The False Prince | |
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Directed by | Heinz Paul |
Written by |
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Produced by | Lothar Stark |
Starring | |
Cinematography | Gustave Preiss |
Production company | |
Distributed by | Bavaria Film |
Release date |
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Country | Germany |
Languages |
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The False Prince (German: Der falsche Prinz) is a 1927 German silent film directed by Heinz Paul and starring Harry Domela, Ekkehard Arendt and John Mylong. [1] It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Karl Machus. The film was based on Domela's book recounting his own adventures in post-First World War Germany when he briefly masqueraded as Prince.
The Hymn of Leuthen is a 1933 German film depicting Frederick the Great, directed by Carl Froelich starring Otto Gebühr, Olga Chekhova and Elga Brink. It was part of the cycle of nostalgic Prussian films popular during the Weimar and Nazi eras. The title refers to the 1757 Battle of Leuthen.
Somewhere in Berlin is a film produced in the Soviet occupation zone of Allied-occupied Germany, the area that later became East Germany. It was released in 1946, and was the third DEFA film. It sold 4,179,651 tickets. It was part of the group of rubble films made in the aftermath of the Second World War.
Tango Notturno is a 1937 German drama film directed by Fritz Kirchhoff and starring Pola Negri, Albrecht Schoenhals, and Lina Carstens.
John Mylong, also known as Jack Mylong-Münz, was an Austrian actor, who later settled in the United States.
Werner Fuetterer was a German film actor. He appeared in nearly 100 films between 1925 and 1967.
Uncle Bräsig is a 1936 German historical comedy film directed by Erich Waschneck and starring Otto Wernicke, Heinrich Schroth and Harry Hardt. It marked the film debut of the Swedish actress Kristina Söderbaum who went on to be a major star of Nazi cinema. Söderbaum won her part in a contest organised by UFA. It was based on the 1862 novel From My Farming Days by Fritz Reuter. The film was shot at the Grunewald Studios in Berlin with sets designed by the art director Robert A. Dietrich.
The Catwalk is a 1927 German silent drama film directed by Gerhard Lamprecht and starring Lissy Arna, Jack Trevor, and Andreas Behrens-Klausen. It was based on the 1890 novel of the same title by Hermann Sudermann. The film premiered at the Capital am Zoo in Berlin. Art direction was by Otto Moldenhauer.
Louise, Queen of Prussia is a 1931 German historical drama film directed by Carl Froelich and starring Henny Porten, Gustaf Gründgens, and Ekkehard Arendt. The film's art director was Franz Schroedter.
The Burning Secret is a 1933 Austrian-German drama film directed by Robert Siodmak and starring Alfred Abel, Hilde Wagener and Hans Joachim Schaufuß. It was based on the 1913 novella of the same title by Stefan Zweig. It was released by the German branch of Universal Pictures. It was shot at the EFA Studios in Berlin and on location around Ascona in Switzerland. The film's sets were designed by the art director Robert A. Dietrich.
Robert Koch is a 1939 Nazi propaganda film directed by Hans Steinhoff and starring Emil Jannings, Werner Krauss and Viktoria von Ballasko. The film was a biopic of the German pioneering microbiologist Robert Koch (1843–1910). It was shot at the Johannisthal Studios in Berlin and premiered at the city's Ufa-Palast am Zoo. The film was made by the Tobis Film company, and was also distributed in the United States by the largest German studio UFA.
The Old Fritz is a 1928 German silent historical drama film directed by Gerhard Lamprecht and starring Otto Gebühr, Julia Serda and Bertold Reissig. Part of the cycle of Prussian Films, it was released in two parts. Gebühr played the role of Frederick the Great on many occasions during the Weimar Republic and Nazi Germany.
Artists is a 1928 German silent film directed by Géza von Bolváry and starring Gyula Szőreghy, Anton Edthofer, and John Mylong.
Marriage in Name Only is a 1930 German drama film directed by Heinz Paul and starring Evelyn Holt, Erika Dannhoff, and Wolfgang Zilzer.
Men Are That Way is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Hertha Feiler, Hans Söhnker and Hans Olden. The film's sets were designed by the art director Willi Herrmann. It was remade by Rabenalt in Austria as Arena of Fear (1959).
Dangerous Crossing or Rail Triangle is a 1937 German crime film directed by Robert A. Stemmle and starring Gustav Fröhlich, Heli Finkenzeller, and Paul Hoffmann. It is set amongst railway workers and takes its name from Gleisdreieck on the Berlin U-Bahn. It was partly shot at the Babelsberg Studios in Potsdam. The film's sets were designed by the art directors Carl Böhm and Erich Czerwonski. It was shot on location around Berlin. It premiered at the city's Ufa-Palast am Zoo.
Stronger Than Regulations is a 1936 German mystery film directed by Jürgen von Alten and starring Paul Hartmann, Karl Hellmer and Manja Behrens. It was shot at the Grunewald Studios in Berlin. The film's sets were designed by the art directors Otto Guelstorff and Hans Minzloff.
A City Upside Down is a 1933 German comedy film directed by Gustaf Gründgens and starring S.Z. Sakall, Jenny Jugo and Hermann Thimig. It is based on the 1836 play The Government Inspector by Nikolai Gogol. A separate Czech adaptation of the story The Inspector General was made the same year.
Friedrich Schiller is a 1923 German silent historical film directed by Curt Goetz and starring Theodor Loos, Hermann Vallentin, and Ilka Grüning. It is a biopic of the life of the eighteenth century writer Friedrich Schiller. In 2005 the film was restored with a slightly shorter running length.
Police Report is a 1934 German mystery crime film directed by Georg Jacoby and starring Olga Chekhova, Paul Otto and Hansi Niese. It was adapted from the 1932 novel Die Frau im schwarzen Schleier by Hedda Lindne.
Roses from the South is a 1934 German historical musical film directed by Walter Janssen and starring Paul Hörbiger, Gretl Theimer and Rózsi Csikós. Location shooting took place around Vienna. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander. It is an operetta film, a popular genre during the decade. The title references the waltz of the same title composed by Johann Strauss.