Music of the Pacific Northwest encompasses many musical styles from prehistory to the modern Pacific Northwest.
Song and dance were notable elements of pre-Contact Northwest culture. The abundant food supply for coastal tribes like the Tlingit, Haida, Tsimishan, Kwakiutl, Makah, Quinault and Coast Salish peoples, and other Puget Sound Salish peoples, is credited for allowing a settled lifestyle with elaborate artistic expression including woven clothing and basketry, communal longhouses and dance and music. Some dances, songs and stories were owned by a particular culture and used in association with potlatches and other important community events. [1] : 47–48 Cultural preservation efforts in the 21st century include Makah [2] and Yakama [3] : 73 music.
In modern times, the Northwest is known for largely for its contributions to indie music, especially grunge and alternative rock. There is also a historically strong interest in folk music and many musicians from the region have made notable contributions to the contemporary folk revivalism movement.
Folk music from the region traditionally takes stock of Pacific Northwest in lyrical references, such as the local history, the landscape, and in the spirit of transcendentalism, which has historical roots in the exploration and settlement of the Pacific Northwest. The music is documented in Songs of the Pacific Northwest by Phil Thomas (1979), Washington Songs and Lore (written for Washington Centennial Commission in 1988) and The Rainy Day Songbook (published by Whatcom Museum of History and Art in 1978) both by Linda Allen. [4] Notable modern folk musician Phil Elverum is also from the Pacific Northwest.
Woody Guthrie's "Roll on Columbia", written in 1941, is the official Washington State folk song. [5] [4]
Jazz artists from the Pacific Northwest include Ray Charles, Quincy Jones, Buddy Catlett, Bill Frisell, Ernestine Anderson, Larry Coryell, Jeff Lorber, Diane Schuur, Kenny G, Aaron Parks and Esperanza Spalding. The Seattle Repertory Jazz Orchestra is noted for its renditions of big band jazz music. [6] [7] [8] [9]
The Pacific Northwest region – primarily Oregon, Washington, and British Columbia – has been host to a growing scene of Doom metal, Sludge metal and Stoner metal [10] [11] since the 1990s, influenced by the geographical origin of grunge music and a sound pioneered in part by Washington band Melvins. Common visual themes include the region's cold, rainy, forested climate, and many bands utilize psychedelic imagery influenced by bands like Sleep, Karp and Harkonen. [10] Musical styles often share crossover features with atmospheric/ambient black metal, drone metal, and post-metal as seen in Oregon's YOB, Agalloch, Witch Mountain, Red Fang, Washington's Lesbian, [12] Earth, Sunn O))), Vancouver's Anciients, Astrakhan, [13] and Aaron Turner project Sumac, among various others.
In 1959–1960, Seattle's Dolton Records started to take off and local bands including The Kingsmen and Paul Revere and the Raiders became known as the Sea-Port Beat, later to be referred to as the Original Northwest Sound. [3] : 7
The indie label Sub Pop is associated with some of the most iconic Pacific Northwest acts, like Sleater-Kinney and The Postal Service. Indeed indie rock has made a stronghold in the Pacific Northwest due to prolific cities like Portland, Seattle, and Olympia. KEXP is a popular and nationally noted Seattle-based public radio station that celebrates primarily indie rock music. But the indie music scene was never contained to the genre alternative rock and many musicians from the Pacific Northwest became well-known indie folk musicians, such as Neko Case, The Decemberists and Loch Lomond. Likewise, indie pop, indietronica and indie rap music have seen PNW artists like Macklemore, Carly Rae Jepsen, and Odesza and Sir-Mix-A-Lot make notable contributions.
Pacific Northwest artists who became ground-breaking rock bands of their times include:
Several Northwest cities have symphony orchestras, including the Oregon Symphony, Seattle Symphony, Spokane Symphony, and Vancouver Symphony Orchestra. The Northwest Chamber Orchestra is based in Seattle. Vancouver, Seattle, and Portland have operas. Smaller cities such as Victoria and Eugene have classical groups as well. [14]
Northwest cities have spawned their own music scenes and styles, including music of Olympia, music of Portland, music of Seattle, and Northwest hiphop from Tacoma [3] : 7 and elsewhere.
Among the area's largest music festivals are the Merritt Mountain Music Festival, the Vancouver Folk Music Festival, the Sasquatch! Music Festival in George, Washington, Seattle's Bumbershoot and Northwest Folklife, and Portland's MusicfestNW. Portland's Waterfront Blues Festival is the largest blues-based festival west of the Mississippi River.
The Pacific Northwest (PNW), sometimes referred to as Cascadia, is a geographic region in western North America bounded by its coastal waters of the Pacific Ocean to the west and, loosely, by the Rocky Mountains to the east. Though no official boundary exists, the most common conception includes the U.S. states of Oregon, Washington, and Idaho, and sometimes the Canadian province of British Columbia. Some broader conceptions reach north into Alaska and Yukon, south into northern California, and east into western Montana. Other conceptions may be limited to the coastal areas west of the Cascade and Coast mountains. The variety of definitions can be attributed to partially overlapping commonalities of the region's history, culture, geography, society, ecosystems, and other factors.
Sleater-Kinney is an American rock band that formed in Olympia, Washington, in 1994. The band's current lineup features Corin Tucker and Carrie Brownstein, following the departure of longtime member Janet Weiss in 2019. Sleater-Kinney originated as part of the riot grrrl movement and has become a key part of the American indie rock scene. The band is also known for its feminist and liberal politics.
The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is known for being the birthplace of grunge as well as a major contributor to the evolution of punk rock, indie music, folk, and hip hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.
The music of Oregon reflects the diverse array of styles present in the music of the United States, from Native American music to the contemporary genres of rock and roll, country, rhythm and blues, jazz, pop, electronic music, and hip hop. However, throughout most of its history, the state has been relatively isolated from the cultural forces shaping American music. Much of modern popular music traces its roots to the emergence in the late 19th century of African American blues and the growth of gospel music in the 1920s. African American musicians borrowed elements of European and Indigenous musics to create new American forms. As Oregon's population was more homogeneous and more white than the United States as a whole, the state did not play a significant role in this history.
The Decemberists are an American indie rock band from Portland, Oregon. The band consists of Colin Meloy, Chris Funk, Jenny Conlee, Nate Query (bass), and John Moen (drums).
Idaho has produced a number of musicians and bands, including Paul Revere & the Raiders, Built to Spill, Treepeople, and Caustic Resin. Rosalie Sorrels is a renowned folk singer born in Boise. Minimalist composer La Monte Young was born in Bern. Jazz double bassist Gary Peacock was born in Burley. Nikki Sixx grew up in Jerome. Moscow, Idaho is the home town of modern folk/country/indie songwriter Josh Ritter.
The port city of Olympia, Washington, has been a center of post-hardcore, anti-folk, and other youth-oriented musical genres since the late 1970s. Before this period, Olympia's The Fleetwoods had several Billboard chart successes between 1959 and 1963. Olympia saw a rise in feminism in the music industry, where artists commonly addressed rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment in their songs. It was a center for the riot grrrl movement of the early 1990s, which featured Bikini Kill and Bratmobile.
Connecticut is a state of the United States in the New England region.
The Need is an American queercore band formed by singer/drummer Rachel Carns and guitarist Radio Sloan in Portland, Oregon in the mid-1990s.
Carrie Rachel Brownstein is an American musician, actress, writer, director, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the rock trio Sleater-Kinney.
Swan Island was an American five-piece rock band from Portland, Oregon, United States. Their music was influenced by classic rock, new wave, progressive rock, and metal, as well as queercore bands from the Pacific Northwest.
Lord Byng Secondary School is a public secondary school located in the West Point Grey neighbourhood on the west side of Vancouver, British Columbia, Canada. The school opened in 1925 and was named in honour of The Lord Byng of Vimy, a hero of Vimy Ridge as well as the Gallipoli Campaign, who was largely responsible for the incorporation of tanks on a large scale at the Battle of Cambrai in 1917. At the time the school opened, Lord Byng was the Governor General of Canada. The school is widely renowned in the Greater Vancouver region for its selective Byng Arts mini-school program, as well as for its varsity sports programs and wide assortment of Advanced Placement and Enriched courses.
Matthew "Slim" Moon is an American musician and the founder of the American independent music label Kill Rock Stars (KRS). He also started its sister label, 5 Rue Christine. Slim ran KRS from 1991 to 2006, during which time KRS released albums by dozens of artists including Sleater-Kinney, Elliott Smith, The Decemberists, Miranda July, Bikini Kill, Unwound, Huggy Bear, The Gossip, and Linda Perry.
Eugene Linden was an American conductor. He conducted the first public performance of the Tacoma Philharmonic Orchestra in March 1934 and directed the Seattle Symphony from 1948 to 1950. He is also credited as founder of the now defunct Northwest Grand Opera Company.
Blue Giant is an American rock band from Portland, Oregon. An eclectic mix of country, indie rock, and psychedelic styles, Blue Giant have been called a Portland supergroup. The band was originally composed of the songwriters and musicians from Viva Voce, Kevin Leigh Robinson and Anita Lee Elliott, Chris Funk of The Decemberists, Evan Railton of Swords, and Seth Lorinczi of The Golden Bears, Circus Lupus & The Quails. Musically, Blue Giant could be characterized as rural psychedelic rock, with one music critic calling them a perfect country rock band.
The Shield Around the K: The Story of K Records is a 2000 documentary produced and directed by Heather Rose Dominic about the independent record label, K Records. The film profiles the birth and growth of the punk rock DIY label based in Olympia, Washington.
Casey Neill is an American musician. He leads Portland, Oregon-based band Casey Neill & The Norway Rats, singing with a raspy vocal quality and playing electric and acoustic guitars. Neill's style, folk-punk, mixes influences from punk, Celtic and folk music, and has been compared to R.E.M. and The Pogues.
The Daily Flash are an American folk rock and psychedelic band founded in 1965, active until 1968 and reformed in 2002. originally based in Seattle and later in Los Angeles. The group was composed of guitarist/singer Steve Lalor, lead guitarist Doug Hastings, bass player/singer Don MacAllister and drummer Jon Keliehor. According to Mike Stax, they "had become a major force in the growing Seattle underground scene by 1965." Their sound, which incorporated elements of folk music and jazz as well as rock stood in contrast to the garage rock sound typical of the Pacific Northwest at the time, anticipating the sound that came to be identified with San Francisco.
Huw Edwards is a Welsh conductor. Edwards' conducting career began at age seventeen when he became music director of the Maidstone Opera Company in England. He later attended the University of Surrey, where he conducted the college orchestra along with an ensemble that he formed himself. At age twenty-three, he won a conducting competition which sent him to Southern Methodist University in Dallas, Texas. He then held a lecturer position at Northwestern University in Chicago, where he was also a doctoral candidate. Edwards was conductor and music director of the Portland Youth Philharmonic from 1995 to 2002 followed by the Seattle Youth Symphony from 2002 to 2005. He served as music director of the Portland Columbia Symphony from 2000 to 2012 and with the Olympia Symphony Orchestra from 2003 to 2020.