The Extra Girl | |
---|---|
Directed by | F. Richard Jones |
Written by | Bernard McConville |
Story by | Mack Sennett |
Produced by | Mack Sennett |
Starring | Mabel Normand Ralph Graves George Nichols |
Cinematography | Eric Crockett Homer Scott |
Distributed by | Associated Exhibitors Pathé Exchange |
Release date |
|
Running time | 68 mins. |
Country | United States |
Language | Silent (English intertitles) |
The Extra Girl is a 1923 American silent comedy film directed by F. Richard Jones and starring Mabel Normand. [1] Produced by Mack Sennett, The Extra Girl followed earlier films about the film industry and also paved the way for later films about Hollywood, such as King Vidor's Show People (1928). It was still unusual in 1923 for filmmakers to make a film about the southern California film industry, then little more than ten years old. Still, many of the Hollywood clichés of small town girls travelling to Hollywood to become film stars are here to reinforce the myths of "Tinseltown".
Sue Graham (Normand) is a small town girl who travels to Hollywood to escape marriage, and in the hope of becoming a motion picture star. She wins a contract with a studio on the strength of a picture of a quite different (and very attractive) girl sent instead of hers; but when she arrives the mistake is discovered. Since the error was the result of another's deception, the studio manager agrees to give her a job in the costume department. She eventually gets the opportunity to screen test, but it turns out disastrously – although in a nod to the actress behind the character the director calls her "a natural comedian." Sue's parents come out to California, and invest money with a shifty individual who swindles them out of their life savings. Sue and childhood friend Dave, who has also followed her, retrieve the money. Despite the unsuccessful film career, all turns out well.
Actors Billy Bevan and William Desmond appear as themselves. Producer Mack Sennett can be glimpsed briefly as a straw-hatted onlooker at Sue's screen test.
Directed by F. Richard Jones, the film features several shots of semi-rural Southern California (the Edendale area along present-day Glendale Boulevard, where Sennett's studio was located) showing houses and streets of the early 1920s, and of a Hollywood studio in action. One shot in particular, a high-angle view, shows a film set, with actors, two cameras and operators, several production people, and a mood orchestra composed of a pianist and violinist, to set the proper mood for the actors. Another shows an open stage with crew scrambling up scaffolding to the sunlight diffusing panels above.
While filming the lion scene, the lion at one point broke free and lunged for Normand, who fainted in terror. The trainer attempted to subdue the lion by jabbing it with a pitchfork, but in the confusion missed and hit Normand instead. [2]
The Extra Girl was Normand's final feature film and her last film working with producer Sennett. [3]
Prints of The Extra Girl are held in several archives and it has been released on DVD. [1]
The Keystone Cops are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.
Mack Sennett was a Canadian-American producer, director, actor, and studio head who was known as the "King of Comedy" during his career.
Tillie's Punctured Romance is a 1914 American silent comedy film directed by Mack Sennett and starring Marie Dressler, Mabel Normand, Charlie Chaplin, and the Keystone Cops. The picture is the first feature-length comedy and was the only feature-length comedy made by the Keystone Film Company.
Amabel Ethelreid Normand, better known as Mabel Normand, was an American silent film actress, director and screenwriter. She was a popular star and collaborator of Mack Sennett in their Keystone Studios films, and at the height of her career in the late 1910s and early 1920s had her own film studio and production company, the Mabel Normand Feature Film Company. On screen, she appeared in twelve successful films with Charlie Chaplin and seventeen with Roscoe "Fatty" Arbuckle, sometimes writing and directing films featuring Chaplin as her leading man.
Keystone Studios was an early film studio founded in Edendale, California on July 4, 1912 as the Keystone Pictures Studio by Mack Sennett with backing from actor-writer Adam Kessel (1866–1946) and Charles O. Baumann (1874–1931), owners of the New York Motion Picture Company. The company, referred to at its office as The Keystone Film Company, filmed in and around Glendale and Silver Lake, Los Angeles for several years, and its films were distributed by the Mutual Film Corporation between 1912 and 1915. The Keystone film brand declined rapidly after Sennett went independent in 1917.
Mack & Mabel is a musical with a book by Michael Stewart and music and lyrics by Jerry Herman. The plot involves the tumultuous romantic relationship between Hollywood director Mack Sennett and Mabel Normand, who became one of his biggest stars. In a series of flashbacks, Sennett relates the glory days of Keystone Studios from 1911, when he discovered Normand and cast her in dozens of his early "two-reelers", through his creation of Sennett's Bathing Beauties and the Keystone Cops to Mabel's death from tuberculosis in 1930.
Mack Swain was a prolific early American film actor, who appeared in many of Mack Sennett’s comedies at Keystone Studios, including the Keystone Cops series. He also appeared in major features by Charlie Chaplin and starred in both the world's first feature length comedy and first film to feature a "movie-within-a-movie" premise.
Ford Sterling was an American comedian and actor best known for his work with Keystone Studios. One of the 'Big 4', he was the original chief of the Keystone Cops.
Chester Cooper Conklin was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
Frank Richard Jones was an American director, screenwriter, and producer.
Daphne Pollard was an Australian-born vaudeville performer and dancer, active on stage and later in American films, mostly short comedies. Between 1928 and 1935 she had almost 60 screen credits.
Malcolm St. Clair was a Hollywood film director, writer, producer and actor.
Caught in a Cabaret is a 1914 short comedy film written and directed by Mabel Normand and starring Normand and Charlie Chaplin.
Mabel's Strange Predicament is a 1914 American film starring Mabel Normand and Charles Chaplin, notable for being the first film for which Chaplin donned the costume of The Tramp, although his appearance in the costume in Kid Auto Races at Venice was released first. The film was directed by Normand and produced by Mack Sennett.
The Fatal Mallet is a 1914 American-made motion picture starring Charlie Chaplin and Mabel Normand. The film was written and directed by Mack Sennett, who also portrays one of Chaplin's rivals for Normand's attention.
A Noise from the Deep is a 1913 American short silent comedy film starring Mabel Normand and Roscoe "Fatty" Arbuckle. The film was directed and produced by Mack Sennett and also features the Keystone Cops on horseback. A Noise from the Deep still exists and was screened four times in 2006 in the Museum of Modern Art in New York City as part of a 56-film retrospective of all known surviving Arbuckle movies.
Mabel's Dramatic Career is a 1913 American short comedy film starring Mabel Normand and Mack Sennett while featuring Roscoe Arbuckle in a cameo. The movie features a film within a film and uses multiple exposure to show a film being projected in a cinema.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
Teddy the Dog or Keystone Teddy was the most famous animal actor associated with the Mack Sennett studios. The Great Dane was one of only three of the studio's stars whose name appeared in the title of a film. He performed chiefly in Sennett comedies, but he also appeared in dramatic films including Stella Maris (1918), The Strangers' Banquet (1922) and A Boy of Flanders (1924).
Luke the Dog (1913–1926) was an American Pit Bull Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. Some claim he was a "Staffordshire Bull terrier" or "American Staffordshire bull terrier but neither of these breeds existed until the 1930's, and this is why his name nickname was Luke the pitbull.