 First edition | |
| Author | David Drake |
|---|---|
| Cover artist | Gianni Benvenuti |
| Country | United States |
| Language | English |
| Genre | Historical fantasy, Sword and sorcery |
| Publisher | Berkley Books, Tor Books (2nd ed.) |
Publication date | 1979 (revised 1982) |
| Media type | Print (hardback & paperback) |
| ISBN | 0-399-12380-6 |
The Dragon Lord is a historical fantasy or sword and sorcery novel by American writer David Drake. First published in 1979 and revised in 1982, the novel is set in sixth century Arthurian Britain.
The Dragon Lord was David Drake's first novel. He spent six months researching and drafting the plot for another author, Andrew J. Offutt, to expand into a novel. He drafted the novel for the Robert E. Howard character Cormac mac Art who lived in Arthur's time. When Offutt declined it Drake developed it himself. He wrote it in 1977–78 and after substantial edits at the request of the editor at Berkley Books, it was published as a hardcover in 1979. The publisher sold its rights to Jim Baen who requested the original version of the book, before the edits of Berkley Books. Baen at Tor Books published the pre-edit version as a paperback in 1982. According to Drake, the hardcover and paperback versions of the novel are "significantly different". [1]
In sixth century Britain, King Arthur desires a dragon to harass the Saxon invaders. Merlin tells Arthur that the skull of a lake monster is required. From a batch of new mercenary recruits to Arthur's army, Gawain selects an Irishman called Mael and a Dane called Starkad after Mael defeats Lancelot in a demonstration duel in front of the recruits. Arthur sends Mael to Ireland to retrieve the skull and keeps Mael's friend Starkad as hostage to ensure his return. In Ireland, Mael is escorted to a road where he meets Veleda, a pagan witch who foresaw Mael's coming. The two travel together for three days and arrive at Lough Ree where a pagan shrine has been converted to a chapel manned by a priest and a large, mentally retarded student, Fergus. During the night Mael steals the monster skull which was on display in the chapel but Fergus catches him. The ensuing fight spills out onto the lake pier that breaks apart as Fergus fights with a mace. Veleda helps Mael back to land but Fergus drowns and a lake monster drags the priest away. On their way back to Britain, Mael and Veleda are attacked on a ship but escape as Veleda summons a purple fire that burns their attackers.
With the skull Merlin creates a small dragon (a wyvern) which he hopes to grow and teach to be obedient. Mael is re-united with Starkad and they consider whether to stay in Arthur's camp. Veleda has a vision and implores they to retrieve the spear and shield of the Saxon Biargram Ironhand. Mael and Starkad leave on the pretext that Starkad must go settle a blood feud with Biargram. Arthur detains Veleda as insurance of their return. Traveling to the Saxon territories, they walk to a drought-stricken village where desperate villagers are attempting to sacrifice a girl. Mael and Starkad interrupt and kidnap the girl. They flee to a house where an old woman, a witch, was expecting them. The sacrificial girl cuts Starkad's legs in the night and escapes. Mael continues on without Starkad and reaches Biargram's homestead, where he learns Biargram has recently died. Biargram's son throws Mael into Biargram's crypt as a sacrifice. A curse was placed on Biargram that makes him return to life every night. Mael fights off the re-animated corpse and is saved by Starkad who interrupts grave-robbers. They carry off Biargram's spear and shield.
Once back at Arthur's camp Mael and Starkad are reunited with Veleda. Arthur claims Biargram's spear for himself. Mael and Starkad take their places in Arthur's army and are marched northwards to the walled town of Leicester. They spend the night there, meet with a wounded Dane veteran and defeat two Herulians after they killed a family while pillaging. The next day at the battle front they are positioned against Aelle’s forces. The Saxon forces ford the Dubglas River and attack the Britons who slow the Saxon advance using horse archers and caltrops. In the midst of battle Aelle nearly kills a dismounted Arthur but is foiled and killed by Mael. Victorious, Arthur immediately sends Mael and Starkad away to tell Merlin to release his dragon. Merlin trapped the dragon in a cave but had lost control of it. Veleda insists that dragon must be killed because it is too powerful and uncontrollable. In battle with the dragon Mael uses Biargram's shield against its fire breath, and they are able to kill it. The three flee Britain to escape Arthur's retribution for killing his dragon. [2]
Several other characters from Arthurian legend and the Matter of Britain are also featured in the novel. Lancelot is depicted as a Roman with a grudge on barbarians who serves as Arthur's chief adviser and Master of Soldiers. Gawain, Cei and Geraint are also officers in Arthur's army. Merlin is Arthur's wizard who, unlike in other works, Arthur treats without reverence; at the end of the novel, while Arthur rants about "being remembered" he conjures a vision of the Grail. Cerdic is depicted as a British king allied with the Saxons. The conflict between Vortigern, Hengst and Horsa is mentioned as backstory, with "Vortigern" explained as the British term for high king; the king's real name was Vitalis. Arthur's father Uther is also mentioned; both he and Arthur are called Pendragon after their hereditary draco war standard.
A review in Publishers Weekly called the novel "a grim, gritty and different fantasy adventure." [3] A reviewer at swordandsorcery.org, Ryan Harvey, compared it to Robert E. Howard pastiche, and wrote "some prolonged sequences...turn out as nothing more than cul-de-sacs, neither adding nor detracting to the narrative." However, he found the prose to flow easily and the background to be very well-researched. [4]
Ambrosius Aurelianus was a war leader of the Romano-British who won an important battle against the Anglo-Saxons in the 5th century, according to Gildas. He also appeared independently in the legends of the Britons, beginning with the 9th-century Historia Brittonum. Eventually, he was transformed by Geoffrey of Monmouth into the uncle of King Arthur, the brother of Arthur's father Uther Pendragon, as a ruler who precedes and predeceases them both. He also appears as a young prophet who meets the tyrant Vortigern; in this guise, he was later transformed into the wizard Merlin.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Uther Pendragon (Brittonic), also known as King Uther, was a legendary King of the Britons and father of King Arthur.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
The Birth of Merlin, or, The Child Hath Found his Father is a Jacobean play, probably written in whole or part by William Rowley. It was first performed in 1622 at the Curtain Theatre in Shoreditch. It contains a comic depiction of the birth of the fully grown Merlin to a country girl, and also features figures from Arthurian legend, including Uther Pendragon, Vortigern, and Aurelius Ambrosius.
King Lot, also spelled Loth or Lott, is a British monarch in Arthurian legend. He was introduced in Geoffrey of Monmouth's pseudohistorical Historia Regum Britanniae as King Arthur's brother-in-law, who serves as regent of Britain between the reigns of Uther Pendragon and Arthur. He has appeared regularly in works of chivalric romance, alternating between the roles of Arthur's enemy and ally, and is often depicted as the ruler of Lothian and either Norway or Orkney. His literary character is likely derived from hagiographical material concerning Saint Kentigern, which features Leudonus as king of Leudonia and father of Saint Teneu.
King Arthur is a 2004 historical adventure film directed by Antoine Fuqua and written by David Franzoni. It features an ensemble cast with Clive Owen as the title character, Ioan Gruffudd as Lancelot and Keira Knightley as Guinevere, along with Mads Mikkelsen, Joel Edgerton, Hugh Dancy, Ray Winstone, Ray Stevenson, Stephen Dillane, Stellan Skarsgård and Til Schweiger.
Merlin is a 1998 two-part television miniseries starring Sam Neill as Merlin, recounting the wizard's life in the mythic history of Britain. Loosely adapted from the legendary tales of Camelot, the plot adds the antagonistic Queen Mab and expands Merlin's backstory before the birth of King Arthur.
This is a bibliography of works about King Arthur, his family, his friends or his enemies. This bibliography includes works that are notable or are by notable authors.
The Crystal Cave is a 1970 fantasy novel by Mary Stewart. The first in a quintet of novels covering the Arthurian legend, it is followed by The Hollow Hills.
The Mists of Avalon is a 2001 television miniseries based on the 1983 novel of the same title by Marion Zimmer Bradley. Produced by American cable channel TNT, adapted by Gavin Scott, and directed by Uli Edel, the series retells Arthurian legend from the perspectives of Morgan le Fay and other women of the tale. The first episode was the highest-rated original movie on basic cable in the summer of 2001.
Enemy of God: A Novel of Arthur is the second novel in The Warlord Chronicles trilogy by Bernard Cornwell. A sequel to The Winter King, it was first published in the UK in 1996. The trilogy tells the legend of King Arthur through the eyes of his follower Derfel Cadarn.
Excalibur: A Novel of Arthur is a historical fiction novel by English writer Bernard Cornwell, first published in the UK in 1997. It is the third and final book in The Warlord Chronicles series, following The Winter King and Enemy of God. The trilogy tells the legend of King Arthur through the eyes of his follower Derfel Cadarn.
Sagramore, also known as Sagramor and other variations of this name, is a knight of the Round Table in Arthurian legend. He appears in many standalone and cyclical chivalric romances and other works, including some where he is the titular protagonist. Sagramore's characterisation varies from story to story, but generally he is characterised as a virtuous but hot-tempered knight who fights fiercely and ragefully.
Eldol was Consul or Count of Gloucester in Geoffrey of Monmouth's circa 1136 work Historia Regum Britanniae. In this pseudohistory he was the sole British leader to escape from the massacre of Salisbury, to which Hengist had invited all of the British Leaders to a peace treaty. When all of the leaders were there, about 460 in number, Hengest ordered his men to draw their long knives and kill every leader. Vortigern was spared, but every other ruler was slain, save Eldol, who grabbed a stick up off the ground and killed 70 men in his escape.
Tigers of the Sea is a collection of fantasy short stories by Robert E. Howard about the pirate Cormac Mac Art, a Gael who joins a band of Danish Vikings during the reign of King Arthur.
Merlin and the Dragons is a 1991 animated film adapted from a story by Jane Yolen and illustrations by Alan Lee. It was directed by Dennis Woodyard and Hu Yihong and includes a musical score by composer Michel Rubini. The production is a retelling of the Arthurian legend, with Merlin the magician, based on material from Nennius and Geoffrey of Monmouth. Yolen is a prolific author of Arthurian-themed texts, and this production continues her series of retellings of the Merlin story. The half-hour film is narrated and voiced by Kevin Kline and was originally broadcast as an episode of the PBS program Long Ago and Far Away, which first aired on November 9, 1991.
The Sons of Avalon Saga is a series of Arthurian Legend novels, by American novelist, Dee Marie. The first book in the series, Sons of Avalon, Merlin’s Prophecy, begins with the birth of Merlin, and ends with the conception of King Arthur. Future books in the series explore the birth and life of King Arthur and his court.
King Arthur(Arthur Pendragon) is a legendary figure used commonly in comic books.
Of Arthour and of Merlin, also known as just Arthur and Merlin, is an anonymous Middle English verse romance giving an account of the reigns of Vortigern and Uther Pendragon and the early years of King Arthur's reign, in which the magician Merlin plays a large part. It can claim to be the earliest English Arthurian romance. It exists in two recensions: the first, of nearly 10,000 lines, dates from the second half of the 13th century, and the much-abridged second recension, of about 2000 lines, from the 15th century. The first recension breaks off somewhat inconclusively, and many scholars believe this romance was never completed. Arthur and Merlin's main source is the Estoire de Merlin, a French prose romance.