Author | Jonathan Swift |
---|---|
Language | English |
Series | A Tale of a Tub |
Genre | Satire |
Publication date | 1704 |
Publication place | United Kingdom |
Text | The Battle of the Books at Wikisource |
"The Battle of the Books" is a short satire written by Jonathan Swift and published as part of the prolegomena to his A Tale of a Tub in 1704. It depicts a literal battle between books in the King's Library (housed in St James's Palace at the time of the writing), as ideas and authors struggle for supremacy. Because of the satire, "The Battle of the Books" has become a term for the Quarrel of the Ancients and the Moderns. It is one of Swift's earliest well-known works.
In France at the end of the seventeenth century, a minor furore arose over the question of whether contemporary learning had surpassed what was known by those in Classical Greece and Rome. The "moderns" (epitomised by Bernard le Bovier de Fontenelle) took the position that the modern age of science and reason was superior to the superstitious and limited world of Greece and Rome. In his opinion, modern man saw farther than the ancients ever could. The "ancients," for their part, argued that all that was necessary to be known was to be found in Virgil, Cicero, Homer, and especially Aristotle.
This literary contest was re-enacted in miniature in England when Sir William Temple published an answer to Fontenelle entitled Of Ancient and Modern Learning in 1690. His essay introduced two metaphors to the debate that would be reused by later authors. First, he proposed that modern man was just a dwarf standing upon the "shoulders of giants" (that modern man saw farther because he begins with the observations and learning of the ancients). They possessed a clear view of nature, and modern man only reflected/refined their vision. These metaphors, of the dwarf/giant and the reflecting/emanative light, would show up in Swift's satire and others. Temple's essay was answered by Richard Bentley, the classicist and William Wotton, the critic. Temple's friends/clients, sometimes known as the "Christ Church Wits," referring to their association with Christ Church, Oxford and the guidance of Francis Atterbury, then attacked the "moderns" (and Wotton in particular). The debate in England lasted only for a few years.
William Temple was by that point a retired minister, the Secretary of State for Charles II who had conducted peace negotiations with France. As a minister, it was beneath his station to answer common and professional (known then as "hack") authors, so most of the battle took place between Temple's enemies and Temple's proxies. Notably, Jonathan Swift was not among the participants, though he was working as Temple's secretary. Therefore, it is likely that the quarrel was more of a spur to Swift's imagination than a debate that he felt inclined to enter.
Jonathan Swift worked for William Temple during the time of the controversy, and Swift's A Tale of a Tub (1703/1705) takes part in the debate. From its first publication, Swift added a short satire entitled "The Battle of the Books" to the Tale of a Tub. In this piece, there is an epic battle fought in a library when various books come alive and attempt to settle the arguments between moderns and ancients. In Swift's satire, he skilfully manages to avoid saying which way victory fell. He portrays the manuscript as having been damaged in places, thus leaving the end of the battle up to the reader.
The battle is told with great detail to particular authors jousting with their replacements and critics. The battle is not just between Classical authors and modern authors, but also between authors and critics. The prose is a parody of heroic poetry along the lines of Samuel Butler's parody of battle in Hudibras .
The combat in the "Battle" is interrupted by the interpolated allegory of the spider and the bee. A spider, "swollen up to the first Magnitude, by the Destruction of infinite Numbers of Flies" resides like a castle holder above a top shelf, and a bee, flying from the natural world and drawn by curiosity, wrecks the spider's web. The spider curses the bee for clumsiness and for wrecking the work of one who is his better. The spider says that his web is his home, a stately manor, while the bee is a vagrant who goes anywhere in nature without any concern for reputation. The bee answers that he is doing the bidding of nature, aiding in the fields, while the spider's castle is merely what was drawn from its own body, which has "a good plentiful Store of Dirt and Poison." This allegory was already somewhat old before Swift employed it, and it is a digression within the Battle proper. However, it also illustrates the theme of the whole work. The bee is like the ancients and like authors: it gathers its materials from nature and sings its drone song in the fields. The spider is like the moderns and like critics: it kills the weak and then spins its web (books of criticism) from the taint of its own body digesting the viscera.
In one sense, the Battle of the Books illustrates one of the great themes that Swift would explore in A Tale of a Tub: the madness of pride involved in believing one's own age to be supreme and the inferiority of derivative works. One of the attacks in the Tale was on those who believe that being readers of works makes them the equals of the creators of works. The other satire Swift affixed to the Tale, "The Mechanical Operation of the Spirit," illustrates the other theme: an inversion of the figurative and literal as a part of madness.
Swift's Battle owed a great deal to Boileau's Le Lutrin, although it was not a translation. Instead, it was an English work based on the same premise. However, John Ozell attempted to answer Swift with his translation of Le Lutrin, where the battle sees Tory authors skewered by Whigs. This prompted a satire of Ozell by Swift and by Alexander Pope. Further, other "battles of the books" appeared after Swift's. Often, these were merely political attacks, as in the later Battel of the Poets (1729, by Edward Cooke), which was an attack on Alexander Pope. As a set piece or topos of 18th-century satire, the "Battle of the Books" was a standard shorthand for both the Quarrel of the Ancients and Moderns and the era of Swift's battle with William Wotton.
Jonathan Swift was an Anglo-Irish writer who became Dean of St Patrick's Cathedral, Dublin, hence his common sobriquet, "Dean Swift".
Gulliver's Travels, or Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships is a 1726 prose satire by the Anglo-Irish writer and clergyman Jonathan Swift, satirising both human nature and the "travellers' tales" literary subgenre. It is Swift's best-known full-length work and a classic of English literature. The English dramatist John Gay remarked, "It is universally read, from the cabinet council to the nursery." The book has been adapted into films, movies and theatrical performances over the centuries.
Houyhnhnms are a fictional race of intelligent horses described in the last part of Jonathan Swift's satirical 1726 novel Gulliver's Travels. The name is pronounced either or. Swift apparently intended all words of the Houyhnhnm language to echo the neighing of horses.
William Wotton was an English theologian, classical scholar and linguist. He is chiefly remembered for his remarkable abilities in learning languages and for his involvement in the Quarrel of the Ancients and the Moderns. In Wales he is remembered as the collector and first translator of the ancient Welsh laws.
This article contains information about the literary events and publications of 1704.
This article contains information about the literary events and publications of 1699.
A Tale of a Tub was the first major work written by Jonathan Swift, composed between 1694 and 1697 and published in 1704. The Tale is a prose parody divided into sections of "digression" and a "tale" of three brothers, each representing one of the main branches of western Christianity. A satire on the Roman Catholic and Anglican churches and English Dissenters, it was famously attacked for its profanity and irreligion, starting with William Wotton, who wrote that it made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom [the author's] contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century. One commentator complained that Swift must be "a compulsive cruiser of Dunghils … Ditches, and Common-Shores with a great Affectation [sic] for every thing that is nasty. When he spies any Objects that another Person would avoid looking on, that he Embraces".
Charles Gildon, was an English hack writer and translator. He produced biographies, essays, plays, poetry, fictional letters, fables, short stories, and criticism. He is remembered best as a target of Alexander Pope in Pope's Dunciad and his Epistle to Dr. Arbuthnot and as an enemy of Jonathan Swift. Due to Pope's caricature of Gildon as well as the volume and rapidity of his writings, Gildon has become the epitome of the hired pen and literary opportunist.
The Quarrel of the Ancients and the Moderns was a debate about literary and artistic merit, which expanded from the original debaters to the members of the Académie Française and the French literary community in the 17th century.
Drapier's Letters is the collective name for a series of seven pamphlets written between 1724 and 1725 by the Dean of St Patrick's Cathedral in Dublin, Jonathan Swift, to arouse public opinion in Ireland against the imposition of a privately minted copper coinage that Swift believed to be of inferior quality. William Wood was granted letters patent to mint the coin, and Swift saw the licensing of the patent as corrupt. In response, Swift represented Ireland as constitutionally and financially independent of Britain in the Drapier's Letters. Since the subject was politically sensitive, Swift wrote under the pseudonym M. B., Drapier, to hide from retaliation.
Restoration literature is the English literature written during the historical period commonly referred to as the English Restoration (1660–1688), which corresponds to the last years of Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogenous styles of literature that centre on a celebration of or reaction to the restored court of Charles II. It is a literature that includes extremes, for it encompasses both Paradise Lost and the Earl of Rochester's Sodom, the high-spirited sexual comedy of The Country Wife and the moral wisdom of The Pilgrim's Progress. It saw Locke's Treatises of Government, the founding of the Royal Society, the experiments and holy meditations of Robert Boyle, the hysterical attacks on theatres from Jeremy Collier, and the pioneering of literary criticism from John Dryden and John Dennis. The period witnessed news becoming a commodity, the essay developing into a periodical art form, and the beginnings of textual criticism.
Augustan literature is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respectively. It was a literary epoch that featured the rapid development of the novel, an explosion in satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade.
Augustan prose is somewhat ill-defined, as the definition of "Augustan" relies primarily upon changes in taste in poetry. However, the general time represented by Augustan literature saw a rise in prose writing as high literature. The essay, satire, and dialogue thrived in the age, and the English novel was truly begun as a serious art form. At the outset of the Augustan age, essays were still primarily imitative, novels were few and still dominated by the Romance, and prose was a rarely used format for satire, but, by the end of the period, the English essay was a fully formed periodical feature, novels surpassed drama as entertainment and as an outlet for serious authors, and prose was serving every conceivable function in public discourse. It is the age that most provides the transition from a court-centered and poetic literature to a more democratic, decentralized literary world of prose.
Literature of the 18th century refers to world literature produced during the years 1700–1799.
John Ozell was an English translator and accountant who became an adversary to Jonathan Swift and Alexander Pope.
Theodorus Janssonius van Almeloveen was a Dutch physician, and the learned editor of various classical and medical works. He was born at Mijdrecht, near Utrecht, where his father was minister of the reformed church. His mother, Mary Jansson, was related to the celebrated printer of Amsterdam, Jan Jansson.
Nationality words link to articles with information on the nation's poetry or literature.
Thomas Cooke, often called "Hesiod" Cooke, was an active English translator and author who ran afoul of Alexander Pope and was mentioned as one of the "dunces" in Pope's Dunciad. His father was an innkeeper. He was educated at Felsted. Cooke arrived in London in 1722 and began working as a writer for the Whig causes. He associated with Thomas Tickell, Ambrose Philips, Leonard Welsted, Richard Steele, and John Dennis. Cooke is the source of one of the primary biographies of John Dennis, which he wrote in Latin.
Sweetness and light is an English idiom that can be used in common speech, either as statement of personal happy consciousness, or as literal report on another person. Depending upon sense-of-humour, some may use the phrase with mild irony. For example: The two had been fighting for a month, but around others it was all sweetness and light. Esteemed humorous writer P. G. Wodehouse employed the phrase often, sometimes with a slight nod to the phrase's dual-edge. Originally, however, "sweetness and light" had a special use in literary and cultural criticism meaning "pleasing and instructive", which in classical theory was considered to be the aim and justification of poetry.
Events from the year 1704 in Ireland.