The Beak Brackets Series

Last updated
The Beak Brackets Series
Compilation album by
Released1999-2001 (1999-2001)
Genre Experimental
Tape Music
Aleatory
Label Self-released
Mujeres Encinta chronology
The Beak Brackets Series
(1999)
Carisma de Alquiler
(2000)

The Beak Brackets was a series of experimental tapes made by the musical project / concept band Mujeres Encinta from 1999 to 2001. In this series Mujeres Encinta applied the n+7 principle to some records and songs from The Beach Boys.

Contents

Each cassette corresponded to a Beach Boys record and was named after it using the Oulipian constraint n+7. The series is better known as The Beach Boys +7 Series. (n+7 replaces every noun in a text with the noun seven entries after it in a dictionary. Beach+7 = Beak, Boys+7 = Brackets.). [1] There are at least three known EPs produced as part of this series.

According to fan websites [2] these tapes are impossible to find and even-though their details can be found in Discogs or Last.fm little has been written about what they actually sounded like. The artwork for each tape was made by Daniela Franco (as was most of Mujeres Encinta's artwork).[ citation needed ]

Known EPs from The Beak Brackets Series

Surfeit's Up

Surfeit's Up was released in 1999 and took as its source Surf's Up and the following songs from it: A Day in the Life of a Tree , Don't Go Near the Water and Take a Load Off Your Feet.

Track listing: [3]
1. A Deadbeat in the Lifetime of a Trend - 2:43
2. Don't Golf Near the Weapon - 1:38
3 Take a Lock Off Your Feign - 3:38

Wild Hongi

Wild Hongi was also released in 1999 and based on the album Wild Honey . Not much else is known about this tape.

Petal Soundbarriers

Petal Soundbarriers, released in 2001, is the last known tape from The Beak Brackets Series. It used as its source Pet Sounds , it was released when the band had reached some recognition and were in their way to release a tape with PIAS. They proposed the series to the label who declined, finding the experiment a bit odd for a wider audience. [ citation needed ]

The songs used in this cassette were: Sloop John B , I Just Wasn't Made for These Times , God Only Knows and Hang on to Your Ego (even though this song wasn't in the original release of Pet Sounds ).

Track listing: [4]
1. Sloth John B - 2:29
2. I Just Wasn't Made for These Titles - 2:05
3. Grammar Only Knows - 1:41
4. Hang On To Your Electorate - 3:29

Related Research Articles

<i>Pet Sounds</i> 1966 studio album by the Beach Boys

Pet Sounds is the eleventh studio album by the American rock band the Beach Boys, released on May 16, 1966 by Capitol Records. It was initially met with a lukewarm critical and commercial response in the United States, peaking at number 10 on the Billboard Top LPs chart. In the United Kingdom, the album was lauded by critics and reached number 2 on the Record Retailer chart, remaining in the top ten for six months. Promoted there as "the most progressive pop album ever", Pet Sounds was recognized for its ambitious production, sophisticated music, and emotional lyrics. It is now considered to be among the greatest and most influential albums in music history.

<span class="mw-page-title-main">His Name Is Alive</span> American rock band

His Name Is Alive is an American experimental rock band/project from Livonia, Michigan. After several self-released cassettes, they debuted on 4AD Records in 1990, starting a long run at the label. Throughout the band's long history, leader Warren Defever has been the only constant member, with a variety of musicians and singers contributing over the years.

<i>Friends</i> (The Beach Boys album) 1968 album by the Beach Boys

Friends is the 14th studio album by American rock band the Beach Boys, released on June 24, 1968, through Capitol Records. The album is characterized by its calm and peaceful atmosphere, which contrasted the prevailing music trends of the time, and by its brevity, with five of its 12 tracks running less than two minutes long. It sold poorly, peaking at number 126 on the Billboard charts, the group's lowest U.S. chart performance to date, although it reached number 13 in the UK. Fans generally came to regard the album as one of the band's finest.

<span class="mw-page-title-main">Good Vibrations</span> 1966 single by the Beach Boys

"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

<span class="mw-page-title-main">God Only Knows</span> 1966 song by the Beach Boys

"God Only Knows" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a Baroque-style love song distinguished for its harmonic innovation and complexity, its unusual instrumentation, and its subversion of typical popular music conventions, both lyrically and musically. It is often praised as one of the greatest songs of all time and as the Beach Boys' finest record.

<span class="mw-page-title-main">Sail On, Sailor</span> 1973 single by the Beach Boys

"Sail On, Sailor" is a song by American rock band the Beach Boys from their 1973 album Holland. It was written primarily by Van Dyke Parks and Brian Wilson with Ray Kennedy, Tandyn Almer, and Jack Rieley. The lead singer on the song is Blondie Chaplin, making this one of the band's few well-known songs not sung by Mike Love, Brian Wilson, or Carl Wilson. The song was released as a single in 1973, backed with "Only with You", and peaked at No. 79 on the Billboard singles chart. A 1975 reissue charted higher, at No. 49.

<i>The Pet Sounds Sessions</i> 1997 box set by The Beach Boys

The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997, by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.

<span class="mw-page-title-main">Wouldn't It Be Nice</span> 1966 single by the Beach Boys

"Wouldn't It Be Nice" is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop.

<span class="mw-page-title-main">Head On (song)</span> 1989 single by the Jesus and Mary Chain

"Head On" is a song written by Jim Reid and William Reid of the Scottish alternative rock band the Jesus and Mary Chain. It was originally recorded for the group's 1989 album Automatic and was released as a single in November 1989.

"I Know There's an Answer" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson, Terry Sachen, and Mike Love, the song was inspired by Wilson's experience with the drug LSD and his struggle with ego death. Musically, it is distinguished for its colorful arrangement, unorthodox structure, and bass harmonica solo. The instrumentation also includes guitars, tambourine, tack piano, banjo, clarinets, flutes, electric keyboards, and timpani. Wilson, Love, and Al Jardine trade the lead vocal, for which the melody spans two octaves.

<span class="mw-page-title-main">Caroline, No</span> 1966 song by Brian Wilson and the Beach Boys

"Caroline, No" is a song by American musician Brian Wilson that was released as his first solo record on March 7, 1966 and, two months later, reissued as the closing track on the Beach Boys' album Pet Sounds. Written with Tony Asher, the lyrics describe a disillusioned man who reflects on his former love interest and the loss of her innocence. Musically, it is distinguished for its jazz chords and unusual combination of instruments, including bass flutes, 12-string electric guitar, and muted harpsichord.

<span class="mw-page-title-main">Here Today (The Beach Boys song)</span> 1966 song by the Beach Boys

"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20-bar length instrumental break.

<span class="mw-page-title-main">Storm Bugs</span>

Storm Bugs are an English post punk band formed in 1978 in Deptford, London, England, by Philip Sanderson and Steven Ball who had met in the Medway Towns, England. The band have been linked to a number of genres including: cassette culture, industrial music and DIY. Storm Bugs were initially active between 1978 and 1982 and reformed in 2001.

<span class="mw-page-title-main">Mujeres Encinta</span> Musical group

Mujeres Encinta was a short-lived musical project / concept band known for recording only on cassette. They sang in English, Spanish and French and wrote most of their songs in collaboration. The wide range of background and musical styles of its members was both conducive for their originality and richness as a project, as well as one of the main reasons for their break-up. Despite the fact that they released cassettes with known labels, they remain an obscure band known mainly to artsy crowds.

The Rock'n'Roll Era was a 53-volume series issued by Time-Life during the late 1980s and early 1990s, spotlighting songs from the early years of the rock and roll era, primarily the pre-Beatles era of 1954-1964. The first major and successful rock music-intensive subscription music series released by Time-Life, songs on the series included music heard on mainstream contemporary hit radio stations of the late 1950s and early to mid-1960s.

<span class="mw-page-title-main">Vincent Ségal</span> French cellist and bassist

Vincent Ségal is a French cellist and bassist.

<i>Smile</i> (The Beach Boys album) Unfinished studio album by the Beach Boys

Smile is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds. It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single. Instead, after a year of recording, the album was shelved and the group released a downscaled version, Smiley Smile, in September 1967. Over the next four decades, few of the original Smile tracks were officially released, and the project came to be regarded as the most legendary unreleased album in popular music history.

<span class="mw-page-title-main">I Just Wasn't Made for These Times</span> 1966 song by the Beach Boys

"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.

<span class="mw-page-title-main">The Beach Boys' unreleased and bootleg recordings</span>

Many recordings and performances by the Beach Boys have attained some level of public circulation without being available as a legal release, and several albums by the band or its individual members were fully assembled or near completion before being shelved, rejected, or revised as an entirely new project. Since the early 1980s, numerous rarities compilations and album reissues have been released with studio outtakes included as bonus tracks.

References

  1. For more information on how N+7 works see: The N+7 Machine
  2. Whatever happened to Mujeres Encinta from Spanish weblog La Nadadora
  3. "Surfeit's Up – Mujeres Encinta – Discover music at". Last.fm. 2009-02-11. Retrieved 2011-10-10.
  4. "Petal Soundbarriers – Mujeres Encinta – Discover music at". Last.fm. 2009-02-11. Retrieved 2011-10-10.