Last of the Mobile Hot Shots

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Last of the Mobile Hot Shots
Last of the mobile hot shots poster.jpg
Theatrical release poster
Directed by Sidney Lumet
Screenplay by Gore Vidal
Based on The Seven Descents of Myrtle
by Tennessee Williams
Produced bySidney Lumet
Starring James Coburn
Lynn Redgrave
Robert Hooks
Cinematography James Wong Howe
Edited by Alan Heim
Music by Quincy Jones
Production
company
Sidney Lumet Productions
Distributed by Warner Bros.-Seven Arts
Release date
  • January 14, 1970 (1970-01-14)
Running time
100 minutes
CountryUnited States
LanguageEnglish

Last of the Mobile Hot Shots is a 1970 American drama film. The screenplay by Gore Vidal is based on the Tennessee Williams play The Seven Descents of Myrtle , which opened on Broadway in March 1968 and ran for 29 performances.

Contents

Sidney Lumet directed Lynn Redgrave as Myrtle, James Coburn as Jeb, and Robert Hooks as Chicken. The film was shot in New Orleans and St. Francisville, Louisiana. It was released by the title Blood Kin in Europe.

Lumet later said "It wasn’t a success. But my feelings are that I would rather do incomplete Tennessee Williams than complete-any-body-else. It was lovely to work on, and I’m sorry I couldn’t solve it.” [1]

Vidal called the film "truly terrible" and "implausible". [2]

Plot

In New Orleans, Myrtle Kane and Jeb Stuart Thorington, arrive on The Rube Benedict Show where the eponymous host selects them and another couple as contestants. Despite not knowing each other, the couple wins the competition, and decides to earn $3,500 on one condition, to have their marriage ordained by a minister on set. Using the check to restore Waverley Plantation, the couple arrives there, about 100 miles upstream from New Orleans, where Jeb introduces his wife to the decaying plantation mansion his family has owned since 1840. Sometime later, Jeb introduces Myrtle to his multiracial half-brother, Chicken (Robert Hooks) – on his father's side – who'd earned his nickname for hoarding chickens to the rooftop during childhood. Myrtle eventually shares her background in show business, as the last surviving member of an Alabama female quintet, named the Mobile Hot-Shots.

After Myrtle steps out, Jeb and Chicken engage in an argument, where Jeb states his ownership over the mansion, while Chicken states that when Jeb succumbs to terminal lung cancer, he will become the new owner as he is next of kin. Then, Jeb reveals to Myrtle, in a flashback, that he was discharged from the army, he engages in a "war" with Chicken, ordering his half-brother to leave the mansion, though Chicken would return to sign an agreement, making him next subsequent owner.

On her way to dinner, Myrtle grows an immediate dislike for her brother-in-law, though Jeb orders Myrtle to retrieve the agreement from Chicken's wallet in his back pocket. However, she is unsuccessful in her attempts, until Jeb orders his wife to kill Chicken with a hammer, and never to return upstairs without the document. When Myrtle goes downstairs once more, she engages in a conversation until she ultimately reveals, she'd never married Jeb. Chicken refuses to believe it, and orders her to retrieve her marriage license. Myrtle returns upstairs, angering Jeb for not retrieving the agreement, before returning downstairs to present Chicken the marriage license.

After showing the marriage license, Myrtle engages in an extramarital affair, with Chicken. Meanwhile, Jeb, who experiences several flashbacks of his mother, and multiple threesome affairs with several prostitutes, becomes angered that his wife has not returned with the document, and marches downstairs armed with a pistol, where he ultimately burns the agreement. After burning the agreement, Chicken reveals that he is actually the plantation's heir, through his mother rather than the "mistake" produced from an interracial extramarital affair committed by Jeb's father, who later died in World War II. Learning of the revelation, Jeb collapses to the floor, and dies.

Finally, the levee breaks, forcing Chicken and Myrtle to ascend to the rooftop, to escape the surrounding floodwaters, for refuge and sexual fulfillment.

Cast

Production

Coburn said “I thought it would be a wonderful film. After all, James Wong Howe shot it. Gore Vidal wrote the script, Sidney Lumet was the director and we had a good budget. But, somewhere along the way the focus got lost It didn’t work as a film. When Sidney makes his mind up about something, he’ll go with it, good or bad, right or wrong, he’ll go with it. Unfortunately, he was wrong on that film." [3]

Gore Vidal wrote, "I was in demand after Suddenly Last Summer to adapt practically anything that Tennessee wrote; I made the mistake of taking on what became a him called The Last of the Mobile Hot-Shots, not the Glorious Bird at his feathery best." [4]

Reception

Vincent Canby, writing for The New York Times, reviewed the film as a "slapstick tragicomedy that looks and sounds and plays very much like cruel parody—of Tennessee Williams", and he further remarked that the film "is haunted by ghosts of earlier, more memorable Williams characters who are easily identifiable even though there have been some changes in sex and color." [5]

Variety called it a "comic opera travesty" starring "all stumbling puppets manipulated by a catcher’s-mitted Lumet" and "will find whatever audience it has in those who are not yet sated on still another story of Dixie degradation." [6]

In 1982 Lumet said I have never seen this film a second time and would be afraid to hate it, but, on the other hand, there is a certain humor, a richness, and there are such interesting characters, that maybe I wouldn’t dislike it that much! That play was a bit more extravagant than the others, without the usual lyricism." [7]

See also

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References

  1. Rapf p 63
  2. Parini, Jay (2015). Empire of self : a life of Gore Vidal. p. 193.
  3. Goldman, Lowell (Spring 1991). "James Coburn Seven and Seven Is". Psychotronic Video. No. 9. p. 23.
  4. Vidal, Gore (2009). Snapshots in history's glare. p. 160.
  5. Canby, Vincent (January 15, 1970). "The Screen: 'Last of the Mobile Hot-Shots' Opens". The New York Times . Retrieved March 29, 2015.
  6. "The Last of the Mobile Hot Shots". Variety Reviews 1968-1970. 31 December 1969.
  7. Rapf p 98

Notes