The Butcher Boy | |
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Directed by | Roscoe Arbuckle |
Written by | Roscoe Arbuckle Joseph Anthony Roach |
Produced by | Joseph M. Schenck |
Starring | Roscoe Arbuckle Buster Keaton Al St. John Josephine Stevens Arthur Earle Joe Bordeaux Luke the Dog Charles Dudley Alice Lake Agnes Neilson |
Cinematography | Frank D. Williams |
Edited by | Herbert Warren |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 30 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Butcher Boy is a 1917 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Al St. John, Buster Keaton and Alice Lake. This was the first in Arbuckle's series of films with the Comique Film Corporation, and Keaton's film debut.
Fatty, a butcher boy in a country store, is in love with Almondine (Alice Lake), the daughter of the store's general manager Mr. Grouch. Fatty's attempts to get close to her are sidetracked when the store's clerk Alum (Al St. John), a rival for Alice's affections, starts a fight with the rotund butcher. Their confrontation in the store soon involves a customer (Buster Keaton) as well as Grouch. The resulting mayhem includes small bags of flour being hurled and "exploding", pies being tossed, and brooms being wildly swung amid the thick clouds of flour lingering in the air.
Determined to marry Almondine, Fatty disguises himself as a female cousin and follows her to an all-girls boarding school. Unfortunately, Alum has the same idea and masquerades, too, as a female student. After another fight breaks out between Fatty and Alum, Fatty is taken by the school's principal Miss Teachem to a separate room to be punished. Meanwhile, Alum and his accomplices (Keaton and Joe Bordeaux) attempt to kidnap Almondine. Luckily, Fatty's dog Luke distracts the gang while Fatty and Almondine escape. Once outside, the couple see a sign on a tree identifying a nearby parsonage, so they run off arm-in-arm to get married there.
Note that the subtitles in a later release of The Butcher Boy cite new names for the characters: Alum is "Slim Snavely" and Almondine is "Amanda". [2]
A review of The Butcher Boy was published in the April 20, 1917, issue of Variety , a trade magazine for the entertainment industry:
The Comique Film Co.'s series of Arbuckle two-reelers starts off with Fatty shaking out a bag of laugh making tricks. The cast fits the star, and not the least important member is "Luke," the bull terrier. It is a wonder. Arbuckle's juggling with the accessories of the country store where he is an important factor, also his way of handling the feminine clothes worn in his visit to the girl's boarding school, is done in such a serious, earnest way the comic effect is all the more forceful. The butcher boy in a country store falls in love with the cashier, the daughter of the proprietor, and when she is sent away to a boarding school, he goes to the school as her cousin. The first of the Arbuckle series has set a good mark to aim at. While there is some slapstick, the comedy is recommended. [3]
Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
Out West is a 1918 American two-reel silent comedy film, a satire on contemporary Westerns, starring Roscoe 'Fatty' Arbuckle, Buster Keaton, and Al St. John. It was the first of Arbuckle's "Comique" films to be filmed on the West Coast, the previous five having been filmed in and around New York City. The idea for the story came from Natalie Talmadge, who was later to become Keaton's first wife.
The High Sign is a 1921 two-reel silent comedy film starring Buster Keaton, and written and directed by Keaton and Edward F. Cline. Its runtime is 21 minutes. Although One Week (1920) was Keaton's first independent film short released, The High Sign was the first one made. Disappointed with the result, Keaton shelved it and the film was not released until the following year. The title refers to the secret hand signal used by the film's underworld gang.
The Cook is a 1918 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John. The movie is a slapstick comedy and focuses on goings-on at a high-end restaurant with Arbuckle as the Cook and Keaton as the Waiter.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The action centers in a sanitarium where Arbuckle's character is involuntarily brought to by his wife to be operated on by Keaton's character for alcoholism.
Back Stage is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John.
The Round-Up is a 1920 American silent Western film starring Roscoe "Fatty" Arbuckle and featuring Wallace Beery. The movie was written by Edmund Day and Tom Forman, directed by George Melford, and based on Day's play that was a huge hit for Roscoe Arbuckle's older cousin Macklyn Arbuckle and Julia Dean on the Broadway stage in 1907. It was Macklyn in the play who created the famous phrase used in advertisements of the film, nobody loves a fat man.
The Garage is a 1920 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. This was the fourteenth and last film starring the duo before Keaton set up his own studio and Arbuckle started making feature-length films. The film also stars Luke the Dog, who starred in many other short comedies with Arbuckle. The film was also known as Fire Chief.
The Bell Boy is a 1918 American two-reel silent comedy film directed by Roscoe "Fatty" Arbuckle for the Comique film company.
Coney Island is a 1917 American two-reel silent comedy film starring, written and directed by Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
Fatty's Plucky Pup is a 1915 American short comedy film directed by and starring Fatty Arbuckle. A print of the film survives.
A Reckless Romeo is a 1917 American short silent comedy film directed by and starring Roscoe 'Fatty' Arbuckle.
The Rough House is a 1917 American two-reel silent comedy film written by, directed by, and starring both Roscoe "Fatty" Arbuckle and Buster Keaton. The Rough House was Keaton's first film as a director.
His Wedding Night is a 1917 American two-reel silent comedy film written, directed by, and starring Roscoe "Fatty" Arbuckle.
Oh Doctor! is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
A Country Hero is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The film is considered to be lost.
Moonshine is a 1918 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. The movie is available on YouTube.
The Hayseed is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
Elgin Lessley was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming. Though Lessley worked earlier with Roscoe "Fatty" Arbuckle, and later with Harry Langdon, he is best known for the groundbreaking effects he produced with Buster Keaton, who dubbed him "the human metronome" for his ability to crank consistently at any requested speed.
Luke the Dog (1913–1926) was an Staffordshire Bull Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. He was also the personal pet of actress Minta Durfee and her husband, the comedian and director Roscoe "Fatty" Arbuckle.