Small Craft Warnings is a two-act play by Tennessee Williams, written in late 1971 and early 1972. Williams expanded his two-scene play Confessional (1970), which had been published in his 1970 compilation Dragon Country, into this full-length play that centers on a motley group of people gathered in a seedy coastal bar in Southern California. [1]
The characters include lusty, needy beautician Leona Dawson, an embittered middle-aged woman who repeatedly plays Jascha Heifetz's recording of Tchaikovsky's Serenade Melancholique on the jukebox; her ne'er-do-well live-in lover Bill McCorkle; Doc, an alcoholic who lost his license to practice medicine but still does; Violet, who risks becoming the target of Leona's wrath when she flirts with Bill; Steve, the middle-aged short order cook who is resigned to his fate slinging hash in a waterfront dive; Monk, the congenial bartender; and two gay men – Quentin, a washed-up screenwriter, and Bobby, a young man bicycling from Iowa to Mexico that Quentin picked up on the road.
An article about a 2015 regional production noted that Williams wrote: " 'It is the responsibility of the writer to put his experience as a being into work that refines it and elevates it' to make an audience feel the truth of that work." That article analyzes the play, stating that "there is no single dramatic arc... Interspersed throughout are "confessional" moments, monologues of observation and revelation from the individual characters." [2]
The play is a "kaleidoscopic ... of monologues... as the action... becomes frozen and muted." [3]
The play premiered on April 2, 1972, at the Off-Broadway Truck and Warehouse Theatre and later moved to the New Theatre on the upper East Side. Richard Altman directed a cast that included Helena Carroll as Leona and William Hickey as Steve. During the course of the run, Irish actor Patrick Bedford assumed the role of Quentin, James Seymour appeared as Bobby, and Tennessee Williams himself took over the role of Doc. Candy Darling, a trans woman from the Warhol stable of "superstars," played the role of Violet, a bewitching, trampy girl whom most of the male characters desire. [4]
The play was produced in the West End at the Comedy Theatre in 1973, with Elaine Stritch, Peter Jones, George Pravda, Edward Judd, Frances de la Tour, James Berwick, Tony Beckley, Eric Deacon, and J M Bay. [5]
The play was produced Off-Broadway at the Tribeca Playhouse in June to July 19, 1999, directed by Jeff Cohen. [6]
The play was presented Off-Broadway in 2001 by the Jean Cocteau Repertory, directed by Scott Shattuck. [7]
The Off-Broadway Studio Theatre produced the play in February 2011, directed by Austin Pendleton, who also played Quentin. [8]
In his review in The New York Times , Clive Barnes wrote: "This is almost a dramatic essay rather than a play, a temperature reading of a time and a place . . . This is perhaps best regarded as a play in waiting, a pleasurable and rewarding exercise of style . . . This is not a major Tennessee Williams play, but it will certainly do until the next one comes along, and I suspect it may survive better than some of the much touted products of his salad years." [9]
The CurtainUp reviewer of an Off-Broadway 2011 production wrote: "Even in a better production, the episodes and characters of this play often come across as either too calculated or overly sentimental. Indeed the characters seem to be mere tokens of those found in the playwright's earlier (and better) dramas." [10]
A Streetcar Named Desire is a play written by Tennessee Williams and first performed on Broadway on December 3, 1947. The play dramatizes the experiences of Blanche DuBois, a former Southern belle who, after encountering a series of personal losses, leaves her once-prosperous situation to move into a shabby apartment in New Orleans rented by her younger sister and brother-in-law.
Thomas Lanier Williams III, known by his pen name Tennessee Williams, was an American playwright and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.
Suddenly Last Summer is a one-act play by Tennessee Williams, written in New York in 1957. It opened off Broadway on January 7, 1958, as part of a double bill with another of Williams' one-acts, Something Unspoken. The presentation of the two plays was given the overall title Garden District, but Suddenly Last Summer is now more often performed alone. Williams said he thought the play "perhaps the most poetic" he had written, and Harold Bloom ranks it among the best examples of the playwright's lyricism.
Summer and Smoke is a two-part, thirteen-scene play by Tennessee Williams, completed in 1948. He began working on the play in 1945 as Chart of Anatomy, derived from his short stories "Oriflamme" and the then-work-in-progress "Yellow Bird." The phrase "summer and smoke" probably comes from the Hart Crane poem "Emblems of Conduct" in the 1926 collection White Buildings. After a disappointing Broadway run in 1948, the play was a hit Off-Broadway in 1952. Williams continued to revise Summer and Smoke in the 1950s, and in 1964 he rewrote the play as The Eccentricities of a Nightingale.
Camino Real is a 1953 play by Tennessee Williams. In the introduction to the Penguin edition of the play, Williams directs the reader to use the Anglicized pronunciation "Cá-mino Réal." The play takes its title from its setting, alluded to El Camino Real, a dead-end place in a Spanish-speaking town surrounded by desert with sporadic transportation to the outside world. It is described by Williams as "nothing more nor less than my conception of the time and the world I live in."
The Night of the Iguana is a stage play written by American author Tennessee Williams. It is based on his 1948 short story. In 1959, Williams staged it as a one-act play, and over the next two years he developed it into a full-length play, producing two different versions in 1959 and 1960, and then arriving at the three-act version that premiered on Broadway in 1961. Two film adaptations have been made: The Oscar-winning 1964 film directed by John Huston and starring Richard Burton, Ava Gardner, and Deborah Kerr, and a 2000 Croatian production.
Clive Merrison is a British actor of film, television, stage and radio. He trained at Rose Bruford College. He is best known for his long running BBC Radio portrayal of Sherlock Holmes, having played the part in all 64 episodes of the 1989–1998 series of Sherlock Holmes dramatisations, and all 16 episodes of The Further Adventures of Sherlock Holmes (2002–2010).
That Championship Season is a 1972 play by Jason Miller. It was the recipient of the 1973 Pulitzer Prize for Drama and the 1973 Tony Award for Best Play.
Edwin Sherin was an American director and producer. He is best known as the director and executive producer of the NBC drama series Law & Order: Special Victims Unit (1991–2005).
A Moon for the Misbegotten is a play in four acts by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him to write. The play premiered on Broadway in 1957 and has had four Broadway revivals, plus a West End engagement.
Johnny No-Trump is a play written by Mary Mercier which ran for one performance on Broadway.
Clive Alexander Barnes was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for The New York Times, and, from 1978 until his death, The New York Post. Barnes had significant influence in reviewing new Broadway productions and evaluating the international dancers who often perform in New York City.
In the Bar of a Tokyo Hotel is a one-act play in two scenes, written in 1968–69 by Tennessee Williams.
A Lovely Sunday for Creve Coeur is a one-act play with two scenes by Tennessee Williams.
Cara Duff-MacCormick is a Canadian actress, predominantly in the theatre.
Talking Heads is a stage adaptation of the BBC series of the same title created by Alan Bennett. It consists of six monologues presented in alternating programmes of three each.
More Lies About Jerzy is a play written by Davey Holmes, inspired by the last days of the Polish-American novelist, Jerzy Kosiński.
Patrick Bedford was an Irish stage and television actor.
James Riordan is a New York City-based Broadway, film and television actor.