The Bold Bank Robbery | |
---|---|
Directed by | Jack Frawley |
Story by | Jack Frawley |
Cinematography | Jack Frawley |
Production company | |
Distributed by | Lubin Manufacturing Company |
Release date |
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Running time | 7 minutes |
Country | United States |
Language | Silent |
The Bold Bank Robbery is a 1904 short crime film produced and distributed by the Lubin Manufacturing Company. The silent film depicts a group of burglars who plan and execute a successful bank heist. Company employee Jack Frawley was the film's director, also coming up with the story and serving as cinematographer; the cast's identities are unknown. The silent film was the first Lubin Manufacturing Company release to feature an original narrative.
The film was created after the commercial success of the Edwin S. Porter film The Great Train Robbery , and was intended to be similar to it. Released on July 30, 1904, reception was mixed. It is credited with having motivated Porter to direct the film Capture of the "Yegg" Bank Burglars. A print of the seven-minute film, which is now in the public domain, is preserved in the Library of Congress. In 2002, the film was released on DVD as part of a compilation of silent films.
After learning they are short of money, a group of four robbers decide to execute a bank heist. The four create a plan and hire an unwitting chauffeur to drive them to their location. As soon as they reach an isolated road, the robbers force the chauffeur out of the car, gag him, and throw him into a ditch. The robbers then drive the car to the bank. After entering, they kill a security guard and use explosives to force the bank vault open. The thieves steal as much money as possible and make a quick retreat to their car. Back in the park, a young couple on a walk discover the unconscious body of the chauffeur, and the man calls the police.
The band of robbers, now at home, are about to start splitting their stolen goods equally, when the police barge in. While three of the robbers are subdued after a fight, one manages to make his escape via a window and ends up on the roof. The two policemen chase the criminal, who eludes them by jumping from rooftop to rooftop. After the robber jumps down to the street, he runs toward the railroad station and boards a departing train. The police officers arrive but are too late, as the robber has left. The officers tell the train dispatcher to send a telegram to the next station, informing them of the fugitive and asking them to catch him as soon as possible. When the train reaches the next station, the burglar exits the train and unknowingly runs right into the path of policemen. With all four of the robbers caught, they are sentenced to forty years in jail. While doing work in the jail's quarry, the group review their failure, with each robber pinning the blame on another.
The Bold Bank Robbery was directed by Jack Frawley and produced by the Lubin Manufacturing Company. [1] Frawley worked at the company, serving as their general manager. He often devised the stories for their films; The Bold Bank Robbery was no exception. [2] The film was the company's first to feature an original narrative. [3]
Frawley, who also served as cinematographer for the film, had a relaxed approach to making films; he did not use screenplays and never numbered the scenes. During the assembling of Frawley's films, the sole material for editors to rely on was a pad with notes scrawled in it. [3] The identities of the cast of The Bold Bank Robbery are unrecorded. The film, silent and shot in black-and-white, [1] was filmed in Philadelphia. [3] It was shot using a camera that company creator Siegmund Lubin had built back in 1901. [4]
The Bold Bank Robbery was inspired by and created after the success of the 1903 western film The Great Train Robbery ; [5] other inspirations included American and European crime films. [6] Lubin Manufacturing Company had been known to produce films similar to other popular ones; film historian Kemp R. Niver observed that "if it seemed like a good idea, and other film producers were making money, 'Pop' Lubin simply appropriated the title and remade or duped the motion picture." [2] Siegmund Lubin filed a copyright for the film on July 25, 1904. The finished product comprised 600 feet (182 m) of film. [7]
The Bold Bank Robbery was released on July 30, 1904. Distribution was handled by Lubin Manufacturing Company and the Kleine Optical Company. [7] To promote the film, Siegmund Lubin placed an advertisement in Billboard ; appearing in its October 15, 1904 issue, it was the first film to be advertised in the magazine. [8] The advertisement offered the film for purchase at the price of 66 dollars, along with a free Victor Talking Machine if one were to purchase two other films. [9] An advertisement for the film in the New York Clipper declared that The Bold Bank Robbery was "the most sensational film ever made." [10]
When the film was shown in theaters, it was played alongside a phonograph, a device used to record and replay audio. [11] However, the audio was often not synchronized with the action, perhaps because the projectionists still had to operate the machines by hand. [12] It received a positive review from a writer for the American newspaper The Victoria Advocate , who branded it as a film that "everyone should see." [13] Adversely, author Jay Leyda, writing for Film Quarterly , criticized the film for being "obviously derivative." [14]
In 1904, Edwin S. Porter directed a film entitled Capture of the "Yegg" Bank Burglars, distributed by Edison Studios. Filmed in August and September of that year, the film features a group of robbers who execute a heist. Porter had been motivated to produce it by The Bold Bank Robbery. [15] A man from Belleville, Ontario, who held screenings of The Bold Bank Robbery and paired it with other films in the crime genre, once screened the films at a fair. The man was surprised by the ovation received from the audience, writing that "The applause was something amazing. I really thought the grandstand had collapsed." [16]
The film has survived; a print of The Bold Bank Robbery is preserved in the Library of Congress film archive. [1] In 2002, the film was released on DVD by Kino International as part of The Movies Begin, a DVD boxset which collects 133 silent short films released between 1894 and 1913. [17] The film is now in the public domain. [1]
The Great Train Robbery is a 1903 American silent film made by Edwin S. Porter for the Edison Manufacturing Company. It follows a gang of outlaws who hold up and rob a steam train at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy.
Since the invention of locomotives in the early 19th century, trains have often been the target of robbery, in which the goal is to steal money or other valuables. Train robbery was especially common during the 19th century and is commonly associated with gangs of outlaws in the American Old West. It has continued into the 21st century, with criminals usually targeting freight trains carrying commercial cargo, or targeting passengers of public transportation for their valuables.
Siegmund Lubin was an American motion picture pioneer who founded the Lubin Manufacturing Company (1902–1917) of Philadelphia.
The Lubin Manufacturing Company was an American motion picture production company that produced silent films from 1896 to 1916. Lubin films were distributed with a Liberty Bell trademark.
Le Voyage de Gulliver à Lilliput et chez les Géants, released in the United States as Gulliver's Travels Among the Lilliputians and the Giants and in the United Kingdom as Gulliver's Travels—In the land of the Lilliputians and the Giants, is a 1902 French silent trick film directed by Georges Méliès, based on Jonathan Swift's 1726 novel Gulliver's Travels.
Building a Fire is a lost 1914 American silent comedy film produced by the Lubin Manufacturing Company and starring Mae Hotely, Julia Calhoun, and Jerold Hevener. Also among the cast is Oliver Hardy, who has a small role as a policeman.
Justus D. Barnes, named George Barnes in some sources, was an American stage and film actor. He is best known for his role in the 1903 silent short The Great Train Robbery, which the American Film Institute and many film historians and critics recognize as the production that first established the Western genre, setting a new "narrative standard" in the motion picture industry. Kim Newman says it is "probably the first Western film with a storyline".
The Little Train Robbery is a 1905 American silent Western film directed by Edwin S. Porter. It is a parodic sequel/remake to Porter's 1903 film The Great Train Robbery with an all-child "cast as the robbers, and a miniature railroad and playhouse as sets."
Terrible Teddy, the Grizzly King is a 1901 American silent film directed by Edwin S. Porter. Produced by the Edison Manufacturing Company, it is the earliest known political satire in American film. It features three actors, all of whom are unknown.
Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).
Faust and Marguerite is a 1900 American silent trick film produced and distributed by Edison Manufacturing Company. It was directed by Edwin S. Porter and based on the Michel Carré play Faust et Marguerite and the 1859 opera Faust adapted from the play by Charles Gounod.
Parsifal is a 1904 American silent film produced by the Edison Manufacturing Company and directed by Edwin S. Porter. It is based on the 1882 opera Parsifal by Richard Wagner, and stars Adelaide Fitz-Allen as Kundry and Robert Whittier as Parsifal.
How Brown Saw the Baseball Game is an American short silent comedy film produced in 1907 and distributed by the Lubin Manufacturing Company. The film follows a baseball fan named Mr. Brown who overdrinks before a baseball game and becomes so intoxicated that the game appears to him in reverse motion. During production, trick photography was used to achieve this effect. The film was released in November 1907. It received a positive review in a 1908 issue of The Courier-Journal that reported the film was successful and "truly funny". As of 2021, it is unclear whether the print of the film has survived. The identities of the film cast and production crew are unknown. Film historians have noted similarities between the plot of How Brown Saw the Baseball Game and How the Office Boy Saw the Ball Game. It is a comedy film directed by Edwin S. Porter, having released a year before How Brown Saw the Baseball Game.
Kansas Saloon Smashers is a 1901 comedy short film produced and distributed by Edison Studios. Directed by Edwin S. Porter, it is a satire of American activist Carrie Nation. The film portrays Nation and her followers entering and destroying a saloon. After the bartender retaliates by spraying Nation with water, policemen order them out; the identities of the actors are not known. Inspiration for the film was provided by an editorial cartoon which appeared in the New York Evening Journal.
Hemlock Hoax, the Detective is an American short comedy film produced and distributed in 1910 by the Lubin Manufacturing Company. The silent film features a detective named Hemlock Hoax who tries to solve a murder, which unbeknownst to him is a practical joke being played on him by two young boys. It was one of many shorts designed to derive its humor from a sleuth whose name was similar to Sherlock Holmes.
Gilbert Saroni, also written Gilbert Sarony, was a cross-dressing actor in vaudeville as well as early Edison Manufacturing, American Mutoscope, and Siegmund Lubin films. In his obituary in Variety he was described as one of the first impersonators of the "old maid" type and was said to be "considered one of the funniest men in the show business."
Meet Me at the Fountain is a 1904 American silent short comedy film written, produced, and directed by Siegmund Lubin. Actors in the movie included Gilbert Sarony, a well-known cross-dressing performer. The film was inspired by Wallace McCutcheon's 1904 film Personal.
Uncle Josh at the Moving Picture Show is a 1902 American short silent comedy film directed by Edwin S. Porter, featuring a naive spectator trying to interact with films projected onto a screen. It is an almost identical remake of a British 1901 film directed by Robert W. Paul, The Countryman and the Cinematograph. Paul's film was the first to feature a film shown within a film.
On the morning of June 13, 1914, a disastrous fire and a series of related explosions occurred in the main film vault of the Lubin Manufacturing Company in Philadelphia, Pennsylvania. Several possible causes for the blaze were cited at the time, one being "spontaneous combustion" of highly flammable nitrate film, which was the motion picture industry's standard medium for cameras throughout the silent era and for the first two decades of "talking pictures". Millions of feet of film were consumed in the flames, including most of the master negatives and initial prints of Lubin's pre-1914 catalog, several of the company's recently completed theatrical prints ready for release and distribution, a considerable number of films produced by other studios, inventories of raw and stock footage, hundreds of reels documenting historic events that occurred between 1897 and early 1914, as well as other films related to notable political and military figures, innovations in medical science, and professional athletic contests from that period. While this fire was not a decisive factor in Lubin's decline and bankruptcy by September 1916, costs associated with the disaster only added to the corporation's mounting debts, which led to the closure or sale of its remaining operations the following year.
How a French Nobleman Got a Wife Through the New York Herald Personal Columns is a 1904 silent comic film directed by Edwin S. Porter for the Edison Manufacturing Company. The film is a remake of the hit film Personal, produced by the Biograph Company earlier in the year. The film is a spoof of the "fashionable marriages" known to take place between cash-strapped European nobility and American heiresses.