The Outsiders were an American rock and roll band from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band released the hit single "Time Won't Let Me" in early 1966, which peaked at No. 5 in the US in April. The band had three other Hot 100 top 40 hit singles in 1966, but none on the Hot 100 afterwards, and released a total of four albums in the mid-1960s.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
Milan Radenkovich (December 15, 1941 – March 14, 1971), who was always credited mononymously as Milan, was an American record producer, songwriter and recording artist on numerous songs made throughout the 1960s, mostly though not exclusively in the garage rock genre. He released an LP and numerous singles for seven different national record labels and other independent labels (a total of more than 30 songs) under a variety of names, including Milan with His Orchestra, Milan, The World of Milan, Milan (The Leather Boy), and The Leather Boy, and also worked under the name Rick Rodell. As a producer, arranger and/or songwriter, Milan oversaw many other releases by a variety of artists ranging from the pop singer Lou Christie to the psychedelic rock band the Head Shop.
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Pebbles, Volume 2 is a compilation album featuring American underground psychedelic and garage rock musical artists from the 1960s. It is the second installment of the Pebbles series and was released on BFD Records in 1979.
Pebbles, Volume 3, subtitled The Acid Gallery, is a compilation album featuring American underground psychedelic rock musical artists from the 1960s. It is the third installment of the Pebbles series and was released on BFD Records in 1979. The album is marked for containing among the most unusual recordings of psychedelic music.
Pebbles, Volume 4 is a compilation album in the Pebbles series that has been issued in both LP and CD formats. Unlike other volumes in the series – which compile obscure garage rock and psychedelic rock music – Volume 4 collects rare examples of surf rock. The LP is subtitled Summer Means Fun, while the CD is subtitled Surf N Tunes. Another Pebbles, Volume 4 was issued on CD a few years earlier by ESD Records and has completely different tracks.
Pebbles, Volume 5 is a compilation album in the Pebbles series that has been issued in both LP and CD formats.
Pebbles, Volume 6 is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP was released as English Freakbeat, Volume 6.
Pebbles, Volume 9 is a compilation album among the LPs in the Pebbles series. The music on this album has no relation to Pebbles, Volume 9 that was released on CD many years later.
Pebbles, Volume 10 is a compilation album among the LPs in the Pebbles series. The music on this album has no relation to Pebbles, Volume 10 that was released on CD many years later.
Pebbles, Volume 11 is a compilation album among the LP's in the Pebbles series and has no relation to the Pebbles, Volume 11 CD that was released many years later. The cover was adapted and colorized for a later Pebbles double CD, Essential Pebbles, Volume 2.
Trash Box is a 5-CD box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. This box set is similar to the earlier Pebbles Box and includes almost all of the same recordings in that box set, along with numerous bonus tracks at the end of each disc. Supposedly, the Trash Box collects the first five volumes of the CDs in the Pebbles series. However, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely. Overall, there are 109 tracks in the box set as compared to 101 songs on the individual CDs and 72 tracks in the Pebbles Box.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Essential Pebbles, Volume 2 is a compilation album in the Essential Pebbles series. Although subtitled Still More Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
Highs in the Mid-Sixties, Volume 3 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Los Angeles.. The subtitle is seemingly taken from Mondo Cane, an influential 1962 documentary film.
English Freakbeat, Volume 1 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
English Freakbeat, Volume 2 is a compilation album in the English Freakbeat series, featuring recordings that were released decades earlier, in the mid-1960s.
