"Salad days" is a Shakespearean idiom referring to a period of carefree innocence, idealism, and pleasure associated with youth. The modern use describes a heyday, when a person is/was at the peak of their abilities, while not necessarily a youth.
The phrase is attributed to William Shakespeare, who made the first known use of it in his 1606 play Antony and Cleopatra . [1] In the speech at the end of Act One in which Cleopatra is regretting her youthful dalliances with Julius Caesar she says, "...My salad days, / When I was green in judgment, cold in blood/To say as I said then!" [2]
The phrase became popular only from the middle of the 19th century, coming to mean "a period of youthful inexperience or indiscretion." The metaphor comes from Cleopatra's use of the word 'green'—presumably meaning someone youthful, inexperienced, or immature. Her references to "green" and "cold" both suggest qualities of salads. [3]
Fowler's Dictionary of Modern English Usage summarizes several other possible meanings of the metaphor:
Whether the point is that youth, like salad, is raw, or that salad is highly flavoured and youth loves high flavours, or that innocent herbs are youth's food as milk is babes' and meat is men's, few of those who use the phrase could perhaps tell us; if so, it is fitter for parrots' than for human speech. [4]
Queen Elizabeth II used the phrase during her silver jubilee royal address in 1977, referring to her vow to God and her people when she made her 21st birthday broadcast: "Although that vow was made in my salad days, when I was green in judgment, I do not regret nor retract one word of it." [5]
The phrase has been used as the title of several books, including novels by Theodora Benson, [6] Françoise Sagan, [7] and Charles Romalotti; [8] Douglas Fairbanks Jr.'s autobiography The Salad Days; [9] and numerous cookbooks. [10] [11]
Salad Days is a British musical by Julian Slade and lyricist Dorothy Reynolds. It premiered in the UK at the Bristol Old Vic [12] in June 1954, and transferred to the Vaudeville Theatre in London on August 5, 1954. One of its songs, "The Time of My Life," includes the lyrics, [13] "We're young and we're green as the leaf on the tree / For these are our salad days."
A sketch from Monty Python's Flying Circus is called "Salad Days," and features a parody of Slade's musical as interpreted by Sam Peckinpah.
The phrase was used by H.I. McDonough (played by Nicolas Cage) in the Coen Brother's film Raising Arizona. H.I. states that "These were happy days, the salad days as they say" when he and his wife Ed (played by Holly Hunter) were newlyweds. Later in the film, upon discovering Ed could not bear children, H.I. states "But I preminisced no return of the salad days".
Salad Days is the name of a documentary film released in 2014 about the evolving punk and hardcore scene in Washington DC during the 1980s and 1990s. The choice of name hints at the 1985 Salad Days (EP) by the Washington DC band Minor Threat.
The 2010 Taiwanese drama Gloomy Salad Days is named after the expression.
In Katherine Applegate's Animorphs series, Marco says his dad Peter referred to the time before losing Eva (Marco's mom) as the "salad days", though Marco doesn't understand the reference.
Jeffrey Ross Hyman, known professionally as Joey Ramone, was an American singer, songwriter, and the lead vocalist and founding member of the punk rock band Ramones, along Johnny Ramone and Dee Dee Ramone. His image, voice, and tenure with the Ramones made him a countercultural icon.
Minor Threat was an American hardcore punk band, formed in 1980 in Washington, D.C., by vocalist Ian MacKaye and drummer Jeff Nelson. MacKaye and Nelson had played in several other bands together, and recruited bassist Brian Baker and guitarist Lyle Preslar to form Minor Threat. They added a fifth member, Steve Hansgen, in 1982, playing bass, while Baker switched to second guitar.
Punk rock is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
Ian Thomas Garner MacKaye is an American musician. Active since 1979, he is best known as the co-founder and owner of Dischord Records, a Washington, D.C.–based independent record label, and the frontman of hardcore punk band Minor Threat and post-hardcore band Fugazi. MacKaye was also the bassist for the short-lived band the Teen Idles, and frontman for Embrace, and Pailhead, a collaboration with the band Ministry. MacKaye is a member of The Evens, a two-piece indie rock group he formed with his wife Amy Farina in 2001 and in 2018 formed the band Coriky with Farina and his Fugazi band mate Joe Lally.
Slade are an English rock band formed in Wolverhampton in 1966. They rose to prominence during the glam rock era in the early 1970s, achieving 17 consecutive top 20 hits and six number ones on the UK Singles Chart. The British Hit Singles & Albums names them the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter the charts at number one; all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. As of 2006, total UK sales stood at over 6,500,000. Their best-selling single, "Merry Xmas Everybody", sold in excess of one million copies. According to the 1999 BBC documentary It's Slade, the band have sold more than 50 million records worldwide.
Young Marble Giants were a Welsh post-punk band formed in Cardiff, Wales, in 1978. Their music was based around the vocals of Alison Statton along with the minimalist instrumentation of brothers Philip and Stuart Moxham. Their early sound was a sharp contrast with the more aggressive punk rock that dominated the underground at the time. Young Marble Giants released just one studio album, Colossal Youth, in 1980. They also released two EPs and recorded a John Peel session.
Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
A borstal was a type of youth detention centre in the United Kingdom, several member states of the Commonwealth and the Republic of Ireland. In India, such a detention centre is known as a borstal school.
Dead or Alive were an English pop band who released seven studio albums from 1984 to 2000. The band formed in 1980 in Liverpool and found success in the mid-1980s, releasing seven singles that made the UK Top 40 and three albums in the UK Top 30. At the peak of their success, the line-up consisted of Pete Burns (vocals), Steve Coy (drums), Mike Percy (bass), and Tim Lever (keyboards), with the core pair of Burns and Coy writing and producing for the remainder of the band's career due to Percy and Lever exiting the group in 1988. Burns died in 2016; with the death of Coy in 2018, the band ended.
Youth crew is a music subculture of hardcore punk, which was particularly prominent during the New York hardcore scene of the late 1980s. Youth crew is distinguished from other punk styles by its optimism and moralistic outlook. The original youth crew bands and fans were predominantly straight edge and vegetarian.
Salad Days is a musical with music by Julian Slade, and with book and lyrics by Dorothy Reynolds and Julian Slade. The musical was initially performed in 1954 in the UK in Bristol and then in the West End, where it ran for 2,283 performances.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
"Hey Hey, My My " is a song written by Canadian-American musician Neil Young. Combined with its acoustic counterpart "My My, Hey Hey ", it bookends Young's 1979 album Rust Never Sleeps. The song was influenced by the punk rock zeitgeist of the late 1970s, in particular by Young's collaborations with the American art punk band Devo, and what he viewed as his own growing irrelevance.
"Clampdown" is a song by the English rock band the Clash from their 1979 album London Calling. The song began as an instrumental track called "Working and Waiting". It is sometimes called "Working for the Clampdown" which is the main lyric of the song, and also the title provided on the album's lyric sheet. Its lyrics concern those who have forsaken the idealism of youth and urges young people to fight the status quo. The word 'clampdown' is a neat cover-all term the writers adopted to define the oppressive Establishment, notably its more reactionary voices who were to be heard throughout the 1970s calling alarmingly for "clampdowns" by government and law enforcement on strikers, agitators, benefits claimants, football hooligans, punks and other perceived threats to the social, economic and moral wellbeing of the UK.
Whatever Happened to Slade is the seventh studio album by the British rock group Slade. It was released on 21 March 1977 by Barn Records, but did not enter any national album chart. By the time of the album's release, Slade's popularity was waning as were their record sales, which they acknowledged in the album's title. The glam rock movement, with which Slade was associated, had died, and the careers of other glam rock artists such as Mud, Gary Glitter and Sweet had hit the buffers. In Britain, where Slade had traditionally been most popular, the fashion of the day was punk rock. With this album, Slade stood their ground as a straight-ahead rock group; gone were their "glam" statements of the early decade.
Crackers is a studio/compilation album by the British rock band Slade. It was released on 18 November 1985 and reached No. 34 in the UK charts. It was certified Gold by the BPI that same month. The album was produced by bassist Jim Lea except for "All Join Hands", "Do You Believe in Miracles", "My Oh My" and "Run Runaway", which were all produced by John Punter. The album contained a mix of the band's previous hits, some re-recorded songs and a selection of covers.
Hi, How Are You: The Unfinished Album is the sixth self-released music cassette album by singer-songwriter Daniel Johnston, recorded in September 1983. The subtitle refers to the length of the album; Johnston had intended for it to be an hour-long release, as a majority of his earlier releases were. It was the first of Johnston’s albums to be released on vinyl and reach a wider audience.
Salad Days may refer to:
Charles Romalotti is an American author of punk fiction. Born on February 10, 1970, in Topeka, Kansas, he is the author of two novels, Salad Days and Pariah, both released by Layman Books. He currently resides in Austin, Texas.
"Blame It on My Youth" is a song recorded by American rock band Blink-182. The song was released on May 8, 2019, through Columbia Records, as the lead single from the band's eighth studio album Nine. The song is an upbeat, nostalgic track that recounts the band's early days. It was written by bassist Mark Hoppus, drummer Travis Barker, and guitarist Matt Skiba, as well as producer Tim Pagnotta, and songwriters Sam Hollander and Matt Malpass. The song debuted with a lyric video featuring renowned graffiti artist Risk.
The phrase is a simple one with a simple origin provided, once again, by Shakespeare. In 1606 the Bard wrote the play Antony And Cleopatra, which includes the line: 'They were my salad days, when I was green in judgement.'