"The Banks of Sweet Primroses" | |
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English Folk Song | |
Other name | "The Banks of the Sweet Primroses", etc. |
Catalogue | Roud 586 |
Published | 1800s: England |
Publisher | Broadside |
"The Banks of Sweet Primroses", "The Banks of the Sweet Primroses", "Sweet Primroses", "As I Walked Out One Midsummer Morning", "As I Rode Out" or "Stand off, Stand Off" (Roud 586) is an English folk song. It was very popular with traditional singers in the south of England, and has been recorded by many singers and groups influenced by the folk revival that began in the 1950s. [1]
The narrator goes out into the countryside on a midsummer morning. He sees an attractive young woman "down by the banks of the sweet primroses". He asks her where she is going and why she is distressed. He tells her he will make her "as happy as any lady" if she will grant him "one small relief". She tells him to go further away and says he is false and deceitful. She says he is responsible for making her "poor heart to wander" and that it is pointless to comfort her. She says she will go to a desolate valley where no one will be able to find her. The narrator then offers this advice to romantically-inclined young men (or, in many versions, to young women): "There's many a dark and dusky morning, turns out to be a most sunshiney day". [2]
The Roud Folk Song Index contains 329 examples (though the same version may be reprinted or distributed in more than one publication or recording and therefore generate more than one entry in the index). 92 examples were collected in England, largely in Southern England (17 versions collected in Sussex in contrast with 2 in Yorkshire). 2 were collected from singers in Wales, 2 from Scotland, and the only examples from outside Britain were from 2 singers in the same part of Nova Scotia. The earliest recorded version was by the Welsh singer Phil Tanner, recorded in 1937.
In the nineteenth century many publishers of Broadside ballads printed versions of "The Banks of Sweet Primroses". [3]
Peter Kennedy's recording of Gloucestershire singer Emily Bishop, made in 1952, is on the GlosTrad website. [4]
Two versions by Phil Tanner are available on the CD "The Gower Nightingale". [5] Several versions by traditional singers have been published by Topic Records in the Voice of the People series. Seamus Ennis recorded Bob, John, Jim and Ron Copper of the Copper Family of Rottingdean, Sussex singing their family version in April 1952. [6] The song has also been recorded by Shropshire singer Fred Jordan, [7] and the Suffolk singer Bob Hart. [8] A rendition by Bob Hart recorded by Reg Hall is available online at the British Library Sound Archive. [9]
Many singers involved in or inspired by the second [British Folk revival] have performed and recorded versions of "The Banks of Sweet Primroses", including Shirley Collins on her LP Sweet Primeroses, [10] The Dubliners [11] Fairport Convention, [12] Martin Carthy and Dave Swarbrick, [13] June Tabor, [14] Martin Simpson, [15] and Eliza Carthy.
Steve Roud writes that this song was so popular with traditional singers at the beginning of the 20th century that some collectors did not bother to note down every example. He also comments that the story seems incomplete and mysterious, in that we don't know what the narrator had done to so distress a young woman he doesn't appear to know, or why the ending is so upbeat. [16] Ralph Vaughan Williams and A. L. Lloyd make the observation that "Tune and text have shown remarkable constancy" through many collected versions, and conclude that "Clearly, singers have found the song unusually memorable and satisfactory, for the process of oral transmission seems to have worked little change on it". [17]
The first line of the song was the inspiration for the title of Laurie Lee's autobiographical travel memoir As I Walked Out One Midsummer Morning.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona. Under the title "Croodlin Doo" Robert Chambers published a version in his "Scottish Ballads" (1829) page 324.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"Mary Hamilton", or "The Fower Maries", is a common name for a well-known sixteenth-century ballad from Scotland based on an apparently fictional incident about a lady-in-waiting to a Queen of Scotland. It is Child Ballad 173 and Roud 79.
"I Saw Three Ships (Come Sailing In)" is an English Christmas carol, listed as number 700 in the Roud Folk Song Index. The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833. The song was probably traditionally known as "As I Sat On a Sunny Bank", and was particularly popular in Cornwall.
"The Raggle Taggle Gypsy" (Roud 1, Child 200), is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. It concerns a rich lady who runs off to join the gypsies (or one gypsy). Common alternative names are "Gypsy Davy", "The Raggle Taggle Gypsies O", "The Gypsy Laddie(s)", "Black Jack David" (or "Davy") and "Seven Yellow Gypsies".
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, one or both of whom die from heartbreak. Thomas Percy included it in his 1765 Reliques and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret were regarded as folk song as early as 1823.
The Farmer's Curst Wife is a traditional English language folk song listed as Child ballad number 278 and number 160 in the Roud Folk Song Index.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.
"Blacksmith", also known as "A Blacksmith Courted Me", is a traditional English folk song listed as number 816 in the Roud Folk Song Index.
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
Phil Tanner was a traditional singer from Llangenith in the Gower Peninsula.
"Hares on the Mountain" is an English folk song. Versions of this song have been collected from traditional singers in England, Canada and the US, and have been recorded by modern folk artists.
The Bold Fisherman is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups.
"No, Sir, No" is an English folk song describing a courtship. It has been collected from traditional singers in England and the USA, and in a bowdlerised version was taught to English schoolchildren in music lessons in the 1950s. Alternative titles include "No, Sir", "No, John, No", "O No John", "Yes Or No", "Cruel Father", "Ripest Apples", "Twenty Eighteen", "The Spanish Merchant's Daughter", "The Spanish Captain", "Spanish Lady", "Yonder Sits a Spanish Lady", "Yonder Sits a Pretty Creature", and "In Yonder Grove".
The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
The Golden Glove is an English folk song also popular in Scotland, Ireland and North America. It tells the tale of a young woman who falls in love with a farmer and devises a somewhat far-fetched ruse to win his love. This song is also known as Dog and Gun and The Squire of Tamworth
The Banks of Sweet Dundee is a folk song very popular with and frequently collected from traditional singers in Britain and Ireland, fairly common in North America, and also performed by revival singers and groups. A young woman escapes a forced marriage by shooting dead both the squire who is her intended husband and her uncle who attacks her.
"Early, Early in the Spring" is a British folk song that has been collected from traditional singers in England, Scotland, Ireland, Canada and the United States. It tells the story of a sailor gone to sea whose beloved promises to wait for him. When he returns she has married a rich man and he goes back to sea with a broken heart and a bitter attitude. In a few American versions the betrayed lover is a cowboy.