Author | Tennessee Williams |
---|---|
Language | English |
Genre | Art and society |
Published in | The New York Times |
Publication date | November 30, 1947 |
Publication place | United States |
"The Catastrophe of Success" is an essay by Tennessee Williams about art and the artist's role in society. It is often included in paper editions of The Glass Menagerie . [1]
A version of this essay first appeared in The New York Times , [1] November 30, 1947, four days before the opening of A Streetcar Named Desire (previously titled "The Poker Night"). Another version of this essay, titled "A Streetcar Named Success" is sometimes used as an introduction to A Streetcar Named Desire.
A Streetcar Named Desire is a play written by Tennessee Williams and first performed on Broadway on December 3, 1947. The play dramatizes the experiences of Blanche DuBois, a former Southern belle who, after encountering a series of personal losses, leaves her once-prosperous situation to move into a shabby apartment in New Orleans rented by her younger sister Stella and brother-in-law Stanley.
Thomas Lanier Williams III, known by his pen name Tennessee Williams, was an American playwright and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.
The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of The Gentleman Caller.
Laurette Taylor was an American stage and silent film star who is particularly well known for originating the role of Amanda Wingfield in the first production of Tennessee Williams's play The Glass Menagerie.
Blanche DuBois is a fictional character in Tennessee Williams' 1947 Pulitzer Prize-winning play A Streetcar Named Desire. The character was written for Tallulah Bankhead and made popular to later audiences with Elia Kazan's 1951 film adaptation of Williams' play; A Streetcar Named Desire, starring Vivien Leigh and Marlon Brando.
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois (Leigh), who, after encountering a series of personal losses, seeks refuge with her sister (Hunter) and brother-in-law (Brando) in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.
A Streetcar Named Desire is an opera composed by André Previn in 1995 with a libretto by Philip Littell. It is based on the play of the same name by Tennessee Williams.
John Gromada is a prolific, award-winning composer and sound designer. He is best known for his many scores for theatrical productions in New York on and off-Broadway and in regional theatres. Broadway plays he has scored include the 2014 production of The Elephant Man, starring Bradley Cooper, The Trip to Bountiful with Cicely Tyson, Gore Vidal's The Best Man, Seminar by Theresa Rebeck, Next Fall, Chazz Palminteri's A Bronx Tale, David Auburn's The Columnist and Proof, Lisa Kron's Well, Rabbit Hole, and A Few Good Men; revivals of Prelude to a Kiss, Summer and Smoke, Twelve Angry Men, Torch Song, and A Streetcar Named Desire. His score for the nine-hour production of Horton Foote's The Orphans' Home Cycle was featured at the Hartford Stage Company and Signature Theatre in New York. Gromada also designed the sound for the Broadway production of Bruce Norris' Tony award-winning play, Clybourne Park.
Wendy Barrie-Wilson is an American stage actress who has performed in more than 100 plays on Broadway and around the world.
"On a Streetcar Named Success" is an essay by Tennessee Williams about the corrupting impact of fame on the artist. The essay first appeared in The New York Times on November 30, 1947, four days before the premiere of A Streetcar Named Desire. It was later republished as "The Catastrophe of Success" and often appears as an introduction to The Glass Menagerie.
Will Mr. Merriwether Return from Memphis? is a short play by Tennessee Williams, premiering on 24 January 1980 at the Tennessee Williams Performing Arts Center, Key West, Florida.
"The Vengeance of Nitocris" is a short story by Tennessee Williams, written when Williams was 16 years old. It was published in Weird Tales in its August, 1928 issue, under the byline "Thomas Lanier Williams", the writer's actual given name. The story is a "surprisingly lurid" tale of loosely historical fiction, based on the account of the semi-legendary female pharaoh Nitocris found in Herodotus. Williams was paid $35 for the story by Weird Tales; it was his first piece of stand-alone published fiction. Robert E. Howard's "Red Shadows", the story that introduced Solomon Kane, was the cover story.
The Glass Menagerie is a 1987 American drama film directed by Paul Newman. It is a replication of a production of Tennessee Williams' 1944 play of the same title that originated at the Williamstown Theatre Festival and then transferred to the Long Wharf Theatre in New Haven, Connecticut. The film is the fourth adaptation of the Williams play, following a 1950 feature film and television movies made in 1966 and 1973. It was shown at the 1987 Cannes Film Festival and the Toronto International Film Festival before opening in New York City on October 23, 1987. It is also the last film directed by Newman before his death in 2008.
The Glass Menagerie is a 1950 American drama film directed by Irving Rapper. The screenplay by Tennessee Williams and Peter Berneis is based on the 1944 Williams play of the same title. It was the first of his plays to be adapted for the screen.
A memory play is a play in which a lead character narrates the events of the play, which are drawn from the character's memory. The term was coined by playwright Tennessee Williams, describing his work The Glass Menagerie. In his production notes, Williams says, "Being a 'memory play', The Glass Menagerie can be presented with unusual freedom of convention." In a widening of the definition, it has been argued that Harold Pinter's plays Old Times, No Man's Land and Betrayal are memory plays, where "memory becomes a weapon". Brian Friel's Dancing at Lughnasa is a late 20th-century example of the genre.
Blanche Marvin, also known as Blanche Zohar, is an American-born theatre critic, producer, writer, and former actress and dancer who is based in the United Kingdom.
The Magic Tower and Other One-Act Plays is a collection of 15 plays, seven of them previously unpublished, by American playwright Tennessee Williams. Published by New Directions in New York City in 2011, Williams' scholar Thomas Keith edited the volume and provided the critical notes while playwright Terrence McNally, winner of four Tony Awards, wrote the foreword.
The Glass Menagerie is a 1966 American made-for-television drama film based on the 1944 play of the same name by Tennessee Williams. It is directed by Michael Elliott and stars Shirley Booth, Hal Holbrook, Barbara Loden and Pat Hingle. Sponsored by Xerox, it originally aired on December 8, 1966 as an installment of CBS Playhouse. The adaptation received two Primetime Emmy Award nominations for Outstanding Dramatic Program and Outstanding Actress (Booth).
“Portrait of a Girl in Glass” is a work of short fiction by Tennessee Williams, first appearing in the collection One Arm and Other Stories published in 1948 by New Directions.
The Catastrophe of Success new york times.