Author | E.T.A. Hoffmann |
---|---|
Original title | Die Elixiere Des Teufels |
Language | German |
Publication date | 1815/16 |
The Devil's Elixirs (German : Die Elixiere des Teufels) is an 1815 novel by E. T. A. Hoffmann. The basic idea for the story was adopted from Matthew Gregory Lewis's novel The Monk , which is itself mentioned in the text.
Although Hoffmann himself was not particularly religious, he was nevertheless so strongly impressed by the life and atmosphere on a visit to a monastery of the Order of Friars Minor Capuchin that he determined to write the novel in that religious setting. Characteristically for Hoffmann, he wrote the entire novel in only a few weeks. The Devil's Elixirs is described by some literary critics as fitting into the Gothic novel genre (called Schauerroman in German). [1] It can be classified in the subgenre of dark romanticism, and was said by scholars of his era to fall within the tradition of Jacques Callot's grotesques. [2]
The Devil's Elixirs is predominantly a first-person narrative related by the Capuchin friar Medardus. He is ignorant of his family history and what he knows about his childhood is based upon fragments of memory and a few events his mother has explained to him. [3] [4]
Medardus cannot resist the devil's elixir, which has been entrusted to him and which awakens in him sensual desires. After being sent from his cloister to Rome, he finds a Count, disguised as a friar as a means of seeing his lover, and pushes him (whether intentionally or not is ambiguous) from a "Teufelssitz" ("devil's perch"). Unbeknownst to all involved, the Count is Medardus's half-brother and the Count's lover is his half-sister. The Count becomes his lunatic doppelgänger and crosses his path multiple times after Medardus abandons his ecclesiastical position, drifting throughout the world.
The story centers on his love for a young princess, Aurelie. After murdering her stepmother (the above-mentioned half-sister) and brother, Medardus flees to a city. After his devilish connection is found out by an old painter, Medardus flees the city with the help of a "foolish" hair dresser with two personalities, who serves as a foil to the destructive dual identity of Medardus, gaily living as both Peter Schoenfeld and Pietro Belcampo. He arrives at a prince's court, soon followed by Aurelie. She recognizes the friar as her brother's murderer and Medardus is thrown in jail. He is released only after the doppelgänger appears and is taken as the murderer.
Having passed himself off for a Polish noble while in prison he is engaged to Aurelie. On their wedding day however, he is overcome by a fit of madness, hearing the voice of the doppelgänger, which has been occurring ever more frequently to this point; he stabs Aurelie, frees the doppelgänger as he was being taken to his execution, and runs about the wilderness fighting the doppelgänger for months until he awakens in an Italian cloister, once more saved by Pietro/Peter. He is once more wearing his frock with the name Medardus stitched on it.
Returned to his original identity Medardus undergoes an intense process of repentance and discovers his family history by reading the diary of a painter. After meeting with the Pope and becoming involved in potentially fatal Vatican political intrigue (which suggest he may still have devilish ambitions to power) Medardus returns to the German cloister. A great fest is being held – Aurelie is soon to take her final vows to become a nun. Once again he must struggle with his lust. Just as he seems to have mastered it the doppelgänger rushes in and stabs Aurelie, fatally this time, and once more escapes. At the end, he writes this manuscript as an act of penance. A final note from the librarian of the cloister reveals circumstances of his death – namely a hysterical laughing which casts doubt on his implied redemption from satanic possession. [5] (Or – since he dies in a calm sleep precisely a year after Aurelie, he did repent; and the laughter was given out by his half-brother, still lurking in the cloister's hidden chambers, still embodying the evil part of the protagonist's personality, and still needing time to repent, which he could do after joining the monastery as a friar with Leonardus' help.)
In 1824, an abridged [6] translation by Robert Pearse Gillies was published as The Devil's Elixir. [7] A full unabridged translation by Ronald Taylor was published in 1963 as The Devil's Elixirs. [6]
Ernst Theodor Amadeus Hoffmann was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. His stories form the basis of Jacques Offenbach's opera The Tales of Hoffmann, in which Hoffmann appears as the hero. He is also the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.
The Order of Friars Minor Capuchin is a religious order of Franciscan friars within the Catholic Church, one of three "First Orders" that reformed from the Franciscan Friars Minor Observant, the other being the Conventuals (OFMConv). Franciscans reformed as Capuchins in 1525 with the purpose of regaining the original Habit (tunic) of St. Francis of Assisi and also for returning to a stricter observance of the rule established by Francis of Assisi in 1209.
A doppelgänger, sometimes spelled doppelgaenger or doppelganger, is a ghostly double of a living person, especially one that haunts its own fleshly counterpart.
This article presents lists of the literary events and publications in 1815.
The Betrothed is an Italian historical novel by Alessandro Manzoni, first published in 1827, in three volumes, and significantly revised and rewritten until the definitive version published between 1840 and 1842. It has been called the most famous and widely read novel in the Italian language.
Johann Konrad Dippel, also spelled Johann Conrad Dippel, was a German Pietist theologian, physician, and alchemist.
Wilhelm Meister's Apprenticeship is the second novel by Johann Wolfgang von Goethe, published in 1795–96.
Jean Paul was a German Romantic writer, best known for his humorous novels and stories.
Carl Zuckmayer was a German writer and playwright. His older brother was the pedagogue, composer, conductor, and pianist Eduard Zuckmayer.
In German folklore, the figure of the Freischütz is a marksman who, by a contract with the devil, has obtained a certain number of bullets destined to hit without fail whatever object he wishes. As the legend is usually told, six of the magic bullets are thus subservient to the marksman's will, but the seventh is at the absolute disposal of the devil himself.
Wilhelm Heinrich Wackenroder was a German jurist and writer. With Ludwig Tieck and the Schlegel brothers, he co-founded German Romanticism.
Dark Romanticism is a literary sub-genre of Romanticism, reflecting popular fascination with the irrational, the demonic and the grotesque. Often conflated with Gothic fiction, it has shadowed the euphoric Romantic movement ever since its 18th-century beginnings. Edgar Allan Poe is often celebrated as one of the supreme exponents of the tradition. Dark Romanticism focuses on human fallibility, self-destruction, judgement, punishment, as well as the psychological effects of guilt and sin.
Peter Schlemihl is the title character of an 1814 novella, Peter Schlemihls wundersame Geschichte, written in German by exiled French aristocrat Adelbert von Chamisso.
Der krumme Teufel, Hob. 29/1a, was Joseph Haydn's first opera. This German-language comic opera in the genre of Singspiel was commissioned by its librettist, leading comic actor Joseph Felix von Kurz, from the French novel Le Diable boiteux by Alain-René Lesage. It was forbidden after two acclaimed performances in Vienna due to "offensive remarks in the text", but later revived and probably revised as Der neue krumme Teufel, Hob. 29/1b. The music is lost, though a libretto survives for each version.
Heinrich Schweiger was an Austrian film and stage actor who played leading roles at the Burgtheater on the Ring beginning in 1949. Among the plays in which he starred were Schiller's Don Carlos, Shakespeare's Othello and Richard III and Kurt Weill's The Threepenny Opera.
Manfred Purzer is a German screenwriter and film director. He wrote more than 20 films between 1955 and 1993. In 1974, he was a member of the jury at the 24th Berlin International Film Festival.
The Landlady is a novella by Russian author Fyodor Dostoevsky, written in 1847. Set in Saint Petersburg, it tells of an abstracted young man, Vasily Mikhailovich Ordynov, and his obsessive love for Katerina, the wife of a dismal husband whom Ordynov perceives as a malignant fortune-teller or mystic. The story has echoes of Russian folklore and may contain autobiographical references. In its time The Landlady had a mixed reception, more recently being seen as perhaps unique in Dostoevsky's oeuvre. The first part of the novella was published in October 1847 in Notes of the Fatherland, the second part in November that year.
Ralf Kirsten was a German film director and screenwriter. He directed 22 films between 1955 and 1986. His 1984 film Where Others Keep Silent was entered into the 14th Moscow International Film Festival.
Friedrich Wilhelm Heinrich Theodor Hosemann was a German genre painter, draftsman, illustrator and caricaturist.
Liebe und Eifersucht is a Singspiel, an opera with spoken dialogue, in three acts by the German composer and author E. T. A. Hoffmann, composed in 1807 on his own libretto based on the translation by August Wilhelm Schlegel of a play by Calderón. The opera was first published by Schott in 1999, and premiered at the 2008 Ludwigsburger Schlossfestspiele.