Peter Blecha | |
---|---|
Born | Seattle, Washington, U.S. |
Nationality | American |
Alma mater | University of Washington |
Occupation(s) | Historian, curator, essayist, author, musician |
Peter Charles Blecha is an American historian, curator, essayist, author, musician, and director of the Seattle-based Northwest Music Archives. He is primarily known for research related to aspects of Pacific Northwest musical history. In addition to his books, essays, and album liner notes, Blecha has also served in multiple consulting and curatorial positions.
Blecha was raised in the Beacon Hill area of Seattle. His family moved to Olympia in 1962, and at an early age he took piano and drum lessons. After graduating from Winlock Miller High School, he returned to Seattle in 1974 to enroll at the University of Washington, studying art history under Constantine Chrisfofides, art under Jacob Lawrence, and Northwest Coast art under Bill Holm. [1] [2]
In the early 1970s, Blecha was active in the Olympia rock scene as a member of GodMother, Warbucks, and Valhalla, and later in Seattle with the Debbies, the Musical Chairs, conCordia disCors, and the Chains of Hell Orchestra. [3]
In 1983, he formed the Northwest Music Archives to document record labels from the Pacific Northwest and began 17 years of writing the "Northwest Music Archives" column in Seattle's music magazine The Rocket . [4] [5]
The following year his exhibit, "The History of Northwest Recording", was mounted at the Seattle Public Library's main branch utilizing his own collection and items from recording engineer Kearney Barton. In 1987, he wrote and co-produced (with Mike Webb) a 10-hour special, "The History of Northwest Rock", for KVI radio, and in 1988 returned to the University of Washington to study museology. In 1990, Blecha began hosting the area's first all-Northwest oldies radio specialty show – "Tall Cool Ones" – on KCMU, [6] and also served on the Northwest Area Music Association's Hall of Fame Committee. [7]
In 1992, Blecha was hired as an archival consultant by Microsoft founder Paul Allen for a specific project: the Jimi Hendrix Museum, [2] [8] and served on the project's Planning and Design, Exhibit Development, and Concept Development teams. Over the following several years, the project's mission was expanded to include the Northwest's regional music history. Leading the curatorial department’s artifact acquisition effort, Blecha secured thousands of historic items while also conducting interviews with scores of rock stars and other music industry figures, earning a reputation as the "Indiana Jones of rock 'n' roll" [9] and the "archaeologist of Northwest rock" [10] for his work in locating important musical artifacts related to major rock artists and performances. [11] The museum opened in June 2000 as the Experience Music Project (EMP), now the Museum of Pop Culture (MoPOP), with Blecha as a Senior Curator with three major inaugural exhibits: the "Jimi Hendrix Exhibit"; the "Northwest Passage Gallery" (about the history of Northwest music); and "Quest for Volume: A History of the Electric Guitar". [12]
In the following years, Blecha served in volunteer positions with the Stone Age Institute Advisory Board, the Association for Recorded Sound Collections Excellence in Publication Committee, the Northwest African American Museum Advisory Committee, and the Joint Artists and Music Promotions Action Committee (JAMPAC). He was also named as an Ambassador for the Seattle Center Foundation's Next 50 history committee. [13]
In 2001, Blecha began working for Walt Crowley's HistoryLink, an online encyclopedia of Washington State history. [2] As of 2024, he continues to serve there as a Staff Historian and Contributing Editor, writing hundreds of essays about regional topics. He has published ten books and written feature essays for The Seattle Times , Seattle Business, Seattle Weekly , Seattle Metropolitan , Seattle Magazine , Life, No Depression , DISCoveries, and others. [13]
Blecha researched historic brands of guitars manufactured in the Pacific Northwest from the 1930s through the 1950s including Audiovox, Bud-Electro, Hanburt, and Coppock, with many documented in essays in Vintage Guitar magazine. [14] He also researched pioneering Northwest-based record companies from the 1940s (Linden, Morrison), 1950s (Dolton), and 1960s (Jerden, Etiquette, Camelot). In 2013, he launched the Northwest Music Archives website to document all known Pacific Northwest-based record labels and musical artists. [15]
Selected works from books, magazines and websites:
Selected liner notes and booklets from major LP and CD releases: [18] [19]
Blecha's recordings include singles, EPs, and albums with multiple artists as a drummer, guitarist, and songwriter: [19]
Selected lectures and topics:
Blecha resides in the Seattle area with his wife, Kate Race, an artist, musician, and graphic designer. [20]
James Marshall "Jimi" Hendrix was an American guitarist, songwriter and singer. Although his mainstream career spanned only four years, he is widely regarded as the greatest and one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a standard in pop and rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Afro-Cuban influence on American popular music.
Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience, released in October 1968. A double album, it was the only record from the Experience with production solely credited to Hendrix. The band's most commercially successful release and its only number one album, it was released by Reprise Records in the United States on October 16, 1968, and by Track Records in the UK nine days later. By mid-November, it had reached number 1 on the Billboard Top LPs chart, spending two weeks there. In the UK it peaked at number 6, where it spent 12 weeks on the British charts.
The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks and has become an enduring classic.
"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. It was included as the opening track in the North American edition of the Experience's debut album, Are You Experienced (1967).
The Sonics are an American garage rock band from Tacoma, Washington, that formed in 1960. Their aggressive, hard-edged sound has been a major influence on punk and garage music worldwide, and they have been named inspirations to the White Stripes, LCD Soundsystem, Nirvana and other musical artists.
Are You Experienced is the debut studio album by the Jimi Hendrix Experience, released in May 1967. The album was an immediate critical and commercial success, and is widely regarded as one of the greatest albums of all time. It features Jimi Hendrix's innovative approach to songwriting and electric guitar playing, which soon established a new direction in psychedelic and rock music as a whole.
Edwin H. Kramer is a South African-born recording producer and engineer. He has collaborated with several artists now in the Rock and Roll Hall of Fame, including Jimi Hendrix, the Beatles, David Bowie, the Rolling Stones, Led Zeppelin, Eric Clapton, the Kinks, Kiss, John Mellencamp, and Carlos Santana, as well as records for other well-known artists in various genres.
Axis: Bold as Love is the second studio album by the Jimi Hendrix Experience. It was first released by Track Records in the United Kingdom on December 1, 1967, only seven months after the release of the group's highly successful debut album, Are You Experienced. In the United States, Reprise Records delayed the release until the following month. The album reached the top ten in the album charts in both countries.
Roger Mayer is an electrical engineer who developed several electric guitar effects, including the Octavia, a fuzz effects pedal which also doubled signal frequency, with a sound that was not attainable by simply connecting an octave pedal and a fuzz pedal together. The effect was popularized by Jimi Hendrix, and can be heard during the solos on the song "Purple Haze".
The Wailers, often known as The Fabulous Wailers, were an American rock band from Tacoma, Washington. They became popular in the Pacific Northwest from the late 1950s to the early 1960s, performing saxophone-driven R&B and Chuck Berry rock and roll. Their biggest hit was "Tall Cool One", first released in 1959, and they have been credited as being "one of the very first, if not the first, of the American garage bands."
"Spanish Castle Magic" is a song written by Jimi Hendrix and performed by the Jimi Hendrix Experience. Produced by Chas Chandler, it is the third track from the album Axis: Bold as Love. The lyrics refer to a club near Seattle, where Hendrix sometimes played early in his career. The song was a staple of live shows and several live recordings were released after Hendrix's death.
"Third Stone from the Sun" is a mostly instrumental composition by American musician Jimi Hendrix. It incorporates several musical approaches, including jazz and psychedelic rock, with brief spoken passages. The title reflects Hendrix's interest in science fiction and is a reference to Earth in its position as the third planet away from the sun in the solar system.
LouieFest is an American music festival featuring the prominent contributions to rock and roll by bands and performers, both emerging and established, from the Northwest region. Organized in 2003 by John 'Buck' Ormsby and Kent Morrill, members of The Wailers, LouieFest is an annual fundraising event for the Wailers Performing Arts Foundation which provides scholarships, instruments, music lessons and mentoring for youth music education.
Jerden Records was an independent record label which operated from May 1960 through April 1971.
David Eugene Lewis was an American rock and rhythm & blues (R&B) keyboardist, organist, and vocalist based in Seattle, Washington, US. Peter Blecha accounts his Dave Lewis Combo as "Seattle's first significant African American 1950s rock and roll band" and Lewis himself as "the singularly most significant figure on the Pacific Northwest's nascent rhythm & blues scene in the 1950s and 1960s."
The Frantics or The Four Frantics were an American rock and roll group based in Seattle, Washington in the 1950s and 1960s. They signed to Dolton Records in 1959 and had several songs on the Billboard Hot 100.
A life-size bronze sculpture of Jimi Hendrix by Daryl Smith, called The Electric Lady Studio Guitar, is installed at the intersection of Broadway and Pine Street in the Capitol Hill neighborhood of Seattle, Washington, in the United States.
Kearney Whitsell Barton was an American record producer active in Seattle, Washington, from the 1950s to the 2000s. Particularly known for his 1950s and 1960s-era recordings of garage rock bands, Barton recorded many Pacific Northwest musicians such as The Fleetwoods, The Ventures, The Wailers, The Sonics, The Frantics, The Kingsmen, Quincy Jones, Ann and Nancy Wilson, Bonnie Guitar, and Dave Lewis.
Music of the Pacific Northwest encompasses many musical styles from prehistory to the modern Pacific Northwest.