The Basement Wall | |
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Background information | |
Origin | Baton Rouge, Louisiana, United States |
Genres | |
Years active | 1963–1968 |
Labels | Senate |
Past members |
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The Basement Wall was an American garage rock band from Baton Rouge, Louisiana, who were active in the 1960s. The group spent much of their career touring in Texas, and eventually became among the most recognized live acts in the southern regional rock scene. All of the band's recorded material was featured on a compilation album in 1985. In 2005, they briefly reunited with their original members for a concert to mark the occasion of their induction into the Louisiana Entertainment Hall of Fame.
The Basement Wall formed in 1963 by founding members Terry Bourdier (bass guitar, vocals) Richard Lipscomb (lead guitar), and Barrie Edgar (drums). [1] Although the band originated from Baton Rouge, Louisiana, they performed primarily in Eastern Texas, honing their skills with cover songs, and drawing influence from the British Invasion groups, particularly the Beatles and the Rolling Stones. With the subsequent addition of George Ratzlaff (lead vocals, rhythm guitar) the Basement Wall expanded beyond local frat house concerts to popular teen nightclubs as far as Los Angeles, even becoming the highest-paid cover band in the southern U.S., according to the Louisiana Entertainment Association. [2] A live performance by the group in 1967 at a venue in Texas called Act III is featured on the compilation album There Goes the Neighborhood, Volume 2, which showcases the Basement Wall's raw vocal harmonic and fuzz-toned guitar interpretations of popular songs including "Pretty Ballerina", "Let's Spend the Night Together", and "Eleanor Rigby". [3]
In 1967, the band signed to Senate Records and began writing their own original material. [1] The group entered Robin Hood Studio in Tyler, Texas to record several demos, including their lone single, a byproduct of the Texas garage rock scene, the Ratzlaff-penned "Never Existed". The recording sessions were produced by Wes Farrell, who composed the McCoys' number one hit "Hang On Sloopy", and the guitar arrangements were provided by Ronnie "Mouse" Weiss of Mouse and the Traps. [4] Its B-side "Taste of a Kiss" was another Ratzlaff composition is a pop rock number marked by up-tempo keyboards. The single became a regional hit upon release in June 1967, and an album was supposedly released; however, there is little evidence to support its existence. Regardless, much of the Basement Wall's material was released on The Incredible Sound of the Basement Wall in 1985 on Cicadelic Records. [5]
In 1968, Bourdier retired from the music industry after getting married. Although the group did replace him with Duke Bardwell, who later toured with Elvis Presley, they could not recapture the chemistry and disbanded later in the year. Ratzlaff resurfaced with the blues rock outfit Potliquor, scoring a national hit with the song "Cheer" in 1972. Since its initial release, "Never Existed" has been reissued on Boulders, Volume 10, Relics, Volume 1, and Relics, Volume 2. An alternate version of the song appears on Garage Beat '66 Volume 5: Readin' Your Will . In 2005, the Basement Wall held a reunion concert with the original lineup in honor of their induction into the Louisiana Entertainment Hall of Fame. [5]
The Buckinghams are an American pop band from Chicago. They formed in 1966 and went on to become one of the top-selling acts of 1967, charting their only five top 40 hits in the U.S. that year. The band dissolved in 1970, but re-formed in 1980 and as of 2022 they continue to tour throughout the United States.
Mouse and the Traps is the name of an American garage rock band from Tyler, Texas, United States, that released numerous singles between 1965 and 1969, two of which, "A Public Execution" and "Sometimes You Just Can't Win", became large regional hits. The leader of the band, nicknamed "Mouse", was Ronny Weiss. Two of their best known songs, "A Public Execution" and a cover of "Psychotic Reaction", are not actually credited to this band but, respectively, to simply Mouse and Positively 13 O'Clock instead. Their tangled history also included one single that was released anonymously under the name Chris St. John. The band are not to be confused with the girl group Mousie and The Traps who recorded for Toddlin' Town records around the same time.
The Blue Things were a folk rock and, later, psychedelic band from Hays, Kansas that existed from 1964 to 1968, recording one LP and several singles for RCA Records in '66 and '67. The RCA recordings remain their best-known material, although they had previously released singles through Ruff Records, a tiny Texas label.
The Outcasts are an American garage rock band from San Antonio, Texas that released a total of five singles between 1965 and 1967. Their best-known songs are "I'm in Pittsburgh ", and "1523 Blair". Their recordings have been reissued on a number of compilation albums. According to the Ugly Things compilation album notes, they are the most recognized band of this name that were active in the mid-1960s, including another popular band from Manhasset, New York.
Road Trips Volume 1 Number 2 is a live album by the American rock band the Grateful Dead, the second in their "Road Trips" series of archival releases. It was recorded in October 1977, and released on February 4, 2008.
Potliquor was a 1970s rock group from Baton Rouge, Louisiana. The band was formed by George Ratzlaff and Guy Schaeffer after the breakup of a successful cover band named the Basement Wall. Like several other bands of the American South, their musical style was a synthesis of influences such as Little Richard, Ray Charles, Jimmy Reed, and more, making Potliquor a part of the nascent Southern rock genre. Potliquor released four albums plus a compilation album but had only one hit single written and sung by George Ratzlaff.
"It's a Cry'n Shame" is a song written by Seab Meador and Mike Kelley and was recorded in 1966 by the Gentlemen, an American garage rock band from Dallas, Texas who were active between 1964 and 1968. It was originally released as the B-side to "You Can't Be True" but has become by far the better-known song. "It's a Cry'n Shame" has been included in several garage rock compilations and is now recognized as one of the greatest songs in the genre.
The Bad Seeds were an American garage rock band formed in Corpus Christi, Texas, in 1964. Musically influenced by traditional blues and the raw recordings by the Rolling Stones, the group's sound was marked by primal proto-punk instrumental arrangements and vocals. The band released three singles, mostly originals penned by guitarist Mike Taylor, that have since become classics of garage rock, and have the Bad Seeds considered forerunners in popularizing the subgenre in Texas.
The Northwest Company was a Canadian garage rock band from Haney, British Columbia who were active from the mid-1960s through the early 1970s. Though they never became a national success, though they were at a time one of the most popular in British Columbia. The Northwest company is known for a hard-driving sound heard in such songs such as "Hard to Cry," and has been featured in various compilations such as the History of Vancouver Rock and Roll series.
"Bad Girl" is a song by the American garage rock band the Zakary Thaks, written by the whole group—Chris Gerniottis, Pete Stinson, Stan Moore, Rex Gregory, and John Lopez—and was first released for the band's debut single on J-Beck Records in July 1966. The song was an immensely successful regional hit in Texas, precipitating "Bad Girl"'s national release on Mercury Records later in the year. Since its initial distribution, the tune has received further recognition for its appearance on several compilation albums.
The Mad Hatters were an American garage rock band from Annapolis, Maryland who were active in the 1960s and had a following in the Washington DC and Baltimore area. They enjoyed brief local and regional success with their first single, "I Need Love," released in 1965, later recorded by the Time Stoppers. Though they failed to reach a wider audience, in the intervening years since their breakup they have become known amongst garage rock collectors and enthusiasts. Their 1966 song "I'll Come Running" has also become a song highly regarded amongst enthusiasts.
The Liberty Bell was an American garage rock/psychedelic rock band from Corpus Christi, Texas who were active in the 1960s. They specialized in a blues-based brand of proto-punk influenced by British groups such as the Yardbirds. The band failed to reach wider audience in the time, but have come to the attention of garage rock collectors and enthusiasts in the intervening years since their breakup, with their work appearing on several compilations.
The Lewallen Brothers were an American garage rock band formed in Tucson, Arizona in 1962. Combining an element of folk rock, similar to the sound of the Beau Brummels, with the essence of a raw garage band, the group became immensely popular in Arizona. Though the Lewallen Brothers never broke through to a national audience, the band is noted for being one of the longest-enduring garage musical acts to emerge from the 1960s, as the group performed well into the 1990s.
The Nomads were an American garage rock/psychedelic rock band from Texas City, Texas near Galveston who were active in the 1960s. The band was known for Brian Collins' passionate vocals and a melodic guitar sound. They are not to confused with a number of other bands using the same name in Texas and elsewhere, such as the Nomads from Fort Worth and the Nomads from Mount Airy, North Carolina.
The North Atlantic Invasion Force was an American garage rock band from New Haven, Connecticut who were active in the 1960s. They were led by vocalist and principal songwriter George Morgio, many of whose song lyrics were concerned with interpersonal relationships or were otherwise topical in nature, focusing issues such as free speech and the ongoing war in Vietnam.
The Better Half-Dozen was an American garage rock band formed in New Orleans, Louisiana, in 1966. The band played at local colleges, high schools and clubs in New Orleans and surrounding cities and states. They released one 45 single with 2 originals called "I'm Gonna Leave You" and "I Could Have Loved Her", which, despite insufficient promotion, has remained a classic garage rock recording.
Christopher and the Souls were an American garage rock band formed in McAllen, Texas, in 1964. Recording a song inspired by the poetic writing of Christopher Voss called "Diamonds, Rats, and Gum", Christopher and the Souls became one of the highlights of the Texas garage scene. Although the group disbanded in 1967, their composition has been rediscovered and highly valued among collectors. Noted for its rarity on the already isolated Pharaoh record label, only a few copies of "Diamonds, Rats, and Gum" are known to exist; however, it is accessible on compilation albums.
The Heard was an American garage rock band formed in Longview, Texas, in 1965. Within a year of their formation, the band gained a reputation as one of the loudest musical acts in Texas, soon receiving a string of gigs at Houston's Catacomb Club. In 1967, the Heard recorded the "Exit 9" single, an enduring piece in the musical genre of psychedelic rock. The band's blend of frantic melodies and studio techniques unique to most garage groups has brought praise to "Exit 9" and its B-side cover version of "You're Gonna Miss Me".
The Bluestars were a garage rock band from Auckland, New Zealand, who were active during the 1960s. They became one of the most popular bands in New Zealand at the time and enjoyed a hit in the Auckland area with their first single, which appeared on Decca Records, where they were the first New Zealand rock band to be signed to the label. But, they are now best known for their subsequent release, "Social End Product", that with its line "I don't stand for the Queen", took aim at the monarchy and social oppression, anticipating certain sentiments expressed in the music of the Sex Pistols and other 1970s punk acts. Their work is now highly regarded by garage rock enthusiasts.
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