In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, art music, and pop music.
Tonality or key: Music which uses the notes of a particular scale is said to be "in the key of" that scale or in the tonality of that scale.
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord."
An augmented triad is a chord, made up of two major thirds. The term augmented triad arises from an augmented triad being considered a major chord whose top note (fifth) is raised. When using popular-music symbols, it is indicated by the symbol "+" or "aug". For example, the augmented triad built on A♭, written as A♭+, has pitches A♭-C-E:
In jazz, comping is the chords, rhythms, and countermelodies that keyboard players, guitar players, or drummers use to support a musician's improvised solo or melody lines. It is also the action of accompanying, and the left-hand part of a solo pianist.
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai ; one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics. Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus, with an optional outro. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone.
F minor is a minor scale based on F, consisting of the pitches F, G, A♭, B♭, C, D♭, and E♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has six single sharps and the double sharp F, which makes it impractical to use.
"On the Banks of the Wabash, Far Away" is a song written and composed by the American songwriter Paul Dresser in 1897. It is among the best-selling songs of the 19th century, earning over $100,000 from sheet-music revenues. Written and composed by American songwriter Paul Dresser, it was published by the Tin Pan Alley firm of Howley, Haviland and Company in October 1897. The lyrics of the ballad reminisce about life near Dresser's childhood home by the Wabash River in Indiana, United States. The song remained popular for decades, and the Indiana General Assembly adopted it as the official state song on March 14, 1913. The song was the basis for a 1923 film of the same title. Its longtime popularity led to the emergence of several lyrical versions, including an 1898 anti-war song and a Swedish version that was a number-one hit.
"Fixing a Hole" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by Paul McCartney and credited to Lennon–McCartney.
In music theory, the half-diminished seventh chord is a seventh chord composed of a root note, together with a minor third, a diminished fifth, and a minor seventh. For example, the half-diminished seventh chord built on B, commonly written as Bm7(♭5), or Bø7, has pitches B-D-F-A:
Gioachino Rossini's Petite messe solennelle was written in 1863, possibly at the request of Count Alexis Pillet-Will for his wife Louise, to whom it is dedicated. The composer, who had retired from composing operas more than 30 years before, described it as "the last of my péchés de vieillesse".
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.
"Close to the Edge" is a song by the English progressive rock band Yes, featured on their fifth studio album Close to the Edge (1972). The song is over 18 minutes in length and takes up the entire first side of the album. It consists of four movements.
"You're All I've Got Tonight" is a song by the American rock band the Cars, from their debut album, The Cars. Like "Bye Bye Love" and "Moving in Stereo", two other songs from the album, it continues to receive airplay on classic rock stations today despite never having been released as a single.
"FM (No Static at All)" is a song by American jazz-rock band Steely Dan and the title theme for the 1978 film FM. It made the US Top 40 the year of its release as a single. A jazz-rock composition of bass, guitar and piano, its lyrics criticize the album-oriented rock format of many FM radio stations at that time, in contrast to the film's celebration of the medium.
"I'm Not the One" is a song by the American rock band the Cars, from their fourth album, Shake It Up. It features Ric Ocasek on lead vocals, Benjamin Orr singing the 'you know why' phrase, and the whole group repeating "going round and round" as backing vocals throughout the song.
The ChordPro format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections, song metadata, and generic annotations.
"Sundown Syndrome" is the debut single by Tame Impala, released as a single in 2009. Its B-side was a cover of the Blue Boy song "Remember Me". The title "Sundown Syndrome" refers to a neurological phenomenon called sundowning.
"Lucidity" is a song by Tame Impala, released as a single in 2010. It was recorded during the sessions for the Innerspeaker album in 2009, and released as the second single from that album. The single features artwork from Australian artist Leif Podhajsky, who also created the artwork for Innerspeaker and the follow-up Lonerism. "Lucidity" came in at number 74 in the Triple J Hottest 100 in 2010.
"Lock and Key" is a song written, produced and performed by Canadian rock band Rush. It is a promotional single from their twelfth studio album, Hold Your Fire. The song deals with the theme of every human being’s primal, violent instincts underneath their civil appearance - their “killer instinct”. Critics gave the song liking reviews, with some saying it had quality of a hit single, and would make it on the Billboard Hot Mainstream Rock Tracks chart; it went on to reach number 16 on the chart. The song's music video was originally released in 1987, and was produced by Bob Jason and directed by T. Vanden Ende. The song was only played live by the band on the Hold Your Fire Tour.
