Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Much of the style overlaps with 1960s garage punk, proto-metal, and early heavy, blues-based hard rock.
The Chesterfield Kings were a rock band from Rochester, New York, who began as a retro-1960s garage band, and who have heavily mined 1960s music, including some borrowing from the 1960s recordings of The Rolling Stones. Core members were former Distorted Level singer, underground music journalist and avid record collector Greg Prevost, and Andy Babiuk ; others have come and gone. The band, named after a defunct brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched such groups as the Unclaimed, Marshmallow Overcoat, The Fuzztones, The Pandoras, The Malarians, Mystic Eyes, The Cynics, The Optic Nerve, the Secret Service, and the Stomachmouths.
The Worst of Deja Voodoo is a collection of singles, outtakes and oddities by the Canadian garage rock band Deja Voodoo.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Pebbles, Volume 5 is a compilation album in the Pebbles series that has been issued in both LP and CD formats.
The Pebbles Box is a 5-LP box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. Several years later, a similar 5-CD box set was released that was called the Trash Box. The Pebbles Box purports to collect the first five volumes of the Pebbles series, although there are fewer songs than on the original LPs: 72 total tracks on the five discs, as compared with 86 on the original LPs. Also, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely.
Trash Box is a 5-CD box set of mid-1960s garage rock and psychedelic rock recordings, primarily by American bands. This box set is similar to the earlier Pebbles Box and includes almost all of the same recordings in that box set, along with numerous bonus tracks at the end of each disc. Supposedly, the Trash Box collects the first five volumes of the CDs in the Pebbles series. However, as is generally true of the CD reissues of these five volumes, the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes; and the surf rock rarities on Pebbles, Volume 4 have been eschewed entirely. Overall, there are 109 tracks in the box set as compared to 101 songs on the individual CDs and 72 tracks in the Pebbles Box. Although most of the recordings on the Trash Box were released at some point on one of the individual Pebbles albums, several of the songs have not appeared elsewhere in the Pebbles series. Inexplicably, one of these songs is the well-known hit "I Fought the Law " by the Bobby Fuller Four – which is also included in the Pebbles Box – in place of the much rarer "Wine Wine Wine" by Bobby Fuller that appears on Pebbles, Volume 2.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
Bohemian Vendetta was an American garage rock and psychedelic band from Long Island, New York, who were active from 1966-1968. In addition to recording two officially released singles and several previously unissued demos, they cut a self-titled album, Bohemian Vendetta, released by Mainstream Records in 1968.
Garage Beat '66 Volume 1: Like What, Me Worry?! is the first installment in the Garage Beat '66 series of garage rock compilations issued by Sundazed Records, which is available exclusively on compact disc. It features well-researched liner notes, written by recognized garage rock authorities, which supply background information about each song and act, often including photographs of the bands. Like all of the entries in the series it is noted for good sound quality, as all of the tracks are mastered from the original studio master sources.
The Bees was an American garage rock and psychedelic band from Covina, California, that was active in the mid-1960s, and was best known for the 1966 paranoiac anthem "Voices Green and Purple". The song has been mentioned as an innovative example of early protopunk.
"Voices Green and Purple" is a song by the Bees, an American garage rock and psychedelic band from Covina, California who were active in the mid-1960s. It has been mentioned as an innovative example of early protopunk and has become highly prized by various garage rock collectors and enthusiasts.
The Liberty Bell was an American garage rock/psychedelic rock band from Corpus Christi, Texas who were active in the 1960s. They specialized in a blues-based brand of proto-punk influenced by British groups such as the Yardbirds. The band failed to reach wider audience in the time, but have come to the attention of garage rock collectors and enthusiasts in the intervening years since their breakup, with their work appearing on several compilations.
T.C. Atlantic was an American garage rock/psychedelic rock band from Minneapolis, Minnesota who were active in the 1960s. They were one of the most popular groups in the Twin Cities, but failed to break nationally. In the intervening years since their breakup, their recordings have attracted the interest of '60s music collectors and enthusiasts, and they are particularly remembered for their 1966 fuzz-tinged song, "Faces", which has been mentioned as one of the earliest garage rock songs to display psychedelic characteristics.
The David was an American garage rock/psychedelic rock band from Los Angeles, in southern California who were active in the 1960s and early 1970s. They are known for songs such as "40 Miles," which became a minor hit in Bakersfield. They began with a basic garage approach but later expanded their creative palette to incorporate esoteric and baroque elements on the 1967 album, Another Day, Another Lifetime. They continued for a few more years but disbanded in the early 1970s.
The Movin' Morfomen were an American garage rock and psychedelic band from Espanola, New Mexico, who active in the 1960s. They became one of the most popular acts in New Mexico and had several local and regional hits. They are well-regarded by garage rock and psychedelic enthusiasts, and their collected works appear on the Flashbacks! anthology, issued in 1997.
Leo and the Prophets were an American garage rock band formed in Austin, Texas, in 1966. Like their contemporary the 13th Floor Elevators, Leo and the Prophets experimented with psychedelic music and generated some controversary with their on-stage actions and attire. The band is best-remembered for their lone single "Tilt-a-Whirl", which also was subjected to scrutiny at the time of its original release on Totem Records in 1967. In more recent times, the song has been considered a classic of Texas garage music.
