The Constant Nymph | |
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Directed by | Basil Dean |
Screenplay by | Dorothy Farnum |
Based on | The Constant Nymph (novel) (1924 novel) by Margaret Kennedy 1926 play (Basil Dean) |
Produced by | Michael Balcon |
Starring | |
Cinematography | Mutz Greenbaum |
Edited by | Frederick Y. Smith |
Music by | |
Production company | |
Distributed by |
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Release dates |
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Running time | 97 minutes |
Country | United Kingdom |
Language | English |
The Constant Nymph is a 1933 British drama film directed by Basil Dean and starring Victoria Hopper, Brian Aherne and Leonora Corbett. [1] It is an adaptation of the 1924 novel The Constant Nymph by Margaret Kennedy and the 1926 stage play adaptation written by Kennedy and Dean. [2] Dean tried to persuade Novello to reprise his appearance from the 1928 silent version The Constant Nymph but was turned down and cast Aherne in the part instead. [3] The film is set in Tyrol, western Austria. Previously filmed in 1928, the sentimental Margaret Kennedy novel The Constant Nymph was sumptuously remade by Gaumont-British Picture Corporation in 1933.
.A rich, Belgian gamine named Tessa Sanger falls hopelessly in love with world-famous composer Lewis Dodd, who is so full of himself that he barely acknowledges Tessa's existence. As she looks on in quiet desperation, Dodd marries another woman, her cousin Florence. It takes him nearly the entire picture to realize what a fool he's been, and that Tessa was the one girl for him all along – but alas, it's too late.
The Constant Nymph was remade by Warner Bros. in 1943, at which time all prints of the 1933 version were supposed to be destroyed, however, several prints did survive. [4]
The Constant Nymph is a 1924 novel by Margaret Kennedy. It tells how a teenage girl, Tessa Sanger, falls in love with a family friend, who eventually marries her cousin. It explores the protagonists' complex family histories, focusing on class, education and creativity.
Alma Lucy Reville, Lady Hitchcock was an English screenwriter and film editor. She was the wife of film director Alfred Hitchcock. She collaborated on scripts for her husband's films, including Shadow of a Doubt, Suspicion, and The Lady Vanishes, as well as scripts for other directors, including Henrik Galeen, Maurice Elvey, and Berthold Viertel.
Margaret Alexis Smith was a Canadian-born American actress, pin-up girl and singer. She appeared in several major Hollywood films in the 1940s and had a notable career on Broadway in the 1970s, winning a Tony Award in 1972 for the Stephen Sondheim-James Goldman musical Follies.
Mabel Lilian Poulton was an English film actress, popular in Britain during the era of silent films.
William Brian de Lacy Aherne was an English actor of stage, screen, radio and television, who enjoyed a long and varied career in Britain and the United States.
Twice Upon a Time is a 1953 British comedy film directed by Emeric Pressburger and starring Hugh Williams, Elizabeth Allan, Yolande Larthe, and Charmian Larthe. It is based on the 1949 novel Lisa and Lottie by Erich Kästner.
Victoria Hopper was a Canadian-born British stage and film actress and singer.
Basil Herbert Dean CBE was an English actor, writer, producer and director in the theatre and in cinema. He founded the Liverpool Repertory Company in 1911 and in the First World War, after organising unofficial entertainments for his comrades in the army, he was appointed do so officially. After the war he produced and directed mostly in the West End. He staged premieres of plays by writers including J. M. Barrie, Noël Coward, John Galsworthy, Harley Granville-Barker and Somerset Maugham. He produced nearly 40 films, and directed 16, mainly in the 1930s, with stars including Gracie Fields.
Margaret Moore Kennedy was an English novelist and playwright. Her most successful work, as a novel and as a play, was The Constant Nymph. She was a productive writer and several of her works were filmed. Three of her novels were reprinted in 2011.
The Constant Nymph is a 1928 British silent film drama, directed by Adrian Brunel and starring Ivor Novello and Mabel Poulton. This was the first film adaptation of the 1924 best-selling and controversial novel The Constant Nymph by Margaret Kennedy and the 1926 stage play version written by Kennedy and Basil Dean. The theme of adolescent sexuality reportedly discomfited the British film censors, until they were reassured that lead actress Poulton was in fact in her 20s.
Leonora Corbett was an English actress, noted for her charm and elegance in stage roles, and for a number of films made in the 1930s.
Friday the Thirteenth is a 1933 British drama film directed by Victor Saville and starring Jessie Matthews, Sonnie Hale and Muriel Aked.
Tessa is a play written in 1934 by French dramatist Jean Giraudoux. It is a translation and adaptation of a 1926 stage version by Margaret Kennedy and Basil Dean of the former's 1924 novel The Constant Nymph.
Lorna Doone is a 1934 British historical drama film directed by Basil Dean and starring Victoria Hopper, John Loder and Margaret Lockwood. It is based on the 1869 novel Lorna Doone by R. D. Blackmore. This was the third screen version of the novel, and the first with sound; a further cinema adaptation followed in 1951.
The Constant Nymph is a 1943 romantic drama film starring Charles Boyer, Joan Fontaine, Alexis Smith, Brenda Marshall, Charles Coburn, May Whitty, and Peter Lorre with a famous score by Erich Wolfgang Korngold. It was adapted by Kathryn Scola from the 1924 novel of the same name by Margaret Kennedy and the 1926 play by Kennedy and Basil Dean and directed by Edmund Goulding.
The Constant Nymph may refer to:
The First and the Last is a 1919 play by the British writer John Galsworthy. It was based on a short story published in 1917. It was staged successfully in the early 1920s by Basil Dean featuring the actors Owen Nares and Meggie Albanesi. In 1937, it was adapted by Dean for the film 21 Days, which was not released until 1940, starring Laurence Olivier and Vivien Leigh.
Escape Me Never is a 1947 American melodrama film directed by Peter Godfrey, and starring Errol Flynn, Ida Lupino, Eleanor Parker, and Gig Young.
Escape Me Never is a 1935 British drama film directed by Paul Czinner, produced by Herbert Wilcox, and starring Elisabeth Bergner, Hugh Sinclair and Griffith Jones. The score is by William Walton with orchestration by Hyam Greenbaum. Bergner was nominated for the Oscar for Best Actress for her performance, but lost to Bette Davis. British readers of Film Weekly magazine voted the 1935 Best Performance in a British Movie to her. The film is an adaptation of the play Escape Me Never by Margaret Kennedy, which was based upon her 1930 novel The Fool of the Family. That book was a sequel to The Constant Nymph, which was also about the Sanger family of musical geniuses, but there is a disjunct among the books and the films: the Sanger brothers are never mentioned in the 1943 film version of The Constant Nymph. Another film adaptation of Escape Me Never was made in 1947 by Warner Bros.
The Constant Nymph is a play based on the 1924 novel of the same name by Margaret Kennedy. The stage version, adapted by Kennedy and the director Basil Dean, was first performed in London in 1926, starring Noël Coward, Edna Best and Cathleen Nesbitt. It portrays the love of two women for a young composer, and the conflicts that arise. The tragic ending has the younger of the two – a teenager – die of heart failure.