| The Bells (1931 film) | |
|---|---|
| Directed by | Harcourt Templeman Oscar Werndorff |
| Written by | C. H. Dand |
| Based on | The Bells by Leopold Lewis |
| Produced by | Sergei Nolbandov Isidore Schlesinger |
| Starring | Donald Calthrop Jane Welsh Edward Sinclair |
| Music by | Gustav Holst |
Production company | British Sound Film Productions |
| Distributed by | Producers Distributing Corporation |
Release date |
|
Running time | 75 minutes |
| Country | UK |
| Language | English |
The Bells is a 1931 British drama film directed by Harcourt Templeman and Oscar Werndorff and starring Donald Calthrop, Jane Welsh, and Edward Sinclair. [1]
The film was originally released with the only film score written by Gustav Holst. It was based on the play Le Juif Polonais by Alexandre Chatrian and Emile Erckmann, and the English version, The Bells by Leopold Lewis.
 | This article needs an improved plot summary.(September 2021) |
Mathias, an Alsatian innkeeper, murders a rich Pole staying at his inn. His conscience will not let him rest, and the Pole's spirit drives him nearly mad.
The victim's brother calls for an inquest and brings a sideshow hypnotist, who is supposed to read minds. Mathias, as burgomaster, is called upon to conduct the inquest but, under the intuitive eye of the hypnotist, cannot endure the torment of his own conscience.
The Bells is now considered a lost film. In 1974, Imogen Holst wrote that its score is also lost. [2]
Gustav Theodore Holst was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style.
The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character.
Imogen Clare Holst was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. The only child of the composer Gustav Holst, she is particularly known for her educational work at Dartington Hall in the 1940s, and for her 20 years as joint artistic director of the Aldeburgh Festival. In addition to composing music, she wrote composer biographies, much educational material, and several books on the life and works of her father.
The Second Suite in F for Military Band is Gustav Holst's second of his two suites for concert band. Although performed less frequently than the First Suite in E♭, it is still a staple of the band repertoire. The Second Suite, written in 1911 and first published in 1922, dedicated to James Causley Windram, is longer and considered more difficult to play than its sister suite.
Sāvitri is a chamber opera in one act with music composed by Gustav Holst, his Opus 25, to his own libretto. The story is based on the episode of Savitri and Satyavan from the Mahābhārata, which was also included in Specimens of Old Indian Poetry and Idylls from the Sanskrit. The opera features three solo singers, a wordless female chorus, and a chamber orchestra of 12 musicians. Holst had made at least six earlier attempts at composing opera before arriving at Sāvitri.
Donald Esme Clayton Calthrop was an English stage and film actor.
The Wandering Scholar, Op. 50 is a chamber opera in one act by the English composer Gustav Holst, composed 1929–30. The libretto, by Clifford Bax, is based on the book The Wandering Scholars by Helen Waddell.
Jane Marian Joseph was an English composer, arranger and music teacher. She was a pupil and later associate of the composer Gustav Holst, and was instrumental in the organisation and management of various of the music festivals which Holst sponsored. Many of her works were composed for performance at these festivals and similar occasions. Her early death at age 35, which prevented the full realisation of her talents, was considered by her contemporaries as a considerable loss to English music.
The Burgomeister is a 1935 Australian film directed by Harry Southwell based on the 1867 play Le juif polonais by Erckmann-Chatrian, adapted into English in 1871 by Leopold Lewis, previously filmed a number of times. The Burgomeister is considered a 'substantially lost' film, with only one sequence surviving.
Spanish Eyes is a 1930 British musical film directed by G. B. Samuelson and starring Anthony Ireland, Donald Calthrop and Dennis Noble. It had a gypsy theme and was made at Twickenham Studios in West London. The film was made at night, to allow other more important productions to use the studio in the daytime - a common practice at Twickenham during the era.
The Bells is a lost 1918 American silent drama film released by Pathé Exchange. It was adapted from the 1867 French play Le Juif Polonais by Erckmann-Chatrian and an 1871 English-language version, The Bells, by Leopold Lewis. The latter was a favorite vehicle for actor Henry Irving. This silent film stars Frank Keenan and Lois Wilson. The story was remade in 1926 as The Bells with Lionel Barrymore and Boris Karloff.
Beni Mora is a three-movement suite of music in E minor for large orchestra, by Gustav Holst. The first performance was at the Queen's Hall, London, on 1 May 1912, conducted by the composer. The work was inspired by music Holst heard in Algeria during a holiday in 1908. The constant repetition of one theme from Arabic folk music in the last movement has been described as a precursor of modern minimalism. The piece also includes dance rhythms and wistful, slow sections, and makes strong use of woodwinds and percussion. Beni Mora has been recorded several times by British orchestras, most recently in 2011.
This is a summary of 1931 in music in the United Kingdom.
This is a summary of 1928 in music in the United Kingdom.
This is a summary of 1925 in music in the United Kingdom.
"This Have I Done for My True Love", or "Tomorrow Shall Be My Dancing Day", Op. 34, no. 1 [H128], is a motet or part song composed in 1916 by Gustav Holst. The words are taken from an ancient carol, and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself. It has often been described as a small masterpiece.
Hammersmith: Prelude and Scherzo, more commonly known as just Hammersmith, Op. 52, is a wind band work composed by English composer Gustav Holst in 1930. Commissioned by the BBC Military Band, the piece is based on Holst's love for the London borough of Hammersmith. The writing is more musically challenging than Holst's other wind band works, and is a wind band essential today. A typical performance runs for 14 minutes.
The Lyric Movement for viola and small orchestra is a short concertante work by Gustav Holst. It was one of his last compositions, being written in 1933. It was first performed in 1934, the year of his death, by its dedicatee, the violist Lionel Tertis, and the BBC Symphony Orchestra conducted by Adrian Boult. Though its early performers found the Lyric Movement too austere for their tastes, it has more recently been considered one of Holst's most successful later works. It has been recorded several times.
A Fugal Concerto by the English composer Gustav Holst is a short concerto in three movements for flute, oboe and string orchestra. It was composed and first performed in 1923. Influenced by the counterpoint of J. S. Bach, it is an early example of neoclassicism. Early reviews of the concerto were mixed, but it has since come to be seen as an attractive, if slight, example of Holst's neoclassical style, and it has been recorded many times.
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