megan Neill as Kate Sheppard understudy and ensemble Kate Boyle as Jennie Lovell-Smith and ensemble Emma Katene as Ada Wells and ensemble Allison Phillips as Mary Leavitt and ensemble Jayne Grace as the Vicar and ensemble Chris Green as Richard "King Dick" Seddon Chris Gordon as Walter Sheppard and ensemble Angus Dunn as William Lovell-Smith and ensemble And as Hallelujah Bonnets: Katie Morton on Keys, Maddy Walker on Guitar, Jevon Wright on Bass, and Kim Andrews on Drums [12] |
July 2021 | Mayfair Theatre, Dunedin | Presented by Taieri Musical Director: Kim Morgan Musical director: Bridget Telfer-Milne | Anna Langford as Kate Sheppard Max Beal as Richard "King Dick" Seddon Kelly Hocking, Jess Clarke, Janine Weatherly, Peter Hocking, Darrel Read, Kieran Kelly, Kane Welsh, Jane Craigie-Read, Bethany Cook and Chelsea McRae as The Gang. [13] |
3–17 July 2021 | Westpoint Performing Arts Centre, Auckland [14] |
The show was picked up by Music Theatre International (MTI) for licensing in 2021. [9] In 2022 MTI, StageAntics and Amici Trust's Junior Theatre NZ will collaborate on a youth performance "That Bloody Woman – Youth Edition" in Christchurch, from 26 to 30 April. [15] The youth production will be directed by Emma Bishop, with Andy Manning, the Associate Musical Director for the New Zealand premiere of the show in 2015, and choreographer Hillary Moulder. [15]
Katherine Wilson Sheppard was the most prominent member of the women's suffrage movement in New Zealand and the country's most famous suffragist. Born in Liverpool, England, she emigrated to New Zealand with her family in 1868. There she became an active member of various religious and social organisations, including the Women's Christian Temperance Union New Zealand. In 1887 she was appointed the WCTU NZ's National Superintendent for Franchise and Legislation, a position she used to advance the cause of women's suffrage in New Zealand.
Lisa Irene Chappell is a New Zealand actress and musician. She is known for her roles as Chelsea Redfern in Gloss (1987–1990), and as Claire McLeod in McLeod's Daughters (2001–2003), a performance which earned her two Logie Awards, for Most Popular New Female Talent and Most Popular Actress.
Olivia Tennet is a New Zealand actress and dancer best known in her home country for her role as Tuesday Warner on the nightly medical drama Shortland Street, along with several roles in television and theatre. Outside of New Zealand, she is best known for her roles in The Lord of the Rings: The Two Towers (2002), Power Rangers RPM (2009), and the independent film Blood Punch (2013).
Women's suffrage was an important political issue in the late-nineteenth-century New Zealand. In early colonial New Zealand, as in European societies, women were excluded from any involvement in politics. Public opinion began to change in the latter half of the nineteenth century and after years of effort by women's suffrage campaigners, led by Kate Sheppard, New Zealand became the first nation in the world in which all women had the right to vote in parliamentary elections.
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Lucy Masey Lovell-Smith was a notable New Zealand editor, feminist, temperance and welfare worker. She wrote under the pen-name "Vesta" when contributing to newspapers about women's rights. In 1926, she changed her surname to Lovell-Smith.
The Odeon Theatre in Christchurch was the oldest masonry theatre in New Zealand, and one of only three remaining purpose-built 19th-century theatres in the country. The building has had different names over the years, and was put to many different uses. It was damaged beyond repair in the 22 February 2011 Christchurch earthquake and partially demolished in September 2012. The theatre was recognised as a Category I heritage building by the New Zealand Historic Places Trust, with registration number 3140. One of its most notable aspects was its use as a public meeting venue of Kate Sheppard during her women's suffrage campaign.
The Kate Sheppard National Memorial, located in the city of Christchurch, is New Zealand's first memorial to the women's suffrage campaign, and particularly honours the life of one of the country's leading campaigners for women's suffrage, Kate Sheppard.
Holding the Man is a 2006 Australian play written by Tommy Murphy, based on Tim Conigrave's memoir of the same title. It premiered in Sydney, where it won several awards, and then across Australia, as well as internationally–on London's West End and in Los Angeles.
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Luke Di Somma is a New Zealand lyricist, composer, writer and director. He studied at the University of Canterbury, the New Zealand School of Music and the Tisch School of the Arts. His punk-rock musical That Bloody Woman was a smash hit at the 2015 Christchurch Arts Festival, and subsequently toured New Zealand, playing to over 30,000 people. Other compositions include Dinostory and The Things Between Us. He has been commissioned by New Zealand Opera to write a comedic opera about a group of unruly tourists who toured New Zealand in 2019.
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The original cast recording, featuring the original cast and the Hallelujah Bonnets, is available on YouTube