Ernestine Schumann-Heink was a Bohemian-born Austrian-American operatic dramatic contralto of German Bohemian descent. She was noted for the flexibility and wide range of her voice. Heink and Schumann were her two husbands' surnames.
"Danny Boy" is a song with lyrics written by English lawyer Frederic Weatherly in 1910, and set to the traditional Irish melody of "Londonderry Air" in 1913.
Heinrich Wilhelm "Heinz" Rühmann was a German film actor who appeared in over 100 films between 1926 and 1993. He is one of the most famous and popular German actors of the 20th century, and is considered a German film legend. Rühmann is best known for playing the part of a comic ordinary citizen in film comedies such as Three from the Filling Station and The Punch Bowl. During his later years, he was also a respected character actor in films such as The Captain from Köpenick and It Happened in Broad Daylight. His only English-speaking movie was the 1965 Ship of Fools.
Olga Konstantinovna Chekhova, known in Germany as Olga Tschechowa, was a Russian-German actress. Her film roles include the female lead in Alfred Hitchcock's Mary (1931).
Anna Justine Mahler was an Austrian sculptor.
Carl Wilhelm, was a prolific German film director, film producer and screenwriter of the silent film era, at the end of which his career apparently entirely faded away and he vanished into obscurity.
Julius Leopold Bernhard Exter was a German painter and sculptor. His work consists mostly of landscapes and portraits.
Dreams of Love – Liszt is a Hungarian-Soviet epic musical/drama produced and directed by Márton Keleti, based on the biography of the Hungarian composer and pianist Franz Liszt.
Richard Eybner was an Austrian actor at the theatre and in films.
Paul Hörbiger was an Austrian theatre and film actor.
Gilberte de Courgenay is a 1942 Swiss biographical film about Gilberte Montavon directed by Franz Schnyder and starring Rudolf Bernhard, Anne-Marie Blanc and Zarli Carigiet.
The Three from the Filling Station is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch, Heinz Rühmann, and Oskar Karlweis. Produced by Erich Pommer, the film was a major success for the UFA studio, outgrossing even The Blue Angel. Several songs composed by Werner R. Heymann and performed by the Comedian Harmonists have remained popular up to today. The film also had a heavy influence on Hollywood musicals during the 1930s.
Oskar Leopold Karlweis was an Austrian-American stage and film actor, active internationally in both the silent as well as the sound era.
Caesar Hochstetter was an organist and a composer, arranger and critic of music from a talented Jewish family. Born 12 January 1863 in Ladenburg, a suburb of Mannheim, Germany – his date and place of death are unknown but he is thought to have disappeared during The Holocaust. Caesar Hochstetter was a friend and admirer of the well known composer Max Reger who dedicated Aquarellen Op. 25 and Five pittoresque Pieces for 4-hand Piano, Op. 34 to him.
Dolly Gets Ahead is a 1930 German musical film directed by Anatole Litvak and starring Dolly Haas, Oskar Karlweis, and Grete Natzler. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Heinz Fenschel and Jacek Rotmil.
The Gentleman from Maxim's is a 1933 German comedy film directed by Carl Boese and starring Lee Parry, Johannes Riemann and Oskar Karlweis. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Gustav A. Knauer and Walter Reimann.
The Strauss Dynasty is an Austrian biographical film in six parts from 1991. It depicts the careers of Johann Strauss (father), the composer of the Radetzky March, and his son Johann Strauss (son) ("Schani"), the composer of the waltz The Blue Danube, who, despite his father's resistance, also became a musician and competed with his father as a waltz composer.
The Chief Witness is a 1937 German crime drama film directed by Georg Jacoby and starring Iván Petrovich, Sybille Schmitz and Sabine Peters. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Otto Hunte and Willy Schiller. Location shooting took place in the Krkonose Mountains in Czechoslovakia and Zugspitze in Bavaria.
