The Deposition from the Cross (Stavrakis)

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The Deposition from the Cross
Greek: Αποκαθήλωση,
Italian: Deposizione di Gesù
Stylianos Stavrakis Descent from the Cross.png
Artist Stylianos Stavrakis
Year1729–1786
Mediumtempera on wood
Movement Heptanese School
SubjectThe Deposition from the Cross
Dimensions38.3 cm× 23.5 cm(15 in× 9.2 in)
Location Benaki Museum, Athens, Greece
Owner Benaki Museum
Website Official website

The Deposition from the Cross or Descent from the Cross is a tempera painting created by Greek painter Stylianos Stavrakis. He was active during the early part of the 1700s. His nephew and brother were also famous painters. His nephew Demetrios Stavrakis was also his pupil. He was also a goldsmith. Most of his works were completed on the island of Zakynthos. He was a representative of the Heptanese school and Greek Rococo. Fourteen of his paintings survived. [1] [2] [3]

Contents

Countless Greek and Italian paintings have been created representing Christ on the cross. The Descent from the Cross is part of the Passion series. The Deposition from the Cross shows the moment when Christ's body is removed from the cross and taken for burial. Artists have artistically reanimated the event in paintings. Well-known versions include works by Duccio, Ioannis Apakas, and Nikolaos Kantounis. Stavraki's painting can be found in Athens Greece at the Benaki Museum. [4] [5]

History

The Descent from the Cross is made of tempera paint, wood panel, and gold leaf. The height is 38.3 cm (15 in) and the width is 23.5 cm (9.2 in). The painting features an evolved sophisticated technique. The figures are painted with careful detail. Ioannis Apakas's Descent from the Cross features flattened surfaces in line with the maniera greca. A shallow stage illustrates a series of ridges, furrows, or diagonal lines. The figures exhibit a simplistic tone prevalent in the Cretan School but more refined than Byzantine art. Stavraki takes Apaka's version one step further adding luxuriant patterns, brilliant colors, and lavish costumes. The figure of Jesus suspended by a mere piece of cloth is sculpturesque, simple, and weighty. Stavraki's work is comparable to Duccio's Descent from the Cross. Jerusalem is in the background three ladders are present. There are nine figures around Christ. There are many women at the crucifixion around Mary. The Three Marys are present at the event. One woman embraces Jesus's dead body as he descends the cross. The Virgin is at the bottom of the icon to the left of the cross. The postures and gestures of the figures denote a scene filled with sorrow and despair. [1]

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The Prophet Jonah was a tempera painting created by Demetrios Stavrakis. He was a Greek painter representing the Heptanese School. His nickname was Romanos. He was active during the 18th century. He flourished on the island of Zakynthos. He was the nephew of Stylianos Stavrakis and Andreas Stavrakis. Both were famous painters. He thrived during the Greek Rococo and Neoclassical eras in Greek art. Fifteen of his works survived.

<i>Vision of Constantine</i> (Stavarkis) Painting by Stylianos Stavrakis

Vision of Constantine (Stavarkis) is a tempera painting created by Greek painter and goldsmith Stylianos Stavrakis. Stavrakis was a major representative of the Heptanese school. Many of his works were completed on the Ionian islands namely Zakynthos. He was active during the 1700s. He was from a prominent family of painters His student was his nephew famous Greek painter Demetrios Stavrakis.

<i>The Miracle of the Holy Belt</i> Painting by Theodore Poulakis

The Miracle of the Holy Belt was completed by Theodore Poulakis. He was a Greek painter originally from the village of Chania, Crete. He was associated with the Cretan School. He eventually migrated to the Ionian Islands. He was a member of the Heptanese School. He settled on the island of Corfu. He was a famous teacher. He signed a six-year contract to teach painting to Marinos Damistras son Tzorzi. The contract stipulated that his student had to follow him to Venice. Poulakis frequently traveled all over the Venetian Empire. During one period of his life, he stayed in Venice for over 13 years. He was very active within the painting community. He was also involved with the prestigious quarantia council. One hundred thirty of his work survived. The Girdle of Thomas also referred to as the miracle of the holy belt is a sacred relic located at Prato Cathedral in Tuscany, Italy.

<i>Constantine and Helen</i> (Moskos) Painting by Ioannis Moskos

Constantine and Helen is a painting by Ioannis Moskos. He was a prolific Greek painter associated with Venice and the Ionian Islands. He flourished during the Late Cretan School and early Heptanese School. Three painters with the same last name were active during the same period, the other two were Leos Moskos and Elias Moskos. Ioanni's painting style demonstrates the transition from the Late Cretan School to the early Heptanese School. He began to integrate components prevalent in the Rococo. He was a Baroque artist. According to the Neo-Hellenic Institute, forty-four of his paintings survived.

<i>Lamentation of Christ</i> (Kantounis) Painting by Nikolaos Kantounis

Lamentation of Christ is an oil painting created by Greek painter Nikolaos Kantounis. He was a painter and teacher. He was a priest. His teachers were famous painters Ioannis Korais and Nikolaos Koutouzis He was a representative of the Heptanese School. His artwork was created during the Neoclassical and Romantic periods in Greek art. He was active on the island of Zakynthos from 1782–1834. He was one of the earliest members of the modern Greek art period. Over 164 of his paintings have survived. He is known for painting many portraits. He was a member of the secret organization for Greek Independence called the Filiki Eteria. Towards the end of his life he was honored with the rank of Grand Sakellarios.

<i>Entry of Christ into Jerusalem</i> (Karousos) Painting by Efstathios Karousos

Entry of Christ into Jerusalem or Veoforos is a tempera painting created by Efstathios Karousos. He was a Greek painter. He was a prominent member of the Heptanese School. He was from Kefalonia. He was active in Kefalonia, Naples, Triste and Venice. He is the second Greek painter associated with Naples the other was Belisario Corenzio. Both painters were affiliated with Santi Pietro e Paolo dei Greci. Karouso's artistic period was from 1750 to 1818. Thirty-eight of his works survived. Most of his works are in the church Santi Pietro e Paolo dei Greci.

References

  1. 1 2 Hatzidakis, Manolis; Drakopoulou, Evgenia (1997). Έλληνες Ζωγράφοι μετά την Άλωση (1450-1830). Τόμος 2: Καβαλλάρος - Ψαθόπουλος [Greek Painters after the Fall of Constantinople (1450-1830). Volume 2: Kavallaros - Psathopoulos]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 76–77. hdl:10442/14088. ISBN   960-7916-00-X.
  2. Eugenia Drakopoulou (June 2, 2022). "Stavrakis Stylianos". Institute for Neohellenic Research. Retrieved June 2, 2022.
  3. Chatzēdakēs, Manole (2000). Greek icons. Athens, Greece: Benaki Museum. p. 55. ISBN   9783929040470.
  4. Staff Writers (June 2, 2022). "The Deposition from the Cross". Benaki Museum. Retrieved June 2, 2022.
  5. Eugenia Drakopoulou (June 2, 2022). "The Deposition from the Cross". Institute for Neohellenic Research. Retrieved June 2, 2022.