William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
Camille Erlanger was a French opera composer. He studied at the Paris Conservatory under Léo Delibes (composition), Georges Mathias (piano), as well as Émile Durand and Antoine Taubon (harmony). In 1888 he won the Prix de Rome for his cantata Velléda. His most famous opera, Le Juif polonais, was produced at the Opéra-Comique in 1900.
The Nickel-Hopper is a 1926 American short silent comedy film starring Mabel Normand and featuring Oliver Hardy and Boris Karloff in minor uncredited roles. The film title refers to a taxi dancer's share of the dime ticket price for each dance at dance halls.
The Man in the Saddle is a 1926 American silent Western film directed by Lynn Reynolds and Clifford Smith, starring Hoot Gibson and featuring Boris Karloff.
The Golden Web is a 1926 American silent mystery film directed by Walter Lang and starring Lillian Rich, Huntley Gordon and Lawford Davidson. The cast also features Boris Karloff before he established himself as a horror star. It is based on the 1910 novel The Golden Web by the British writer E. Phillips Oppenheim. A previous British film adaptation of the novel was produced in 1920.
Behind That Curtain is a 1929 American Pre-Code mystery film directed by Irving Cummings and starring Warner Baxter, Lois Moran and Gilbert Emery. It was the first Charlie Chan film to be made at Fox Studios. It was based on the 1928 novel of the same name. Charlie Chan, who is played by the Chinese American E. L. Park, gets one mention early in the film, then makes a few momentary appearances after 75 minutes. Park, in fact, was the first Chinese American to play Charlie Chan on-screen. Producer William Fox chose this film to open the palatial Fox Theatre in San Francisco on June 28, 1929. It was a sound film.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
The Sea Bat is a 1930 American pre-Code melodrama film directed by Wesley Ruggles, starring Raquel Torres, Charles Bickford. Part of the film was filmed on location in Mazatlán, Mexico. The film was originally intended as a vehicle for Lon Chaney, who died on August 26, 1930.
The Yellow Ticket is a 1931 pre-Code American drama film based on the 1914 play of the same name by Michael Morton, produced by the Fox Film Corporation, directed by Raoul Walsh, and starring Elissa Landi, Lionel Barrymore and Laurence Olivier. Boris Karloff appears briefly in a small supporting role. The picture is also a noteworthy example of productions from the pre-Code era in that it includes brief nudity.
Le Juif polonais is a 1900 opera in three acts by Camille Erlanger composed to a libretto by Henri Caïn.
Pierre-Barthélemy Gheusi, also known by the pseudonym Norbert Lorédan, was a French theatre director, librettist, journalist and writer. He was born in Toulouse and died in Paris.
The Bells is a play in three acts by Leopold David Lewis which was one of the greatest successes of the British actor Henry Irving. The play opened on 25 November 1871 at the Lyceum Theatre in London and initially ran for 151 performances. Irving was to stage the play repeatedly throughout his career, playing the role of Mathias for the last time the night before his death in 1905.
Harry Southwell was an Australian actor, writer and film director best known for making films about Ned Kelly. He was born in Cardiff, Wales and spent a couple of years in America, where he adapted some short stories by O Henry into two reel films. He worked for Vitagraph in the United States for five years, then moved to Australia in 1919, where he used his experience as a screenwriter to impress investors to back him making features. He set up his own production company in Australia but few of his movies were commercially successful.
The Burgomeister is a 1935 Australian film directed by Harry Southwell based on the 1867 play Le juif polonais by Erckmann-Chatrian, adapted into English in 1871 by Leopold Lewis, previously filmed a number of times. The Burgomeister is considered a 'substantially lost' film, with only one sequence surviving.
The Bells is a 1911 Australian feature-length silent film directed by W. J. Lincoln. It is based on the famous stage melodrama by Erckmann-Chatrian, adapted by Leopold Lewis, which in turn had been adapted for the Australian stage by W. J. Lincoln before he made it into a film.
The Bells is a 1931 British drama film directed by Harcourt Templeman and Oscar Werndorff and starring Donald Calthrop, Jane Welsh, and Edward Sinclair.
The Bells is a lost 1918 American silent drama film released by Pathé Exchange. It was adapted from the 1867 French play Le Juif Polonais by Erckmann-Chatrian and an 1871 English-language version, The Bells, by Leopold Lewis. The latter was a favorite vehicle for actor Henry Irving. This silent film stars Frank Keenan and Lois Wilson. The story was remade in 1926 as The Bells with Lionel Barrymore and Boris Karloff.
The Little Tease is a 1913 silent black and white drama film directed by D. W. Griffith, produced by Biograph Company and starring Henry B. Walthall and Mae Marsh.
The Polish Jew is a 1931 French historical drama film directed by Jean Kemm and starring Harry Baur, Mady Berry and Simone Mareuil. It is based on the 1867 play of the same name by Alexandre Chatrian and Emile Erckmann.
