The Wilde Knights

Last updated
The Wilde Knights
Origin Longview, Washington, United States
Genres
Years active1960s
Labels Star-Bright, Modern
Past members
  • Rick Dey
  • Rich Brown
  • Ray Kennedy
  • Roger Huycke

The Wilde Knights were an American garage rock band from Longview, Washington, who were active in the 1960s. They emerged from a group known as the Furys and later the Pipers VI, who recorded several frat rock records. After becoming the Wilde Knights, they wrote and recorded two songs in 1965 which were both released as singles that year and are now recognized as garage rock classics, "Beaver Patrol" and "Just Like Me", the latter of which later provided a huge hit for Paul Revere & the Raiders. In the late 1960s they evolved into Genesis (not to be confused with the British progressive rock band), the King Biscuit Entertainers, and American Cheese, and issued records under those various names.

Contents

History

The Wilde Knights hailed from Longview, Washington and formed out of a previous group, known at different times as the Furys and Pipers VI, whose last remnants included bassist Rick Dey, who was born in Cromer, Norfolk, England, but whose family moved to the United States in 1956. [1] [2] [3] In 1960s he joined the Pipers when they returned to Longview, Washington after doing a club residency in San Francisco. [2] [3] The Pipers had recorded several frat rock singles, but after their journey to Los Angeles, lost some of their earlier members and proceeded to assemble a new lineup that would eventually settle into Dey on bass, Rich Brown on guitar, Ray Kennedy on organ, Roger Huycke on drums. [1] [2] They changed their name to the Wilde Knights. [2] [3]

In 1965 the Wilde Knights teamed up with producer Paul Johnson to record two singles for his Star-Bright label. [2] [3] [4] The first was "Beaver Patrol" b/w "Tossin' and Turnin". [2] [3] [4] [5] [6] "Beaver Patrol", penned by Rick Dey and Rich Brown, contained sexually suggestive lyrics. [2] [3] [4] [5] [6] Dey and Brown also wrote "Just Like Me", which became the A-side of their next single, also released in 1965, and would be adopted by Paul Revere & the Raiders in their smash hit cover version later that same year, which was credited to Dey and Raiders manager Roger Hart (not to be confused with the famous songwriter of the 1930s and 1940s), rather than Dey and Brown. [2] [3] [4] [5] [7] [8] The Wilde Knights' single, backed with "I Don't Care", got picked up by Los Angeles label, Modern Records. [1] [1] [2] [4] After the Wilde Knights, the lineup evolved into Genesis, the King Biscuit Entertainers, and American Cheese, all of whom released singles in the late 1960s. [1] [3] Dey moved to Los Angeles and played in other groups, but his career was cut short by an nitrous oxide overdose. [2]

The Wilde Knights have become highly regarded amongst garage rock enthusiasts, many of whom regard "Just Like Me" and "Beaver Patrol," which is featured on Pebbles, Volume 1 LP and CD versions, as well as the "Pebbles Box" and Trash Box compilations, as classics in the genre. [3] [9] [10] [11] [12] The Wilde Knights' complete recordings, along with tracks they cut as the Furys, the Piper IV, Genesis, King Biscuit Entertainers, and American Cheese are included on the anthology The Wilde Knights A.K.A. Furys, Pipers IV. [3] [13]

Membership

Discography

Related Research Articles

Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.

<i>Peter Criss</i> (album) 1978 studio album by Peter Criss

Peter Criss is the first solo studio album by Peter Criss, the drummer of American hard rock band Kiss. It was one of four solo albums released by the members of Kiss on September 18, 1978. The album was produced by Vini Poncia, who went on to produce the Kiss albums Dynasty (1979) and Unmasked (1980). Criss covered "Tossin' and Turnin'", which was a No. 1 hit for Bobby Lewis in the U.S. during the summer of 1961. The song was subsequently covered by Kiss on their 1979 tour.

The Wailers, often known as The Fabulous Wailers, were an American rock band from Tacoma, Washington. They became popular in the Pacific Northwest from the late 1950s to the early 1960s, performing saxophone-driven R&B and Chuck Berry rock and roll. Their biggest hit was "Tall Cool One", first released in 1959, and they have been credited as being "one of the very first, if not the first, of the American garage bands."

<i>Pebbles, Volume 1</i> 1978 compilation album

Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.

<i>Pebbles Box</i> 1987 compilation album

The Pebbles Box is a 5-LP box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. Several years later, a similar 5-CD box set was released that was called the Trash Box. The Pebbles Box purports to collect the first five volumes of the Pebbles series, although there are fewer songs than on the original LPs: 72 total tracks on the five discs, as compared with 86 on the original LPs. Also, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely.

<span class="mw-page-title-main">Just Like Me (Paul Revere & the Raiders song)</span> 1965 single by Paul Revere & the Raiders

"Just Like Me" is a 1965 single by Paul Revere & the Raiders featuring Mark Lindsay as vocalist. It was released on Columbia Records and marked the beginning of a string of garage rock classics. As their second major national hit, "Just Like Me" reached #11 on the US charts and was one of the first rock records, due to guitarist Drake Levin, to feature a distinctive, double-tracked guitar solo.

<i>Highs in the Mid-Sixties, Volume 7</i> 1984 compilation album

Highs in the Mid-Sixties, Volume 7 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Washington and Oregon. Highs in the Mid-Sixties, Volume 14 and Highs in the Mid-Sixties, Volume 16 are later volumes in the series that feature bands from these states.

The Fireflies were an American doo-wop group from Long Island, New York, from the late 1950s to early 1960s. They were one of the first groups in which all band members both sang and played instruments. In addition, they were the first all-white vocal harmonizing group to appear at The Apollo Theater.

The High Spirits was a garage rock band from Minneapolis, Minnesota active in the 1960s and signed with Soma Records. While there was a small rotation of members, the original line-up consisted of lead guitar/manager Owen Husney, drums Doug Ahrens, lead vocals Cliff Siegel, bass guitar Rick Beresford, rhythm guitar Rick Levinson, and Jay Luttio on keyboards. The band was among the Midwest groups that are credited with being the forefathers of the later punk rock scene.

<span class="mw-page-title-main">T.C. Atlantic</span> 1960s American psychedelic/garage rock band

T.C. Atlantic was an American garage rock/psychedelic rock band from Minneapolis, Minnesota who were active in the 1960s. They were one of the most popular groups in the Twin Cities, but failed to break nationally. In the intervening years since their breakup, their recordings have attracted the interest of '60s music collectors and enthusiasts, and they are particularly remembered for their 1966 fuzz-tinged song, "Faces", which has been mentioned as one of the earliest garage rock songs to display psychedelic characteristics.

<span class="mw-page-title-main">Sir Winston and the Commons</span> American garage-rock band, formed 1963

Sir Winston and the Commons were an American garage rock band formed in Indianapolis, Indiana, in 1963. The group released two highly regarded singles, which, upon release, earned the band a regional following, and resulted in reinterest in their music over the years. At the height of their popularity, Sir Winston and the Commons were regulars at the teen dance club the Cellar, in Chicago.

<span class="mw-page-title-main">The Escapades</span> American garage rock band

The Escapades were an American garage rock band from Memphis, Tennessee who were active in the 1960s. They became one of the most popular groups in the Memphis area during the mid-1960s and recorded two singles. "I Tell No Lies", the A-side of their debut single, became a big hit in Memphis and around the South. They were signed to Verve Records, who released their follow-up, "Mad, Mad, Mad", which featured a fuzz-toned guitar line. Their work is highly regarded by garage rock enthusiasts and collectors and has appeared on various compilations.

Joe Frank and the Knights were an American garage rock band from Leland, Mississippi who were active between 1959–1965. They were led by Joe Frank Carollo. In the early-to-mid 1960s their popularity grew beyond the Mississippi delta and Memphis areas as they became one of the most popular groups in various parts of the Southern United States. They had a regional hit with "Can't Find a Way", which attracted the attention of ABC Records who picked up the record and re-released it for national distribution. However, the band broke up shortly thereafter, and Carollo joined the T-Bones, who later evolved into the soft rock trio Hamilton, Joe Frank & Reynolds in the early 1970s.

The Breakers were an American garage rock band from Memphis, Tennessee who were active in the 1960s. They became one of the most popular bands in the Memphis area and enjoyed considerable success with their regional hit "Don't Bring Me No Flowers ". There has been a resurgence of interest in the Breakers amongst garage rock collectors and enthusiasts in recent years.

<i>Last of the Garage Punk Unknowns, Volumes 1 & 2: American Teenage Garage Hoot 1965–1967</i> 2015 compilation album

Last of the Garage Punk Unknowns, Volumes 1 & 2: American Garage Teenage Hoot 1965-1967 is a compilation album of 1960s garage rock available on compact disc and is the first installment in the CD version of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 1 and 2 of the LP counterparts in the series. As indicated on the front sleeve, most of the songs were recorded by American groups between 1965 and 1967. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The albums also include photographs of included groups, and cover artwork reflects the mid-1960s style graphic presentation popular on record sleeves of the time.

<span class="mw-page-title-main">The Others (American band)</span> American garage rock band

The Others were an American garage rock band formed in South Kingstown, Rhode Island, in 1964. Heavily influenced by British Invasion groups, the Others enjoyed a role as one of the most popular New England musical acts, thanks in large part to their debut single "I Can’t Stand This Love, Goodbye". The record is regularly featured on 1960s garage compilation albums, most notably Pebbles, Volume 8. Three singles, including "I Can’t Stand This Love, Goodbye", were released during the group's recording career, all of which were issued nationally, and represented musical progression unheard of from the majority of garage bands.

<i>Uptight Tonight: The Ultimate 1960s Garage Punk Primer</i> 2005 compilation album

Uptight Tonight: The Ultimate 1960s Garage Punk Primer is a garage rock compilation put out in 2005 by Big Beat Records. The set consists of twenty-six tracks that, with a few exceptions, focus on the harder and more aggressive side of the genre. Steve Legget, commenting in AllMusic, writes that Uptight Tonight "...rips out the attitude and trash riffs pretty darn well, making it perhaps the ultimate single-disc set of this raggedly endearing rock style." The packaging includes well-researched liner notes written by Alec Palao, which provide helpful biographical information about the artists and their songs, as well as extensive photographs of the bands."

<span class="mw-page-title-main">The Humans (New York band)</span> American garage rock band

The Humans were an American garage rock band from Albion, New York who were active in the 1960s. They were popular in the region, touring throughout the Northeast, and enjoyed a regional hit, with the single "Take a Taxi" b/w "Warning", that received airplay in other markets around the country. "Warning" has become especially valued amongst garage rock enthusiasts and was included on the Back from the Grave compilation series.

Danny and the Counts were an American garage rock band from El Paso, Texas, who were active in the 1960s. They had a local hit with their 1965 R&B-flavored debut single, "For Your Love", but afterward switched their approach to reflect British Invasion influence. In 1966 they released a single on Coronado Records featuring the two songs for which they have become best-known, "You Need Love" and "Ode to the Wind". In the intervening years their work has come to be highly regarded by garage rock enthusiasts.

<i>Last of the Garage Punk Unknowns, Volumes 7 & 8: Heartbroken American Garage Jangle Misery 1965–1967</i> 2015 compilation album

Last of the Garage Punk Unknowns, Volumes 7 & 8: Heartbroken American Garage Jangle Misery 1965–1967 is a compilation album of 1960s garage rock available on compact disc and is part of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 7 and 8 of the LP counterparts in the series. Most of the set focuses on downcast and moody rock songs and ballads. Several of the tracks display folk rock influence. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The album also includes photographs of musical groups, and cover artwork reflects the mid-1960s style graphic art popular on record sleeves of the time.

References

  1. 1 2 3 4 5 Markesich 2012, p. 259.
  2. 1 2 3 4 5 6 7 8 9 10 Palao, Alec (2005). Uptight Tonight: The Ultimate 60s Garage Collection. Big Beat Records (UK). p. 19. CDWIKD 255
  3. 1 2 3 4 5 6 7 8 9 10 Unterberger, Richie. "The Wilde Knights: Artist Biography". AllMusic. ©AllMusic, member of the RhythmOne group. Retrieved June 27, 2016.
  4. 1 2 3 4 5 Bishop, Chris (March 12, 2016). "Star-Bright Records discography". Garage Hangover. ©Chris Bishop. Retrieved June 27, 2016.
  5. 1 2 3 Unterberger, Richie. "About The Wilde Knights". MTV Artists. ©Viacom International Inc. Retrieved June 27, 2016.
  6. 1 2 ""Beaver Patrol" b/w "Tossin' and Turnin" - Star Bright 3051, 1965". 45cat. 45cat website©. Retrieved June 27, 2016.
  7. ""Just Like Me" b/w "I Don't Care" - Star Bright 3052, 1965". 45cat. 45cat website©. Retrieved June 27, 2016.
  8. Blecha, Peter (2009). Sonic Boom: The History of Northwest Rock, from "Louie Louie" to "Smells Like Teen Spirit (1st ed.). New York: Backstret Books (a imprint of Hal Leonard Corporation). p. 188. ISBN   978-0-87930-946-6.
  9. "Various – Pebbles Vol. One (Original Artyfacts From The First Punk Era)". Discogs. Discogs®. Retrieved June 27, 2016.
  10. "Various – Pebbles Volume 1". Discogs. Discogs®. Retrieved June 27, 2016.
  11. "Various – Pebbles Box". Discogs. Discogs®. Retrieved June 27, 2016.
  12. "Various – Trash Box". Discogs. Discogs®. Retrieved June 27, 2016.
  13. "The Furys, the Pipers IV, Wilde Knights A.K.A. Furys, Pipers IV – Beaver Patrol". Discogs. Discogs®. Retrieved June 27, 2016.

Bibliography