The Cooler

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The Cooler
Thecoolerposter.jpg
Theatrical release poster
Directed by Wayne Kramer
Written by
Produced by
  • Sean Furst
  • Michael A. Pierce
Starring
CinematographyJames Whitaker
Edited byArthur Coburn
Music by Mark Isham
Production
companies
  • ContentFilm
  • Pierce/Williams Entertainment
  • Furst Films
  • Gryphon Films
  • Dog Pond Productions
  • Visionbox Pictures
  • Zero Gravity Management
Distributed by Lions Gate Films
Release dates
  • January 17, 2003 (2003-01-17)(Sundance)
  • November 26, 2003 (2003-11-26)(United States)
Running time
101 minutes
CountryUnited States
LanguageEnglish
Budget$4 million [1]
Box office$10.4 million [2]

The Cooler is a 2003 American crime drama film directed by Wayne Kramer, from a screenplay by Frank Hannah and Kramer. The film stars William H. Macy, Maria Bello, Shawn Hatosy, Ron Livingston, Estella Warren, Paul Sorvino, and Alec Baldwin. It follows a casino "cooler" whose mere presence at the gambling tables usually results in a streak of bad luck for the other players.

Contents

The Cooler had its world premiere at the Sundance Film Festival on January 17, 2003, and was released in limited theaters in the United States by Lions Gate Films on November 26, 2003. Baldwin and Bello were nominated for Golden Globe Awards and Screen Actors Guild Awards for their supporting performances, with Baldwin also nominated for the Academy Award for Best Supporting Actor.

Plot

In Las Vegas, unlucky Bernie Lootz works at the Shangri-La casino as a "cooler" - a man with near-professional bad luck, his presence at a casino designed to stop people from winning. A cocktail waitress, Natalie, takes no real notice of Bernie, who is smitten with her. The casino manager and partner, Shelly, prides himself on running a "classically" Las Vegas casino, and resents the new establishments that attract a lower clientele. The owners, however, hire an advisor named Larry to help bring in more money with techniques contrary to Shelly's outdated policies. Bernie informs Shelly that he is leaving town in a week.

After an encounter during which Bernie rescues Natalie from an aggressive customer, she appears to take an interest in him. Eager to prevent Bernie from leaving the casino, Shelly secretly prods Natalie into asking him out for a drink. They end up sleeping together, after which Natalie takes a genuine interest in Bernie. Although they begin seeing each other, Bernie is apprehensive due to his mostly bad luck. He reveals to Natalie that he used to be a gambling addict and was in huge debt to several casinos; Shelly "saved" him by breaking his kneecap and paying off his debts in exchange for Bernie's work as a cooler for six years, which ends at the end of the week. By accident, the couple run into Bernie's estranged son Mikey and his pregnant wife Charlotte, who are scamming a diner by faking labor. Bernie tells Mikey to stop by the casino sometime.

Bernie is happy with his new relationship and his "cooling" abilities fade, much to Shelly's anger. Mikey and Charlotte come by the motel and Bernie gives them $3,000, but Natalie is skeptical of Charlotte's behavior. When Bernie reveals to Natalie he intends to leave Vegas, she initially says she won't go with him and Bernie is upset. When Bernie fails to cool Mikey at the craps table, Shelly realizes he is being cheated by Mikey. Shelly takes Mikey and Charlotte downstairs and his crew begins beating Mikey. Bernie then promises to pay the $150,000 Mikey was up, but Shelly breaks Mikey's hand and punches Charlotte, revealing her pregnancy was being faked anyway. Though distraught, that night Natalie and Bernie confess their love for one another, and Bernie again becomes a good luck charm.

Shelly calls Natalie to his office and reminds her that he hired her to date Bernie so he wouldn't leave Vegas, not to fall in love with him, which has made him both happy and lucky. He forces her to leave town abruptly, which hurts Bernie and ruins his luck. Natalie does truly love Bernie, though, and returns, thus restoring Bernie's luck. Shelly goes to Bernie's motel room and begins packing for Natalie. Arguing, Shelly slaps Natalie thus knocking her face into a mirror which shatters and leaves her severely cut up. After a tense exchange wherein she claims Bernie is the closest thing Shelly has to a friend and he doesn't want him to leave, he simply leaves her there. When Bernie comes home, she reveals Shelly hired her to pretend to like him, but she truly fell in love with him. Bernie take Natalie to the hospital emergency room after which he consoles her over her injured face.

Banking on his good luck brought on by Natalie's devotion, Bernie confronts Shelly and calls him a coward with nothing in his life but the casino. Shelly lets him go on the condition he pay back the $150,000, which Bernie tries to win at craps. Larry wants Shelly to stop Bernie’s hot streak, but Shelly takes him into the men’s room and beats him, breaking his hand. Bernie leaves, and he and Natalie drive away from Vegas. He pulls over and reveals that he won a lot of money, but a cop presumably sent by Larry approaches and readies to kill them. Meanwhile, Shelly gets in his car and finds his partner waiting for him. On Larry's behalf, he murders Shelly, saying they have to protect their interests. A drunk driver accidentally hits and kills the cop and Bernie remarks it was freaky luck, a freaky accident. Larry meets with investors as new director of casino operations and toasts a very bright future. Bernie and Natalie shown driving off into desert leaving a casino billboard behind them.

Cast

Production

Though The Cooler is set near Fremont Street in Las Vegas, it was mainly filmed in Reno at the Golden Phoenix Reno over the course of three weeks. [3] Golden Phoenix Reno casino employees and Reno locals were used extensively in the filming of The Cooler. The Golden Phoenix Hotel Casino is now a completed condominium project called The Montage. [4] The hotel buildings demolished during the closing credits are the Aladdin, the Sands, the Landmark, and the Dunes hotels.

In an episode of the Sundance Channel series Anatomy of a Scene , director Wayne Kramer and members of his cast and crew discussed various aspects of The Cooler. [5] In order to show Bernie's evolution from loser to winner, costume designer Kristin M. Burke dressed him in suits and clothes that progressively became better fits. Early in the film, the character resembles a boy dressed in his father's oversized clothing. By the end, Bernie is not only wearing the right size suit, but he has accessorized it with a brightly colored shirt and tie that represent his sunnier disposition. Lighting schemes designed by cinematographer Jim Whitaker also contributed to documenting Bernie's progression. In early scenes, his face is kept in the shadows, but later he is filmed in a spotlight and backlit to make him stand out from everything behind him.

The song "Almost Like Being in Love", which is used to mark Bernie's transition from mournful sad sack to winner, was written by Frederick Loewe and Alan Jay Lerner for the stage musical Brigadoon .

Release

The film premiere was at the Sundance Film Festival. [6] The Cooler was shown at the Cannes Film Festival, the Karlovy Vary International Film Festival, the Toronto International Film Festival, and the Deauville Film Festival, [7] among others, before going into limited release in the United States. [8] The film expanded nationwide on December 19, 2003. [9]

With an estimated budget of $4 million, The Cooler grossed $8,291,572 in the United States and $2,173,216 in foreign markets for a total worldwide box office of $10,464,788. [2]

According to the 2006 documentary film This Film Is Not Yet Rated , the MPAA originally rated the film NC-17 because of a glimpse of Maria Bello's pubic hair during a sex scene. [10] The scene was edited in order for the film to gain an R rating and thus be shown in theaters. [11] A director's cut has been broadcast by the Independent Film Channel and Cinemax.

Critical reception

The film received generally positive reviews from critics, with considerable praise for Alec Baldwin's performance. On Rotten Tomatoes the film has an approval rating of 77% based on 174 reviews, with an average rating of 6.8/10. The site's critics consensus reads: "A small movie elevated by superb performances." [12] On Metacritic, the film has a weighted average score of 69 out of 100 based on 36 critics, indicating "generally favorable reviews". [13]

Writing for The New York Times , A. O. Scott said, "The setting ... is a little tired, and the premise is pretty hokey. Mr. Kramer, rather than trying to discover anything new, is content to recycle familiar characters and story lines. The script ... and the direction are skillful, if occasionally gimmicky ... Luckily this picture is rescued from cliché by the quality of the acting, and Mr. Kramer wisely gives the actors room to work." [14]

Roger Ebert of the Chicago Sun-Times said the film "has a strange way of being broad and twisted at the same time, so that while we surf the surface of the story, unexpected developments are stirring beneath ... This is a movie without gimmicks, hooks or flashy slickness ... The acting is on the money, the writing has substance, the direction knows when to evoke film noir and when ... to get fancy." [15]

In Rolling Stone , Peter Travers rated the film three and a half out of a possible four stars and added, "Wayne Kramer, who co-wrote the scrappy script with Frank Hannah, makes a potent directing debut and strikes gold with the cast... Top of the line is Baldwin, whose revelatory portrayal of an old Vegas hard-liner in thrall to the town's faded allure is the stuff Oscars are made of. From James Whitaker's seductive camerawork to Mark Isham's lush score, The Cooler places all the smart bets and hits the jackpot." [16]

Mark Holcomb of The Village Voice said, "Taking a page from the Sin City cinema revisionist's handbook, The Cooler mimics the Vegas insider's perspective of Casino (without Scorsese's fetishistic attention to detail), the seedy/saccharine insouciance of FX's Lucky (devoid of quirky chutzpah), and the couch-potato glitz of NBC's Las Vegas  ... What's left never gels as fantasy, drama, or romantic comedy... [the] film never amounts to more than a cute idea stretched to poker-chip thinness." [17]

Awards and nominations

Wins
Nominations

See also

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References

  1. ↑ "The Cooler (2003) - Financial Information". The Numbers . Retrieved September 25, 2022.
  2. 1 2 "The Cooler". Box Office Mojo . Retrieved September 25, 2022.
  3. ↑ "Scene In Nevada: The Cooler | Nevada Film Office". nevadafilm.com. July 12, 2017. Retrieved September 25, 2022.
  4. ↑ "Golden Phoenix Reno Casino". AllTrips.com. Retrieved September 25, 2022.
  5. ↑ Kramer, Wayne, et al. "The Cooler". 2003. Anatomy of a Scene . Sundance Channel.
  6. ↑ "Dealmaking and Partygoing at Sundance 2003". IndieWire . January 20, 2003. Retrieved September 25, 2022.
  7. ↑ "The Cooler (2003) Awards & Festivals". Mubi . Retrieved September 25, 2022.
  8. ↑ "The Cooler - Domestic Box Office". Box Office Mojo. Retrieved September 25, 2022.
  9. ↑ Mitchell, Wendy (December 19, 2003). "William H. Macy Makes Losing Hot with "The Cooler"". IndieWire. Retrieved September 25, 2022.
  10. ↑ Berra, John, ed. (2010). American Independent. Intellect Books. pp. 20–21. ISBN   978-1-84-150368-4.
  11. ↑ Schultz, Ian (December 21, 2018). "Exclusive Interview with Wayne Kramer (The Cooler, Running Scared)" . Retrieved September 25, 2022.
  12. ↑ The Cooler at Rotten Tomatoes
  13. ↑ "The Cooler". Metacritic . Retrieved July 20, 2020.
  14. ↑ Scott, A. O. (November 26, 2003). "FILM REVIEW; To a Guy Who Banks on Bad Luck, Good Luck Can Be Bad". The New York Times .
  15. ↑ Ebert, Roger (December 19, 2003). "The Cooler movie review & film summary (2003)". Chicago Sun-Times .
  16. ↑ Travers, Peter (November 20, 2003). "The Cooler". Rolling Stone . Archived from the original on August 31, 2009. Retrieved October 27, 2017.
  17. ↑ Holcomb, Mark (November 25, 2003). "The Cooler". The Village Voice . Archived from the original on April 3, 2008. Retrieved March 2, 2008.
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