Doo-wop is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.
The Orioles were an American R&B group of the late 1940s and early 1950s, one of the earliest such vocal groups who established the basic pattern for the doo-wop sound.
The Marcels were an American doo-wop group known for turning popular music songs into rock and roll. The group formed in 1959 in Pittsburgh, Pennsylvania and signed to Colpix Records with lead Cornelius Harp, bass Fred Johnson, Gene Bricker, Ron Mundy, and Richard Knauss. The group was named after a popular hair style of the day, the marcel wave, by Fred Johnson's younger sister Priscilla.
Vito & the Salutations is an Italian/Irish/Jewish-American New York City doo-wop group from the 1960s. They began performing their four-part harmonies while still in high school, getting practice by singing in subways and at railroad stations. But they never expected anything to come of it, until one of the band members was introduced to someone at a local record company, and the band was asked to make some recordings. Their first popular record, "Gloria," was a regional hit. But Vito & the Salutations became best known for a surprise million-selling hit a year later, in the summer of 1963: they took "Unchained Melody," a 1955 hit ballad by Al Hibbler that they heard on the car radio, as they drove to perform at a concert, and transformed it into an up-tempo, doo-wop song. "Unchained Melody" reached number 66 on the Cash Box hit parade, and it made the top ten in many cities: for example, in New York City, the song reached #3 on top-40 powerhouse WABC. The record was originally released on Herald (H-583). The original group consisted of: Barry Solomon, Bob DiPaolo, Bobby Mitchel and Vito Balsamo That group broke up after their success with their song Gloria. Another group was formed by their manager Dave Rick. That second group consisted of: Frankie Fox, Sheldon Buchansky, Raymond JP Russell and Vito Balsamo. Balsamo came from an immigrant family: his parents were from Palermo, Italy and he grew up in Brooklyn, listening to opera. But he fell in love with rock and roll, much to the dismay of his parents. Vito joined a group and recorded his first song when he was only fifteen. The B side of "Unchained Melody" was "Hey, Hey, Baby," a tune composed by Murray Kanner, Frankie Fox and Dave Rick. Vito & the Salutations also performed their version of "Unchained Melody" on American Bandstand.
Danny & the Juniors was an American doo-wop and rock and roll vocal group from Philadelphia, Pennsylvania, originally consisting of Danny Rapp, Dave White, Frank Maffei and Joe Terranova. Formed in 1955, they are most widely recognized for their 1957 no. 1 million-selling hit single "At the Hop". Their 1958 follow-up, the anthemic "Rock and Roll Is Here to Stay", also became a classic.
The Swallows were an American R&B group. They are best known for their 1951 recording of "Will You Be Mine", which appeared in the US Billboard R&B chart.
The Harptones are an American doo-wop group, which formed in Manhattan in 1953.
The Jive Five were an American doo-wop group. They are best known for their debut hit single, "My True Story" (1961), the Nickelodeon bumper jingles in the 1980s and 1990s, and the fact that they outlasted most of their musical peers by re-modeling themselves as a soul group in the 1970s and beyond.
The Edsels were an American doo-wop group from Campbell Ohio who were active during the late 1950s and early 1960s. The name of the group was originally The Essos, after the oil company, but was changed to match the new Ford automobile, the Edsel. They recorded over 25 songs and had multiple performances on Dick Clark's American Bandstand. The Edsels were one of the few doo-wop groups to sign with a major record label, as most groups of that era found success with small independent labels; before their national hit "Rama Lama Ding Dong", songs like "What Brought Us Together", "Bone Shaker Joe" and "Do You Love Me" helped the group land a major recording contract with Capitol Records in 1961.
The Diamonds are a Canadian vocal quartet that rose to prominence in the 1950s and early 1960s with 16 Billboard hit records. The original members were Dave Somerville (lead), Ted Kowalski (tenor), Phil Levitt (baritone), and Bill Reed (bass). They were most noted for interpreting and introducing rhythm and blues vocal group music to the wider pop music audience. Contrary to a popular myth, the father of Tom Hanks was never a member of the group.
Lee Andrews & the Hearts were an American doo-wop quintet from Philadelphia, Pennsylvania, United States, formed in 1953. They recorded on the Gotham, Rainbow, Mainline, Chess, United Artists, Grand and Gowen labels. Managed by Kae Williams, in 1957 and 1958 they had their three biggest hits, "Tear Drops", "Long Lonely Nights" and "Try the Impossible".
The Chords were an American doo-wop vocal group formed in 1951 in The Bronx, New York, known for their 1954 hit "Sh-Boom", which they wrote. It is the only song they created that reached mainstream popularity.
The Quotations are an American doo-wop band, primarily from James Madison High School in East Brooklyn, New York, United States.
The Rays were an American group formed in New York City in 1955, and active into the early 1960s. They first recorded for Chess Records. Their biggest hit single was "Silhouettes", a moderately-slow doo-wop piece of pop music that reached number 3 on the Billboard Hot 100 in 1957 on Cameo after being initially released on the small XYZ Records. It sold over one million copies, and was awarded a gold disc. The song was written by Bob Crewe and Frank Slay, Jr. Also on XYZ, they had a minor hit with "Mediterranean Moon" a mid-chart hit with "Magic Moon".
The Del-Satins were an American vocal group, most active in the early 1960s, who recorded on their own but are best remembered for their harmonies on hit records for Dion and others. They have been described as having "few peers as practitioners of white doo-wop."
The Capris are an American doo wop group who became a one-hit wonder in 1961 with "There's a Moon Out Tonight." They experienced a popularity and performing resurgence in the 1980s, when three members reformed and The Manhattan Transfer recorded their song, "Morse Code of Love," which reached the US Hot 100 and the U.S. AC top 20.
The Solitaires were an American doo-wop group, best known for their 1957 hit single "Walking Along". Although they never had a national chart hit, they were one of the most popular vocal groups in New York in the late 1950s.
The G-Clefs were an American doo-wop/rhythm and blues vocal group, from Roxbury, Massachusetts, United States.
"It's Too Soon to Know" is an American doo-wop ballad by Deborah Chessler (1923–2012), performed first by The Orioles. It was number one on the American Rhythm and blues charts in November 1948. It is considered by some to be the first "rock and roll" song, and described by others as "the first rhythm and blues vocal group harmony recording".
The Monotones were a six-member American doo-wop vocal group in the 1950s. They are considered a one-hit wonder, as their only hit single was "The Book of Love", which peaked at No. 5 on the Billboard Top 100 in 1958.
