Related Research Articles
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
The Outsiders were an American rock and roll band from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band released the hit single "Time Won't Let Me" in early 1966, which peaked at No. 5 in the US in April. The band had three other Hot 100 top 40 hit singles in 1966, but none on the Hot 100 afterwards, and released a total of four albums in the mid-1960s.
The Fleshtones are an American garage rock band from Queens, New York, United States, formed in 1976.
The Litter was an American psychedelic and garage rock band, formed in 1966 in Minneapolis, Minnesota, United States. They are best remembered for their 1967 debut single, "Action Woman". The group recorded three albums in the late 1960s before disbanding, but they re-united in 1990, 1992, and again in 1998, when they recorded a new studio album consisting of both old and new material. All of their Minneapolis recorded material was produced by Warren Kendrick, who owned the Scotty and Warick and Hexagon labels.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
Charlie Parr is an American country blues musician. Born in Austin, Minnesota, he spent part of his childhood in Hollandale before starting his music career in Duluth. His influences include Charlie Patton, Bukka White, Reverend Gary Davis, Dave Van Ronk, Mississippi John Hurt, and his self-professed "hero" "Spider" John Koerner. He plays a Mule resonator, National resonator guitar, a fretless open-back banjo, and a twelve-string guitar, often in the Piedmont blues style. He is divorced from Emily Parr, who occasionally adds vocals to his music. He has two children.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
Who Knows Where the Time Goes is the seventh studio album by American singer and songwriter Judy Collins, released by Elektra Records in 1968. It peaked at No. 29 on the Billboard 200 charts.
The Ugly Ducklings were a Canadian five-piece garage rock group based in Toronto, Ontario, Canada, most notable during the mid-1960s.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Howard Pyle Wyeth, also known as Howie Wyeth, was an American drummer and pianist. Wyeth is remembered for work with the saxophonist James Moody, the rockabilly singer Robert Gordon, the electric guitarist Link Wray, the rhythm and blues singer Don Covay, and the folk singer Christine Lavin. Best known as a drummer for Bob Dylan, he was a member of the Wyeth family of American artists.
Public Execution is a Mouse and the Traps retrospective album that has been released in both LP and CD formats. The LP has an unusually large number of tracks (19), while the CD includes 4 bonus tracks and catalogues almost all of the released music by Mouse and the Traps and their associated bands: Mouse, Positively 13 O'Clock and Chris St. John.
The Fraternity Years is a retrospective album that has been released in CD format. As the name implies, the album collects most of the music from the many singles that Mouse and the Traps released on Fraternity Records, so the last two singles released by the band in 1969 on Bell Records are omitted, as are the novelty song "Would You Believe" and the cover of "Psychotic Reaction" by Positively 13 O'Clock. However, the album includes 7 previously unreleased songs.
Reid Paley is an American singer, songwriter, and musician who has been performing and recording both solo and with his trio since the mid-1990s.
Fairport Live Convention is a 1974 live album by British folk rock band Fairport Convention originally released in 1974 by Island Records. It was recorded live at the Sydney Opera House, the London Rainbow and the Fairfield Halls, Croydon by John Wood and mixed down at Sound Techniques, London. It was produced by Trevor Lucas & John Wood.
New Blood is the fifth album by the band Blood, Sweat & Tears, released in October 1972.
Europe '72 Volume 2 is a live album by the rock band the Grateful Dead. It is a two-CD set which features 20 tracks from the band's Spring 1972 tour of Europe. As such, it represents a belated sequel to the band's original three-LP 1972 release, Europe '72. Around the time of the production of the massive Europe '72: The Complete Recordings box set in 2011, Grateful Dead archivist David Lemieux was charged with the task of developing this follow-up compilation, nearly four decades later, without repeating any of the songs that appeared on Europe '72. As with the box set, all of the music for this CD was remastered from the original 16-track tapes and encoded with HDCD specifications. The artwork for the release is by Stanley Mouse, who, along with his late partner, Alton Kelley, created the recognizable images for the original release.
The Basement Wall was an American garage rock band from Baton Rouge, Louisiana, who were active in the 1960s. The group spent much of their career touring in Texas, and eventually became among the most recognized live acts in the southern regional rock scene. All of the band's recorded material was featured on a compilation album in 1985. In 2005, they briefly reunited with their original members for a concert to mark the occasion of their induction into the Louisiana Entertainment Hall of Fame.
"A Public Execution" is a song performed and recorded by the American band Mouse and the Traps, also credited simply as Mouse, written by Ronny "Mouse" Weiss (né Ronald Lon Weiss; born 1942) (music) and Knox Henderson (né Knox Holmes Henderson; 1939–2002) (words), and first released as the group's debut single on Fraternity Records in December 1965. The song was a big regional hit in Texas and peaked in the lower reaches of the Billboard charts, but has become better-known today, in large part, due to the band's uncanny imitation of Highway 61 Revisited-era Bob Dylan.
Marian Henderson was an Australian folk and jazz singer later referred to as "the queen of the (Australian) 1960s folk revival". She worked extensively in Australian folk and jazz clubs during the 1960s and 1970s and appeared on television and a number of Australian folk music recordings, though recorded only one album under her own name.
References
- 1 2 3 4 5 6 7 8 9 Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. p. 1770. ISBN 0-85112-939-0.
- ↑ Website for the Lone Star Ramblers, which include two former members of the band.
- ↑ A 1997 interview with Robin Hood Brians in the liner notes for The Fraternity Years, Ace Records website
- ↑ Blog entry on the "Lost in Tyme" website (posted by Vernon Joynson, Max Waller and Paul Moffett)
- ↑ Liner notes for Pebbles, Volume 1 (CD), AIP Records
- ↑ Excerpt from The Radio Lives and Legends of Jimmy Rabbitt, from RadioDailyNews.com website
- ↑ Whitburn, Joel (2015). The Comparison Book. Menonomee Falls, Wisconsin: Record Research Inc. p. 357. ISBN 978-0-89820-213-7.
- ↑ Website under home.online.no that includes photos of two obscure singles and some information on them with "Compilation and archive research by Alec Palao".
- ↑ Promotional copy for The Fraternity Years CD, Yahoo Shopping website.
- ↑ Richie Unterberger, AMG Reviews; included in the promotional copy for The Fraternity Years CD, Yahoo Shopping website.
- ↑ Lone Star Ramblers Website.
- ↑ Christgau, Robert (1981). "Consumer Guide '70s: R". Christgau's Record Guide: Rock Albums of the Seventies . Ticknor & Fields. ISBN 089919026X . Retrieved March 12, 2019– via robertchristgau.com.
- ↑ Promotional material for Stormy Love, CD Baby website.
- ↑ History and Musicography, www.jimmyrabbitt.com.
- ↑ Tyler Today Magazine, Feb/March 2021, p. 158
- ↑ Radio Lives excerpt.
- ↑ "Mouse and the Boys Pete interview". Archived from the original on 2015-02-20. Retrieved 2015-03-06.
