The Crucial Conspiracy | ||||
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Studio album by | ||||
Released | January 23, 2001 | |||
Genre | Punk rock, ska | |||
Length | 39:17 | |||
Label | Tooth & Nail / Open Water | |||
Producer | The Dingees; Chris Colbert; Frank Lenz | |||
The Dingees chronology | ||||
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Alternative cover |
Review scores | |
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Source | Rating |
Cross Rhythms | (not rated) link [1] |
The Phantom Tollbooth | (not rated) link |
Jesus Freak Hideout | (not rated) link |
CCM Magazine | (not rated) [2] |
HM Magazine | (not rated) [3] |
The Crucial Conspiracy is the third full-length album by Californian ska band The Dingees. The album shows a reggae and roots music influence, [2] although its style constantly shifts and includes what was described as only "a fading memory" of third wave ska. [3]
The Crucial Conspiracy was re-released on vinyl by Open Water Records in 2009.
True is the fourth album by L'Arc-en-Ciel, released on December 12, 1996. It was the band's last record with sakura on drums. It reached number one on the Oricon chart and sold over a million copies, being certified by the RIAJ. It was also named one of the top albums from 1989-1998 in a 2004 issue of the music magazine Band Yarouze.
Chávez Ravine: A Record by Ry Cooder is the twelfth studio album by Ry Cooder. It is the first concept album and historical album by Ry Cooder which tells the story of Chávez Ravine, a Mexican-American community demolished in the 1950s in order to build public housing. The housing was never built. Ultimately the Brooklyn Dodgers built a stadium on the site as part of their move to Los Angeles.
The Dingees are a band formed in Orange County, California in 1996.
Down with Wilco is the fifth album by American rock band The Minus 5. Produced by Scott McCaughey and Jeff Tweedy, it is a collaboration between McCaughey and Wilco, recorded at SOMA Studios Chicago in September and December 2001. Released on Yep Roc in 2003, it also features contributions from Peter Buck of R.E.M., Ken Stringfellow of The Posies, Sean O'Hagan of The High Llamas, with Jessy Greene providing strings. The double-vinyl version adds five songs not included on the CD.
Sundown to Midnight is the second full-length album from California ska band The Dingees
Armageddon Massive is the debut full-length album from Californian ska band The Dingees. The album's sound moves between punk and ska, and its lyrics focus on the frustrations of life.
Songs from Here & Back is a 2006 live album by The Beach Boys released through Hallmark Gold Crown Stores and only available for two months. The album contains nine never-before-released live recordings, as well as three solo studio recordings, one by each of Brian Wilson, Mike Love and Al Jardine. The live tracks were recorded in 1989 except "Wouldn't It Be Nice" and "Good Vibrations" which are from 1974.
Sacred is the Los Lonely Boys' fourth album and their second studio set, released on July 18, 2006. The original title of the album, as shown on the "Diamonds" single printed materials was to be "Òralé". "Diamonds", a revised version of the same song from the 1997 album, was the first single to be released on May 8, 2006. This was followed by the single release of "My Way".
Deal's Gone Bad is a band from Chicago, Illinois. Their sound mixes reggae, rocksteady, and ska music with American soul. They have been together since 1994, with numerous lineup changes over the years. The current incarnation has been mostly stable since 2003. The band hews to a more traditional ska-reggae sound while many others working in the genre morphed into a more punk variety.
Used Songs 1973–1980 is a compilation of songs from Tom Waits's Asylum Records years.
Hillbilly Deluxe is the ninth studio album by country music duo Brooks & Dunn, released in 2005 on Arista Nashville. Certified Platinum in the United States by the RIAA, the album produced four singles on the Billboard Hot Country Songs charts. The duo produced the majority of the album with Tony Brown.
Tight Rope is the sixth studio album by country duo Brooks & Dunn, released in 1999 on Arista Nashville. Their least successful album commercially, it was the first album of their career not to receive platinum certification from the RIAA; furthermore, only one of its three singles reached Top Ten on the country charts. The album's lead-off single was a cover of John Waite's 1984 single "Missing You". This cover peaked at #15 on the Hot Country Songs charts. Following it were the #19 "Beer Thirty" and the #5 "You'll Always Be Loved by Me". "Goin' Under Gettin' Over You" also reached #60 from unsolicited play as an album cut.
Energy is the fifth studio album by The Pointer Sisters, released in 1978 on the Planet label.
Pandelirium is an LP released by Th' Legendary Shack Shakers on February 7, 2006.
My Secret Life is an album by Eric Burdon released in 2004. It was his first solo album release, which contains new titles, in nearly 16 years. It was his comeback album.
Great Days: The John Prine Anthology is a compilation album by American folk singer John Prine, released in 1993.
Warm Waters is an album by jazz saxophonist Charles Lloyd recorded in 1971 and released on the Kapp label featuring performances by Lloyd with John Cipollina, Dave Mason, Tom Trujillo, Woodrow Theus II, Ken Jenkins, Bill Wolff, James Zitro, Jesse Ed Davis, and Michael Cohen with guest vocalists Mike Love, Al Jardine, Billy Cowsill, Michael O'Gara, Brian Wilson, Eric Sherman, Carl Wilson and Rhetta Hughes. The album appeared in Europe the same year on the MCA label in West Germany with the same track listing.
the Rebel Soul Sound System is the fourth full-length album by Californian band The Dingees. The album was home recorded, self-produced & independently released free of charge on Jamendo. The album has been described as a refining of the bands aesthetic, while remaining true to their roots.
The Orobians are a ska band founded during 1997 in Bergamo, Italy and still based in Bergamo. They play ska and rocksteady standards with a modern jazz twist.
The Beach Boys with the Royal Philharmonic Orchestra is a 2018 album of remixed Beach Boys recordings with new orchestral arrangements performed by the Royal Philharmonic Orchestra. It was produced by Nick Patrick and Don Reedman, who conducted similar projects for Roy Orbison and Elvis Presley.
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