The Concert (1931 film)

Last updated

The Concert
The Concert (1931 film).jpg
Directed by Leo Mittler
Written by
Starring
Cinematography Enzo Riccioni
Production
company
Distributed by Parufamet
Release date
  • 9 November 1931 (1931-11-09)
Running time
79 minutes
CountryGermany
LanguageGerman

The Concert (German : Das Konzert) is a 1931 German comedy film based upon the play by Hermann Bahr, directed by Leo Mittler and starring Olga Chekhova, Oskar Karlweis, and Ursula Grabley. [1] It was made by the German subsidiary of Paramount Pictures and released by UFA as part of the Parufamet distribution deal. It was shot at the Joinville Studios in Paris and premiered at the Gloria-Palast in Berlin.

Contents

Plot

Professor Gustav Heink is a pianist and music teacher who is adored by his students, although he is no longer quite young. For decades, he has been married to Marie, who bears his idiosyncrasies quietly and tolerantly. Heink loves to flirt with young women. This gives him the self-affirmation that he is still young, attractive and desired. Between him and his wife, who still loves him dearly, a code has developed for this circumstance. When the master, as his students call him full of admiration, gives a “private concert” again, this means nothing other than that Prof. Heink wants to have another affair, an extramarital sweetheart. Marie Heink has come to terms with this fait accompli and suffers quietly. The aging piano virtuoso assumes that his tolerant wife has no objections. Heink's latest conquest is called Delfine Jura and is associated with the young scientist Dr. Franz Jura married.

A liaison with a married woman? - that has never happened with Heink before, and so the two victims of this affair, Marie Heink and Delfine's husband Franz, decide after he, like her, from Heink's music student Eva Gerndl, who herself has had an eye on the pianist, about the affair were informed to intervene this time. Because of course, instead of touring, it's actually going to the music professor's love nest, a remote, lonely mountain hut run by the loyal Pollinger couple. Franz and Marie have come up with a clever plan: the two unfaithful people are told that they, Franz and Marie, have fallen in love with each other and that this shouldn't be a problem for the spouses, since Heink and Delfine would also be a couple. Suddenly, the pianist and his apprentice are no longer so sure about this and their passion for each other cools down noticeably. Jura and Marie have achieved what they wanted: Delfine returns to her charming husband, and Professor Heink finally understands what he has in his Marie.

Cast

Related Research Articles

<span class="mw-page-title-main">Ernestine Schumann-Heink</span> Austrian-American singer

Ernestine Schumann-Heink was a Bohemian-born Austrian-American operatic contralto of German Bohemian descent. She was noted for the flexibility and wide range of her voice.

<i>Eugene Onegin</i> (opera) Opera by Pyotr Ilyich Tchaikovsky

Eugene Onegin, Op. 24, is an opera in 3 acts, composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.

<span class="mw-page-title-main">Hans von Bülow</span> German conductor and pianist.

Freiherr Hans Guido von Bülow was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States.

<span class="mw-page-title-main">Heinz Rühmann</span> German actor

Heinrich Wilhelm "Heinz" Rühmann was a German film actor who appeared in over 100 films between 1926 and 1993. He is one of the most famous and popular German actors of the 20th century, and is considered a German film legend. Rühmann is best known for playing the part of a comic ordinary citizen in film comedies such as Three from the Filling Station and The Punch Bowl. During his later years, he was also a respected character actor in films such as The Captain from Köpenick and It Happened in Broad Daylight. His only English-speaking movie was Ship of Fools in 1964.

<span class="mw-page-title-main">Olga Knipper</span>

Olga Leonardovna Knipper-Chekhova was a Russian and Soviet stage actress. She was married to Anton Chekhov.

<span class="mw-page-title-main">Olga Chekhova</span> Russian-German actress

Olga Konstantinovna Chekhova, known in Germany as Olga Tschechowa, was a Russian-German actress. Her film roles include the female lead in Alfred Hitchcock's Mary (1931).

<span class="mw-page-title-main">Anna Mahler</span> Austrian sculptor (1904–1988)

Anna Justine Mahler was an Austrian sculptor.

Julius Exter German painter and sculptor

Julius Leopold Bernhard Exter was a German painter and sculptor. His work consists mostly of landscapes and portraits.

<i>Love Is Colder Than Death</i> (film) 1969 film

Love is Colder Than Death is a 1969 West German black-and-white film directed by Rainer Werner Fassbinder, his first feature film. In the original theater presentation in Berlin the title was first Kälter als der Tod; at the beginning of film production, it was Liebe – kälter als der Tod as on some film posters. The cinematographer Dietrich Lohmann and the cast as an ensemble won an award at the German Film Awards in 1970.

<i>Dreams of Love – Liszt</i> 1970 Hungarian film

Dreams of Love – Liszt is a Hungarian-Soviet epic musical/drama produced and directed by Márton Keleti, based on the biography of the Hungarian composer and pianist Franz Liszt.

Die Försterchristl is an operetta in three acts by Georg Jarno to a libretto by Bernhard Buchbinder. It premiered on 17 December 1907 at the Theater in der Josefstadt in Vienna. Three years later, its English version by librettist Leonard Liebling had a run of 64 performances at Broadway's Herald Square Theatre in 1910/11 under the title The Girl and the Kaiser. The work is known in English as The Girl and the Kaiser, The Bohemian Dancer, The Forester's Daughter and in French as La petite amie de sa majesté and Christelle et l'empereur.

<i>Andula Won</i> 1937 film

Andula Won is a Czech comedy film directed by Miroslav Cikán, based on a novel by Olga Scheinpflugová. It was released in 1937.

<i>Gilberte de Courgenay</i> 1942 Swiss film

Gilberte de Courgenay is a 1942 Swiss biographical film directed by Franz Schnyder and starring Rudolf Bernhard, Anne-Marie Blanc and Zarli Carigiet.

<i>The Three from the Filling Station</i> (1930 film) 1930 film

The Three from the Filling Station is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch, Heinz Rühmann, and Oskar Karlweis. Produced by Erich Pommer, the film was a major success for the UFA studio, outgrossing even The Blue Angel. Several songs composed by Werner R. Heymann and performed by the Comedian Harmonists have remained popular up to today. The film also had a heavy influence on Hollywood musicals during the 1930s.

<span class="mw-page-title-main">Oskar Karlweis</span> Austrian actor

Oskar Leopold Karlweis was an Austrian-American stage and film actor, active internationally.

<i>Dolly Gets Ahead</i> 1930 film

Dolly Gets Ahead is a 1930 German musical film directed by Anatole Litvak and starring Dolly Haas, Oskar Karlweis, and Grete Natzler.

The Strauss Dynasty is an Austrian biographical film in six parts from 1991. It depicts the careers of Johann Strauss (father), the composer of the Radetzky March, and his son Johann Strauss (son) ("Schani"), the composer of the waltz The Blue Danube, who, despite his father's resistance, also became a musician and competed with his father as a waltz composer.

References

  1. Beevor, p. 47.

Bibliography