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Within Our Gates is a 1920 American silent race drama film produced, written and directed by Oscar Micheaux. The film portrays the contemporary racial situation in the United States during the early twentieth century, the years of Jim Crow, the revival of the Ku Klux Klan, the Great Migration of blacks to cities of the North and Midwest, and the emergence of the "New Negro".
Oscar Devereaux Micheaux (; was an American author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both silent films and sound films.
Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut. In 2019, the film was selected by the Library of Congress for inclusion in the National Film Registry for being "culturally, historically, or aesthetically significant".
Evelyn Preer, was an African American pioneering screen and stage actress, and jazz and blues singer in Hollywood during the late-1910s through the early 1930s. Preer was known within the Black community as "The First Lady of the Screen."
The Exile is a 1931 American pre-Code film directed by Oscar Micheaux with choreography by Leonard Harper. A drama-romance of the race film genre, The Exile was Micheaux's first feature-length sound film, and the first African-American sound film. Adapted from Micheaux's first novel The Conquest (1913), it the film shares some autobiographical elements; for example, Micheaux spent several years as a cattle rancher in an otherwise all-white area of South Dakota as does the film's central character Jean Baptiste.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African-Americans.
Lawrence Chenault was an American vaudeville performer and silent film actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering African-American filmmaker Oscar Micheaux. His brother, Jack Chenault, was also a film actor.
The Betrayal is a 1948 American race film written, produced, and directed by Oscar Micheaux. He adapted it from his 1943 novel The Wind From Nowhere.
The Notorious Elinor Lee is a 1940 race film directed, written, and co-produced by the African-American filmmaker Oscar Micheaux.
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913–1915 trial of Leo Frank for the murder of Mary Phagan. The film is now believed to be lost. Micheaux remade the film 1935 as Murder in Harlem.
Murder in Harlem is a 1935 American race film written, produced and directed by Oscar Micheaux, who also appears in the film. It is a remake of his 1921 silent film The Gunsaulus Mystery.
A Daughter of the Congo is a 1930 American race film directed, written and produced by Oscar Micheaux. The film is loosely based on the novel The American Cavalryman (1917), by African-American novelist and playwright Henry Francis Downing. It is considered a lost film.
The House Behind the Cedars is a 1927 silent race film directed, written, produced and distributed by the noted director Oscar Micheaux. It was loosely adapted from the 1900 novel of the same name by African-American writer Charles W. Chesnutt, who explored issues of race, class and identity in the post-Civil War South. No print of the film is known to exist, and it is considered lost. Micheaux remade the film in 1932 under the title Veiled Aristocrats.
Veiled Aristocrats is a 1932 American pre-Code race film written, directed, produced and distributed by Oscar Micheaux. The film deals with the theme of "passing" by mixed-race African Americans to avoid racial discrimination. It is a remake of The House Behind the Cedars (1927), based on a novel by the same name published in 1900 by Charles W. Chesnutt. Micheaux may have borrowed the new title from a 1923 novel by Gertrude Sanborn.
Devil's Disciple may refer to:
The Symbol of the Unconquered is a 1920 silent "race film" drama produced, written and directed by Oscar Micheaux. It is Micheaux's fourth feature-length film and along with Within Our Gates is among his early surviving works. The Symbol of the Unconquered was made at Fort Lee, New Jersey, and released by Micheaux on November 29, 1920.
The Czar of Black Hollywood is a 2014 documentary film by Bayer Mack that chronicles the early life and career of African-American filmmaker Oscar Micheaux (1884–1951). Mack conceived of and produced the film about Micheaux using Library of Congress archived footage, photos, illustrations and vintage music. The documentary, which is the first devoted exclusively to Oscar Micheaux's life, is narrated by William Bell, features an original score by Nicholas Jones and art direction by Julie Anderson.
Underworld is a 1937 gangster film directed by Oscar Micheaux, about a recent graduate from an all-black college who moves from the American South to Chicago and gets swept into the criminal underworld. The film was adapted from the short story "Chicago After Midnight" by Edna Mae Baker. Among its stars are Ethel Moses, a Micheaux regular, and Oscar Polk, best known for his appearance in Gone with the Wind two years later.
The Spider's Web is a 1926 American film directed by Oscar Micheaux which stars Evelyn Preer. It was remade in 1932 as The Girl from Chicago.
The Broken Violin is an American silent film directed by Oscar Micheaux, released in 1928.
References
- Moon, Spencer (1997). "Oscar Devereaux Micheaux" . Reel Black Talk. Westport, CT: Greenwood Publishing Group. pp. 250. ISBN 0-313-29830-0.
