The Dove | |
---|---|
Directed by | Roland West |
Written by | Gerald Beaumont (story) Roland West (adaptation) Wallace Smith (adaptation, intertitles) |
Based on | The Dove by Willard Mack |
Produced by | Norma Talmadge Joseph M. Schenck |
Starring | Norma Talmadge Noah Beery Gilbert Roland |
Cinematography | Oliver T. Marsh |
Edited by | Hal C. Kern |
Distributed by | United Artists |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Dove is a 1927 American silent romantic drama film directed by Roland West based on a 1925 Broadway play by Willard Mack and starring Norma Talmadge, Noah Beery, and Gilbert Roland. [1]
The original story is about Mexican despot Don José (Beery), who falls in love with the dancing girl Dolores (Talmadge) who rejects him. Due to the potential political repercussions of condemning Mexico, it was decided to relocate the plot to some anonymous Mediterranean country. The film was Norma Talmadge's first feature for United Artists. [2]
A despot falls for a dancing girl. After she rejects him, she has her other beau framed for murder. [3]
Though the film was not well received, William Cameron Menzies won the first Academy Award for Best Art Direction in 1928 for this film [1] and Tempest , though the award was then called "Interior Decoration." [4]
In 1932, Herbert Brenon directed a new talkie version named Girl of the Rio , starred by Dolores del Río for RKO Radio Pictures.
The Dove won the 1929 Academy Award for Best Art Direction for William Cameron Menzies. [1] [5]
Prints of The Dove are located in the collections of the Library of Congress and Swedish Film Institute. [6] The Library of Congress has reels 1, 3, 4, and 8, and is missing reels 2, 5, 6, 7, and 9. [7] [8]
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
Norma Marie Talmadge was an American actress and film producer of the silent era. A major box-office draw for more than a decade, her career reached a peak in the early 1920s, when she ranked among the most popular idols of the American screen.
Luis Antonio Dámaso de Alonso, known professionally as Gilbert Roland, was a Mexican-born American film and television actor whose career spanned seven decades from the 1920s until the 1980s. He was twice nominated for the Golden Globe Award in 1952 and 1964 and inducted into the Hollywood Walk of Fame in 1960.
Noah Nicholas Beery was an American actor who appeared in films from 1913 until his death in 1946. He was the older brother of Academy Award-winning actor Wallace Beery as well as the father of prominent character actor Noah Beery Jr. He was billed as either Noah Beery or Noah Beery Sr. depending upon the film.
Show People is a 1928 American silent comedy film directed by King Vidor. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Tempest is a 1928 American silent drama film directed by Sam Taylor. V. I. Nemirovich-Dantchenko wrote the screenplay and William Cameron Menzies won an Academy Award for Best Art Direction for his work in the film in 1929, the first year of the awards ceremony. John Barrymore and Camilla Horn star in the film, with Louis Wolheim co-starring.
Old Wives for New is a 1918 American silent drama film directed by Cecil B. DeMille. Prints of the film survive at the International Museum of Photography and Film at George Eastman House.
The Love Mart is a 1927 American silent drama film directed by George Fitzmaurice starring Billie Dove, Gilbert Roland and Noah Beery, and featuring Boris Karloff. The film is lost.
The Sign on the Door is a 1921 American silent drama film starring Norma Talmadge and Lew Cody. The film was directed and written by Herbert Brenon, and based upon the 1919 play of the same name by Channing Pollock. A copy of this film is in the Library of Congress film archive.
The Dove may refer to:
Ashes of Vengeance is a 1923 American drama film directed by Frank Lloyd and starring Norma Talmadge and Wallace Beery.
Wild Horse Mesa is a 1925 American silent Western film directed by George B. Seitz and starring Jack Holt, Noah Beery Sr., Billie Dove, and Douglas Fairbanks Jr. Based on the novel Wild Horse Mesa by Zane Grey, the film is about a rancher who, desperate for money, decides to trap and sell wild horses using barbed wire. The local Navajo tribe tries to persuade him not to do it. The film was produced by Famous Players–Lasky and released by Paramount Pictures. Wild Horse Mesa was filmed on location in Colorado. Prints of the film have survived.
The Lady is a 1925 American silent drama film starring Norma Talmadge and directed by Frank Borzage. Talmadge's own production company produced the film with distribution by First National Pictures.
By Right of Purchase is a 1918 American silent drama film starring Norma Talmadge in a story produced by her husband Joseph Schenck. The film was distributed by Lewis J. Selznick's Select Pictures company. An up-and-coming actress and soon to be gossip columnist Hedda Hopper has a small role in this picture.
The Woman Disputed is a 1928 American silent film. Norma Talmadge stars as a good-hearted Austrian prostitute drawn into a romantic triangle on the eve of World War I. Based on a Denison Clift play, the nationalities of the characters had to be adjusted to satisfy official complaints registered with the MPPDA from the German government.
Girl of the Rio is a 1932 American pre-Code RKO musical film starred Dolores del Río and Leo Carrillo. Directed by Herbert Brenon, the screenplay was written by Elizabeth Meehan and Louis Stevens, based on the play, The Dove by Willard Mack, which was itself based on a magazine article by Gerald Beaumont. The film is a remake of the 1927 silent film, The Dove, starring Norma Talmadge.
The Ghosts of Yesterday is a 1918 American silent adventure drama film directed by Charles Miller and starring Norma Talmadge, Eugene O'Brien, and Stuart Holmes. It is based on the play Two Women by Rupert Hughes.
The Moth is a 1917 American silent adventure drama film directed by Edward José and starring Norma Talmadge, Eugene O'Brien, and Hassard Short. The film is presumed lost with either the first four of six reels or only portions of two reels held by the Library of Congress.
The Eternal Flame is a 1922 American silent adventure drama film directed by Frank Lloyd and starring Norma Talmadge, Adolphe Menjou, and Wedgwood Nowell.
The Song of Love is a 1923 American silent adventure drama film directed by Chester Franklin and Frances Marion, starring Norma Talmadge, Joseph Schildkraut, and Arthur Edmund Carewe. Frances Marion's screenplay is based on the 1922 novel The Dust of Desire by Margaret Peterson.