The Credibility Gap | |
---|---|
Medium | Radio |
Years active | 1968-1979 |
Genres | Satire |
Former members | Lew Irwin, John Gilliland, Thom Beck, Richard Beebe, Len Chandler, Harry Shearer, David L. Lander, Michael McKean |
The Credibility Gap was an American satirical comedy team active from 1968 through 1979. They emerged in the late 1960s delivering comedic commentary on the news for the Los Angeles AM rock radio station KRLA 1110, and proceeded to develop more elaborate and ambitious satirical routines on the "underground" station KPPC-FM in Pasadena, California. Richard Beebe's wife Heidi came up with the name "The Credibility Gap" due to the news being published that seemed to have gaps.
Founded as a loose collective centered on KRLA staff members Lew Irwin, John Gilliland, Thom Beck, Richard Beebe, and folk singer Len Chandler, the group is chiefly remembered today for its 1971–79 lineup, comprising Beebe (though early 1975), Harry Shearer, David L. Lander and Michael McKean. [1]
The Credibility Gap grew out of a company formed by Lew Irwin and Cliff Vaughs. [2] [3] KRLA 1110 hired news director Irwin to form The Credibility Gap in 1968 with his radio colleagues John Gilliland, Thom Beck, Richard Beebe, and folk singer Len Chandler. [4] They took their name from the Vietnam-era term "credibility gap" (a euphemism for political dishonesty), and broadcast their comedy along with the news on KRLA. [5] They first aired on the date of the 1968 California Primary. [4] In 1968 (billed as "Lew Irwin and The Credibility Gap") they released An Album Of Political Pornography for Blue Thumb, consisting of highlights from their radio sketches. [6] Thom Beck left in late 1968, and was replaced by Harry Shearer. Lew Irwin left a few months later, replaced by David L. Lander in February, 1969.
In 1969, The Credibility Gap performed on KRLA's Pop Chronicles music documentary series. [7] [8] By this point, Gilliland and Chandler had left, to be replaced by Bob Goodwin. [9] [10] [11] This left Beebe the only original professional news member remaining, a Pasadena Playhouse Theatre alumni Beebe's booming radio voice and quick improv helped The Credibility Gap make some of the most original comedy of their time. Goodwin stayed with the group for about a year, but by late 1970, the Credibility Gap consisted of Beebe, Shearer, McKean and Lander. [1] [12]
KRLA dropped The Credibility Gap's show in 1970, [13] [14] [15] but Shearer found work as a disc jockey on freeform station KPPC and The Credibility Gap continued their on-air performances there. In 1971, the trio released the album Woodschtick, consisting of two long pieces that were somewhat in the style of The Firesign Theatre. Also writing and performing on the album was Michael McKean, who would be promoted to full membership after the album's release. Guest performers Christopher Ross, Morgan Upton and Albert Brooks would also work with the group during this era. Mark Deming writes of this transition:
[I]n late 1968, Thom Beck left the group, and Lew Irwin followed in early 1969 ... . Joining the Credibility Gap in their absence were Harry Shearer ... and David L. Lander... . By 1970, Len Chandler and John Gilliland had drifted away from the Credibility Gap, and ... Michael McKean, had joined the team, though the troupe's relationship with KRLA had soured and their show had been shrunk from 15 minutes to a mere 180 seconds. However, after Shearer landed a side gig as a disc jockey on an FM "free form" outlet, KPPC, the Credibility Gap found a new home on the station, and the group's satire gained both sharpness and depth. [5]
KPPC-FM fired all of its airstaff, including the members of The Credibility Gap, as part of a mass format change in 1971. [15] No longer radio regulars, the group started performing in various clubs and concert venues. [16] [17] [18] They also returned to the studio in 1972 to record a promo-only single for Warner Brothers, a four-and-a-half minute mini mock-rock opera called Something for Mary. [19]
The Credibility Gap followed up this recording with the 1974 album A Great Gift Idea, which mixed satirical sketches with musical parodies. McKean and Shearer played guitar and keyboards, respectively, on the album, augmented by members of the band Little Feat.
Beebe left the Gap in 1975 to join Los Angeles FM rock station KMET, remaining in radio news for over 40 years with 2 Golden Mic awards. [20] The Credibility Gap continued as a trio (Lander, McKean and Shearer) through 1979, but after 1976 individual members tended to focus on other projects and the group itself made only sporadic, widely spaced appearances. McKean and Lander "moonlighted" by performing at the Pitschel Players Cabaret . McKean and Lander landed roles on the television series Laverne & Shirley that lasted from 1976 through 1983; Shearer worked as a consultant for the TV series Fernwood 2-Night , as well as co-writing comedy albums and the 1979 feature film Real Life with Albert Brooks. The Credibility Gap issued a single ("The Day the Lights Stayed on in Pittsburgh") in 1977, appeared as sketch performers (performing their own material) in the low-budget 1977 film Cracking Up, and continued their New Year's Day Rose Parade broadcasts (which started in the mid-1970s) annually through January 1, 1979. Highlights of the parade broadcasts were collected on the 1979 album Floats. As well, selections from their earlier radio material were compiled on 1977's The Bronze Age of Radio. [1]
Shearer became a writer/performer on Saturday Night Live in September, 1979. This necessitated Shearer's move to New York and essentially brought The Credibility Gap's activities to a close.
The group disbanded in 1979, but the members have had occasion to work together since—notably the pairings of McKean and Lander as Lenny and Squiggy on the situation comedy Laverne & Shirley (recording an album in character as "Lenny and the Squigtones") and Shearer and McKean as members of the mock-rock band Spinal Tap. In 1998 sadly Richard Beebe passed.In 1999 the remaining Gap members in honor of Beebe, Shearer, McKean, and Lander held a reunion at the Museum of Television and Radio Beebe's family in Richards absence donated all original Gap recordings from 1968-1972 to the Paley Center for all to enjoy Los Angeles news mixed with comedy. [21]
Harry Julius Shearer is an American actor, comedian, musician, radio host, writer, and producer. Born in Los Angeles, California, Shearer began his career as a child actor. From 1969 to 1976, Shearer was a member of The Credibility Gap, a radio comedy group. Following the breakup of the group, Shearer co-wrote the film Real Life (1979) with Albert Brooks and worked as a writer on Martin Mull's television series Fernwood 2 Night.
Michael John McKean is an American actor, comedian, screenwriter, composer, singer, and musician known for various roles in film and television such as Lenny Kosnowski in Laverne & Shirley, David St. Hubbins in This Is Spinal Tap, and Chuck McGill on Better Call Saul.
David L. Lander was an American actor, comedian, musician, and baseball scout. He was best known for his portrayal of Andrew "Squiggy" Squiggman in the ABC sitcom Laverne & Shirley. He also served as a goodwill ambassador for the National Multiple Sclerosis Society.
A Mighty Wind is a 2003 American mockumentary comedy film about a folk music reunion concert in which three folk bands reunite for a television performance for the first time in decades. Co-written, directed, and composed by Christopher Guest, the film is widely acknowledged to reference folk music producer Harold Leventhal as the inspiration for the character of Irving Steinbloom and more broadly parodies the American folk music revival of the early 1960s and its personalities. The film stars Guest and Levy alongside Bob Balaban, John Michael Higgins, Jane Lynch, Michael McKean, Catherine O'Hara, Parker Posey, Harry Shearer and Fred Willard.
KWVE is a commercial AM radio station licensed to Pasadena, California, serving Greater Los Angeles as a simulcast of Christian talk and teaching station KWVE-FM. The station is operated by Calvary Chapel Costa Mesa, who acquired the station on September 8, 2023.
Spinal Tap are a fictional English heavy metal band created by the American comedians and musicians of The T.V. Show, who wrote and performed original songs as the band: Michael McKean, as the lead singer and guitarist David St. Hubbins; Christopher Guest, as the guitarist Nigel Tufnel; and Harry Shearer, as the bassist Derek Smalls. They are characterized as "one of England's loudest bands".
The Folksmen are a fictitious American folk music trio, conceived and performed by actors-comedians-musicians Christopher Guest, Michael McKean, and Harry Shearer. Originally created in 1984 for a Saturday Night Live sketch, the Folksmen have subsequently maintained an intermittent public presence for more than twenty-five years. The trio is best known for its depiction in the mockumentary film A Mighty Wind (2003), but has also made a number of meta-performances on stage and television, often in conjunction with the same creators' fictitious heavy metal band, Spinal Tap.
Richard Paul Beebe was an American radio personality who was on the air for five decades in Los Angeles and won two Golden Mike Awards. A journalist at KRLA 1110, he became a founding member of The Credibility Gap. His experience and wit were key to most versions of the group. He became the link between the original and more famous later lineups when we was joined by Harry Shearer, David L. Lander, and Michael McKean, all much younger than he. He left the Gap in 1975. Some of their early work can be heard at The Paley Center for Media in Los Angeles and New York City.
Len Hunt Chandler Jr. was an American folk singer, songwriter, and civil rights activist. Chandler was known for his powerful voice and socially conscious songs.
John Sanford Gilliland Jr. was an American radio broadcaster and documentarian best known for the Pop Chronicles music documentaries and as one of the original members of The Credibility Gap. He was born and died in his hometown of Quanah, Texas. He worked for a number of radio stations in Texas and California including KOGO in San Diego (1961–1965), KRLA 1110 in Los Angeles (1965–1970), and KSFO (AM) in San Francisco (1971–1978).
The Pop Chronicles are two radio documentary series which together "may constitute the most complete audio history of 1940s–60s popular music." They originally aired starting in 1969 and concluded about 1974. Both were produced by John Gilliland.
Great White Wonder, or GWW, is a rock bootleg album, released in July 1969, containing unofficially released recordings by Bob Dylan. It is the first notable rock bootleg, and specifically the first release from bootleg record label Trademark of Quality. Seven of the twenty-four tracks presented here were recorded with The Band in the summer of 1967 in West Saugerties, New York, during the informal sessions that were later released in a more complete form in Dylan's 1975 album The Basement Tapes. Much of the other material consists of a recording made in December 1961 in a Minnesota hotel room, studio outtakes from several of Dylan's albums, and a live performance on The Johnny Cash Show. It was the first time that these previously unreleased recordings came to the market; many more would be released in similar formats over the coming years, though most were single albums, not double albums like this record.
The year 1968 saw a number of significant events in radio broadcasting history.
Significant events in radio broadcasting in the year 1969 included the debuts of two documentaries on rock and roll.
B. Mitchel Reed was a successful and popular American disc jockey on both Top 40 and album-oriented rock radio stations, working in New York and Los Angeles during his 25-year career.
Lew Irwin has been a Los Angeles–based journalist for more than 50 years. He was the original anchor/reporter at KABC-TV from 1957 to 1962 and the news director of Los Angeles radio stations KPOL, KRLA, KDAY, and KNX-FM. While at KRLA in the late 1960s, he created The Credibility Gap, a 15-minute news program, broadcast every three hours, that integrated topical satire and music with the news. He also has interviewed Presidents Harry Truman, John Kennedy, Lyndon Johnson, Dwight Eisenhower, and Ronald Reagan, as well as such show business personalities as The Beatles, the Rolling Stones, Frank Sinatra, David Bowie, Peter Sellers, Jack Nicholson, Dick Clark and Elvis Presley. He is the author of Sinatra, a Life Remembered, a coffee table book about Frank Sinatra and since 1992 has been the publisher/editor of the daily entertainment industry digest Studio Briefing.
Thom Beck was a founding member of The Credibility Gap while at KRLA 1110 radio, where he also narrated part of the Pop Chronicles. He was kept on as a journalist at KRLA 1110 when Lew Irwin was brought in create the new news program that became the Credibility Gap. He worked as a reporter at KCBS in San Francisco and as a disc jockey at KIIS, 1970-1972 in between stints at KRLA, which he left in 1976. He is deceased.
Cracking Up may refer to:
Hear the Beatles Tell All is an album released in the United States by Vee-Jay Records in November 1964. One side of the album contains an interview with all four members of the Beatles by Dave Hull, and the other side contains an interview with John Lennon by Jim Steck. It became the only album on which Capitol Records could not dispute Vee Jay Records' publishing rights.
Cracking Up is a 1977 American independent anthology sketch black comedy film, directed by Rowby Goren and Chuck Staley. The film was a collaboration between numerous comedy troupes of the 60s and 70s, many of which were former Second City members, including Ace Trucking Company, The Credibility Gap, The Graduates, and The Pitschel Players. The frame story for the sketches is that after California is devastated by a 9.7 earthquake two television reporters Walter Concrete and Barbara Halters conduct interviews with survivors, serving as introduction to the sketches.