"The Catastrophe of Success" | |
---|---|
Author | Tennessee Williams |
Country | United States |
Language | English |
Genre(s) | Essay |
Published in | November 30, 1947 |
Publisher | The New York Times |
"The Catastrophe of Success" is an essay by Tennessee Williams about art and the artist's role in society. It is often included in paper editions of The Glass Menagerie . [1]
An essay is, generally, a piece of writing that gives the author's own argument — but the definition is vague, overlapping with those of a paper, an article, a pamphlet, and a short story. Essays have traditionally been sub-classified as formal and informal. Formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element, humor, graceful style, rambling structure, unconventionality or novelty of theme," etc.
Thomas Lanier "Tennessee" Williams III was an American playwright. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.
The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister Laura. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of The Gentleman Caller.
A version of this essay first appeared in The New York Times , [1] November 30, 1947, four days before the opening of A Streetcar Named Desire (previously titled "The Poker Night"). Another version of this essay, titled "A Streetcar Named Success" is sometimes used as an introduction to A Streetcar Named Desire.
The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won 125 Pulitzer Prizes, more than any other newspaper. The Times is ranked 17th in the world by circulation and 2nd in the U.S.
"A Streetcar Named Success" is an essay by Tennessee Williams about art and the artist's role in society. It is often included in paper editions of A Streetcar Named Desire.
A Streetcar Named Desire is a 1947 play written by American playwright Tennessee Williams that received the Pulitzer Prize for Drama in 1948. The play opened on Broadway on December 3, 1947, and closed on December 17, 1949, in the Ethel Barrymore Theatre. The Broadway production was directed by Elia Kazan and starred Jessica Tandy, Marlon Brando, Karl Malden, and Kim Hunter. The London production opened in 1949 with Bonar Colleano, Vivien Leigh, Renee Asherson and Bernard Braden and was directed by Laurence Olivier. The drama A Streetcar Named Desire is often regarded as among the finest plays of the 20th century, and is considered by many to be Williams' greatest work.
Nick Dennis was a Greek American film actor born in Thessaly, Greece. The supporting actor, who began in films in 1947, was known for playing ethnic types in films such as Kiss Me Deadly and the Humphrey Bogart film Sirocco. Dennis, who spoke Greek fluently, appeared in a number of television programs in the 1960s and 1970s including playing the parts of Orderly Nick Kanavaras on the medical drama Ben Casey and Uncle Constantine on the detective show Kojak.
A Streetcar Named Desire is a 1951 American drama film, adapted from Tennessee Williams's Pulitzer Prize-winning 1947 play of the same name. It tells the story of a southern belle, Blanche DuBois, who, after encountering a series of personal losses, leaves her aristocratic background seeking refuge with her sister and brother-in-law in a dilapidated New Orleans tenement. The Broadway production and cast was converted to film with several changes.
A Streetcar Named Desire is an opera composed by André Previn with a libretto by Philip Littell in 1995. It is based on the play by Tennessee Williams.
"Shakespeare's Sister" is a song by the English rock band the Smiths. Released in March 1985, it reached No. 26 in the UK Singles Chart. It is also featured on the compilation albums Louder Than Bombs and The World Won't Listen.
A Streetcar Named Desire may refer to:
John Gromada is a prolific, award-winning composer and sound designer. He is best known for his many scores for theatrical productions in New York on and off-Broadway and in regional theatres. Broadway plays he has scored include the 2014 production of The Elephant Man, starring Bradley Cooper, The Trip to Bountiful with Cicely Tyson, Gore Vidal's,The Best Man (play), Seminar (play) by Theresa Rebeck,Next Fall (play), Chazz Palminteri's A Bronx Tale, David Auburn's The Columnist, and Proof, Lisa Kron's Well, Rabbit Hole, and A Few Good Men ; revivals of Prelude to a Kiss, Summer and Smoke, Twelve Angry Men and A Streetcar Named Desire. His score for the nine-hour production of Horton Foote's The Orphans' Home Cycle was featured at the Hartford Stage Company and Signature Theatre in New York. Gromada also designed the sound for the Broadway production of Bruce Norris' Tony award-winning play, Clybourne Park
Desire Street is a street in New Orleans, Louisiana, in the United States. According to John Churchill Chase, the street is named for Désirée Gautier Montrieul, the daughter of Robert Gautier de Montrieul who owned the plantation on the land where the street now lies. She married François de La Barre, for whom Labarre Road in Metairie is named. Her sister, Elmire de Montrieul, also had a street named after which was itself anglicized as Elmire Street, however it was renamed to Gallier Street circa 1895. Jed Horne, author of the 2005 book Desire Street, suggests that name is a misspelled homage to Désirée Clary a fiancé of Napoleon. The play A Streetcar Named Desire, by Tennessee Williams, refers to the former streetcar line to this street.
Wendy Barrie-Wilson is an American stage actress who has performed in more than 90 plays on Broadway and around the world. She is from a well-known American acting family, including great aunt and uncle, Elizabeth Risdon and Brandon Evans, who were members of the Theatre Guild alongside such theatre figures as Alfred Lunt and Lynn Fontanne, Helen Hayes, and G.B. Shaw, among others.
A Streetcar Named Desire is a 1984 American made-for-television drama film directed by John Erman and based on the 1947 play of the same name by Tennessee Williams. The film stars Ann-Margret and Treat Williams and premiered on ABC on March 4, 1984.
"The Vengeance of Nitocris" is a short story by Tennessee Williams, written when Williams was 16 years old, and published in Weird Tales in its August, 1928 issue. The story is a "surprisingly lurid" tale of loosely historical fiction, based on the account of the semi-legendary female pharaoh Nitocris found in Herodotus. Williams was paid $35 for the story by Weird Tales; it was his first piece of stand-alone published fiction. Robert E. Howard's "Red Shadows", the story that introduced Solomon Kane, was the cover story.
Carlos Diaz is a Cuban theatre director. Diaz studied dramaturgy and theatre at Havana's Superior Institute of Art (ISA). He started his career as a theatre and art critic and only later took on the role of director. His work is often described as unique and unexpected.
The Glass Menagerie is a play by Tennessee Williams. It has been made into several films, including:
A memory play is a play in which a lead character narrates the events of the play, which are drawn from the character's memory. The term was coined by playwright Tennessee Williams, describing his work The Glass Menagerie. In his production notes, Williams says, "Being a 'memory play', The Glass Menagerie can be presented with unusual freedom of convention." In a widening of the definition, it has been argued that Harold Pinter's plays Old Times, No Man's Land and Betrayal are memory plays, where "memory becomes a weapon". Brian Friel's Dancing at Lughnasa is a late 20th-century example of the genre.
The Magic Tower and Other One-Act Plays is a collection of 15 plays, seven of them previously unpublished, by American playwright Tennessee Williams. Published by New Directions in New York City in 2011, Williams' scholar Thomas Keith edited the volume and provided the critical notes while playwright Terrence McNally, winner of four Tony Awards, wrote the foreword.
The Glass Menagerie is a 1966 American made-for-television drama film based on the 1944 play of the same name by Tennessee Williams. It is directed by Michael Elliott and stars Shirley Booth, Hal Holbrook, Barbara Loden and Pat Hingle. Sponsored by Xerox, it originally aired on December 8, 1966 as an installment of CBS Playhouse. The adaptation received two Primetime Emmy Award nominations for Outstanding Dramatic Program and Outstanding Actress (Booth).
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