Author | Larry Mitchell |
---|---|
Illustrator | Ned Asta |
Language | English |
Published | 1977 |
Publisher |
|
Publication place | United States |
ISBN | 978-0930762001 |
OCLC | 1109389059 |
301.41/57 | |
LC Class | HQ76.M57 |
The Faggots & Their Friends Between Revolutions is a 1977 gay manifesto written by Larry Mitchell as a fable, with illustrations by Ned Asta. The book grew from the author's experience of queer communal living in the 1970s, with particular emphasis on topics of sexual liberation and anti-assimilationism. [1] [2]
Described by Artforum as a "fairytale-cum-manifesto", [3] The Faggots & Their Friends Between Revolutions is a series of allegorical vignettes set in the declining empire of Ramrod, ruled by "the men" (patriarchal society) under the rule of Warren-And-His-Fuckpole, while the eponymous "faggots" (gay men) live communally, produce art, have sex, and await the next revolution. Their "friends" include the "strong women" (feminists), the "queens" (drag queens), the "women who love women" (lesbians), and the "faeries" (the Radical Faeries), among others. Distinct from the faggots are the "queer men" – gay men who are closeted, or who have assimilated into patriarchal society. The book is primarily non-narrative, and is composed largely of a combination of single-page episodes, polemic writing, and aphorisms. [4]
Mitchell was inspired to write The Faggots & Their Friends Between Revolutions following a trip to The Castro in San Francisco in the early 1970s. [4] He based it in part on his experience living in Lavender Hill, a queer commune in Ithaca, New York, that Mitchell and Asta were founding members of. [5] Mitchell conceived of the book in reaction to a lack of contemporary gay literature; [5] he initially planned for The Faggots & Their Friends Between Revolutions to be a children's picture book illustrated by Asta, but it would ultimately become a novel of prose and illustrations. [6]
The novel was first published in 1977 by Calamus Press, founded by Mitchell to self-publish the book after being rejected by other publishers. [6] [7] The book subsequently went out of print, until it was republished twice in the 2010s: first in 2016 by Pocketed Books, [8] and again in 2019 by Nightboat Books to mark the fiftieth anniversary of the Stonewall riots. The 2019 reissue features a new preface by Tourmaline, and an introduction by Morgan Bassichis. [5]
In 2017, a three-part musical adaptation of The Faggots & Their Friends Between Revolutions was staged by Morgan Bassichis at The New Museum. [3] [9]
In 2023, as part of the Manchester International Festival, a musical adaptation by composer Philip Venables and director Ted Huffman was performed. [10] [11]
Years after its release, the book proliferated through unofficial photocopied (and later PDF) reproductions, and developed a cult following. [4] [5]
Reviewing the 2019 reissue for Slate , critic John Russell comments on the story's contemporary relevance, noting that "the descriptions of Ramrod's disintegration and the men's hostility toward the faggots and their friends are echoed in Trump's America." Regarding the novel's utopian philosophy, Russell writes that he is "of two minds," and expresses discomfort over "what seems to me like Mitchell's ultimate strategy of divestment from the world of the men." [6]
Reviewing the reissue for The Nation , Sam Huber expresses similar skepticism: "when I catch myself trying to force into coherence this book's scattered proposals for another world, I entertain the possibility that I'm reading it wrong [...] It's too weird and protean to serve as a guidebook for ongoing queer struggles or to propel us reliably into a revolution to come." [4] He nonetheless praises the novel's irreverence and continued relevance, stating that its similarities to contemporary politics are "like stumbling into a new room where many of the same actors and problems are reflected but with the fun restored." [4]
Queer is an umbrella term for people who are not heterosexual or are not cisgender. Originally meaning 'strange' or 'peculiar', queer came to be used pejoratively against LGBT people in the late 19th century. From the late 1980s, queer activists began to reclaim the word as a neutral or positive self-description.
Radical Faeries are a loosely affiliated worldwide network and countercultural movement blending queer consciousness and secular spirituality. Sharing various aspects with neopaganism, the movement also adopts elements from anarchism and environmentalism. Rejecting hetero-imitation, the Radical Faerie movement began during the 1970s sexual revolution among gay men in the United States. Gay activists Harry Hay, Mitch Walker, Don Kilhefner, and John Burnside organized the first Spiritual Conference for Radical Faeries in September 1979.
Faggot, often shortened to fag in American usage, is a derogatory slur used to refer to gay men. In American youth culture around the turn of the 21st century, its meaning extended as a broader reaching insult more related to masculinity and group power structure.
Lesbian pulp fiction is a genre of lesbian literature that refers to any mid-20th century paperback novel or pulp magazine with overtly lesbian themes and content. Lesbian pulp fiction was published in the 1950s and 1960s by many of the same paperback publishing houses as other genres of fiction, including westerns, romances, and detective fiction. Because very little other literature was available for and about lesbians at this time, quite often these books were the only reference the public had for modeling what lesbians were. English professor Stephanie Foote commented on the importance of lesbian pulp novels to the lesbian identity prior to the rise of organized feminism: "Pulps have been understood as signs of a secret history of readers, and they have been valued because they have been read. The more they are read, the more they are valued, and the more they are read, the closer the relationship between the very act of circulation and reading and the construction of a lesbian community becomes…. Characters use the reading of novels as a way to understand that they are not alone." Joan Nestle refers to lesbian pulp fiction as “survival literature.” Lesbian pulp fiction provided representation for lesbian identities, brought a surge of awareness to lesbians, and created space for lesbian organizing leading up to Stonewall.
Faggots is a 1978 novel by Larry Kramer. It is a satirical portrayal of 1970s New York's very visible gay community in a time before AIDS. The novel's portrayal of promiscuous sex and recreational drug use provoked controversy and was condemned by some elements within the gay community.
Emanuel Xavier, is an American poet, spoken word artist, author, editor, screenwriter, and LGBTQ activist born and raised in the Bushwick area of Brooklyn. Associated with the East Village, Manhattan arts scene in New York City, he emerged from the ball culture scene to become one of the first openly gay poets from the Nuyorican movement as a successful writer and advocate for gay youth programs and Latino gay literature.
RFD is a reader-written quarterly magazine celebrating queer diversity. Since its founding in 1974 as a publication for rural gays and alternative lifestyles, the magazine has been edited by different communities in various U.S. locations. While predating the Radical Faeries, the magazine and the movement have long been associated. Notable writers featured in RFD include the poet Essex Hemphill.
Michael Thomas Ford is an American author of primarily gay-themed literature. He is best known for his "My Queer Life" series of comedic essay collections and for his award-winning novels Last Summer, Looking for It, Full Circle, Changing Tides, and What We Remember.
Mattilda Bernstein Sycamore is an American author and activist. She is the author of two memoirs and three novels, and the editor of six nonfiction anthologies.
Chris Bartlett is an American gay activist, feminist, educator, and researcher who lives in Philadelphia, PA, and is the executive director of the William Way Community Center.
Arthur Scott Evans was an early gay rights advocate and author, best known for his 1978 book Witchcraft and the Gay Counterculture. Politically active in New York City in the 1960s and early 1970s, he and his partner began a homestead in Washington state in 1972, then later moved to San Francisco where he became a fixture in the Haight-Ashbury neighborhood. In his later years, Evans remained politically active and continued as a translator and academic. His 1997 book Critique of Patriarchal Reason argued that misogyny had influenced "objective" fields such as logic and physics.
Larry Mitchell was an American author and publisher. He was the founder of Calamus Books - an early small press devoted to gay male literature - and the author of fiction dealing with the gay male experience in New York City during the 1970s and 1980s.
Felix Bernstein is a performance artist, video artist, writer, and cultural critic. Bernstein was born in New York City to poet Charles Bernstein and artist Susan Bee, and attended Bard College, graduating in 2013.
Andrew Durbin is an American poet, novelist, and editor. As of 2019, he has served as editor-in-chief of Frieze. Prior to his position at Frieze, he co-founded Company Gallery, served as the Talks Curator at the Poetry Project, and served as a co-editor at Wonder press. Durbin is the author of two novels and several chapbooks. He lives and works in London.
Hot Peaches was a gay, political, NYC]] theatre company in New York City that would put on plays, active from the 1970s-1990s. Hot Peaches was founded by Jimmy Camicia in 1972, who encountered a group of drag queens and began writing work for them to perform. Their work has been described as "political camp, dominated by drag".
Anna-Marie McLemore is a Mexican-American author of young adult fiction magical realism, best known for their Stonewall Honor-winning novel When the Moon Was Ours, Wild Beauty, and The Weight of Feathers.
Morgan Bassichis is an American comedic performer and writer, living and working in New York City.
TM Davy is a New York-based painter. Davy paints and draws in the style of social realism and portraiture, recognizable for his keen sense of light and color depicting both the human and non-human.
Legacy Russell is an American curator, writer, and author of Glitch Feminism: A Manifesto, published by Verso Books in 2020. In 2021, the performance and experimental art institution The Kitchen announced Russell as the organization's next executive director and chief curator. From 2018 to 2021, she was the associate curator of exhibitions at the Studio Museum in Harlem.
The Terminal Bar is a 1982 novel by Larry Mitchell. It was published by Mitchell's own literary press, Calamus Books, and received mixed reception in the gay press. It was among the first novels that dealt with HIV/AIDS in the United States.