Tannenberg is a 1932 Swiss–German war film directed by Heinz Paul and starring Hans Stüwe, Käthe Haack and Jutta Sauer. The film is based on the 1914 Battle of Tannenberg during the First World War. It focuses on a German landowner Captan von Arndt and his family.
Heinz Paul was a German screenwriter, film producer and director. He was married to the actress Hella Moja.
Franziska Kinz was an Austrian film actress.
The Other Side is a 1931 German war film directed by Heinz Paul and starring Conrad Veidt, Theodor Loos and Friedrich Ettel. It is an adaptation of R.C. Sherriff's 1928 First World War play Journey's End which had been turned into a British-American film the previous year. Paul's film attempted to be faithful to the play, retaining the British setting rather than switching the story to feature German soldiers and going to great lengths to portray the "Britishness" of the characters. The film was positively received on its release. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Robert A. Dietrich.
Robert Valberg was an Austrian stage and film actor.
Rolf Randolf was an Austrian actor, film producer and director.
Cruiser Emden is a 1932 German war film directed by Louis Ralph and starring Ralph, Renée Stobrawa, Hans Schlenck, and Werner Fuetterer. It was shot at the Emelka Studios in Munich. It is a remake of a 1926 silent film Our Emden which had also been directed by Ralph. The film depicts the German First World War cruiser SMS Emden.
Gerd Briese was a German stage and film actor.
Helga Amalia Thomas was a Swedish film actress.
Scapa Flow is a 1930 German drama film directed by Leo Lasko and starring Otto Gebühr, Claire Rommer and Claus Clausen. It is set around the Wilhelmshaven Mutiny and the Scuttling of the German fleet in Scapa Flow at the close of the First World War. In Weimar Germany the scuttling of the fleet in defiance of the victorious Allies had come to be seen as a popular patriotic act. The inclusion of the Mutiny, however, was more controversial as it highlighted the political divisions which continued to exist. The film was praised by the right wing press, and comparisons were made to the Russian film Battleship Potemkin. The film was partly inspired by the 1918 play Seeschalt by Reinhardt Goering.
Edgar Ziesemer (1895–1971) was a German cinematographer.
New Objectivity was an art movement that emerged in Germany in the early 1920s as a counter to expressionism. The term applies to a number of artistic forms, including film.
Viktor Gluck was a German cinematographer who worked on thirty three films between 1923 and 1934.
Hella Moja was a German screenwriter, film producer and film actress. She was married to the director Heinz Paul.
Hans von Wolzogen (1888–1954) was a German film producer and director. He also worked as a production manager on a number of films, his last being Elephant Fury (1953).
Three Days of Life and Death is a 1929 German silent war film directed by Heinz Paul and starring Carl de Vogt, Angelo Ferrari and Carl Walther Meyer. It was shot at the Johannisthal Studios in Berlin and on location in Cartagena in Spain and around the Adriatic Sea. The film's sets were designed by the art director Karl Machus.
Liddy Hegewald (1884–1950) was a German film producer of the silent and early sound eras. She controlled her own production company Hegewald Film.
People in Need is a 1925 German silent war film directed by Wolfgang Neff and starring Hermine Sterler, Werner Pittschau and Claire Rommer.
Viktor Senger (1870–1942) was a German stage and film actor.
Jackie Monnier (1903–1983) was a French film actress active during the late silent and early sound era. She starred in two films directed by Jean Renoir including the 1929 film Le Bled set in French Algeria. Another appearance was in the 1930 First World War film Westfront 1918 by Georg Wilhelm Pabst.
