The Fare | |
---|---|
Directed by | D.C. Hamilton |
Written by | Brinna Kelly |
Produced by | D.C. Hamilton, Brinna Kelly, Gino Anthony Pesi, Kristin Starns |
Starring | Gino Anthony Pesi, Brinna Kelly, Jason Stuart, and Jon Jacobs |
Cinematography | Josh Harrison |
Edited by | D.C. Hamilton |
Music by | Torin Borrowdale |
Production companies | 501 Pictures Public Displays of Affection Grady Film |
Distributed by | Epic Pictures |
Release date |
|
Running time | 82 min |
Country | United States |
Language | English |
The Fare is a 2018 American mystery thriller romance film directed by D.C. Hamilton and starring Gino Anthony Pesi, Brinna Kelly, Jason Stuart, and Jon Jacobs. [1] [2] The film was also released on Blu-ray on 19 November 2019. [3] The plot centers on a taxi driver and his passenger who find themselves locked in a time loop so they have to repeat their journey over and over again.
A cab drives through the night road to pick up a passenger. The cab driver, Harris Caron, is listening to a radio show about time-traveling aliens who changed the nature of reality. A charming young passenger calling herself Penny gets into his cab and asks to go to the corner of River and Elm. The car moves along a deserted dark highway, and Harris and Penny have a mildly flirtatious conversation. Suddenly, she disappears from the back seat of the car, leaving no trace. Bewildered, Harris contacts dispatch. The Dispatcher says he does not know what to do about a vanishing passenger and that Harris should just reset his fare and return to the city. Harris resets the odometer, and the prior events occur again more or less as they had before, though without Penny giving her name. The car crashes, and the barrier between the seats breaks. Harris grabs Penny's hand and asks if she is all right, calling her Penny. Penny says he used her name this time though she had not given it and tells Harris to remember her this time before she disappears.
Harris again resets the meter, and the events occur again, this time with Harris having vague recollections of prior details. He realizes he has picked up Penny before. Penny, relieved, tells him the ride has occurred at least a hundred times, with Harris never remembering anything, suggesting they are trapped in a time loop that always ends with Penny disappearing and repeating the events. Through subsequent trips, their conversation grows more intimate. Penny, despite making up many humorous stories about her career during past rides, explains she is really in horticulture, which fits her floral attire and accessories. Harris explains he is a taxi driver because his father was, though he hates the job and felt his father wasted his life doing the task and he is doing the same. Penny is sympathetic but says she sees nobility in taking people to their destinations. She also feels trapped by her unhappy arranged marriage. Harris once had a girlfriend whom he met via a taxi ride, but the relationship had ended badly when she left him.
Countless loops later, after Penny's disappearance, Harris decides to look for her. He does not reset his meter and drives down a different road, despite voices whispering to him to turn back. He eventually reaches a bright light where a dark figure demands he turn around. Harris resets his meter. He is still visibly upset when he picks up Penny again, and she comforts him, leading to them making love. Afterward, Harris notices a scar on Penny's head from when she hit her head in the car crash. The scar is old and Harris realizes they are not in a time loop but that time is actually passing. Penny is unable to answer his questions, but tells him to not drink his water before she disappears again.
Harris does not drink his water and picks up a new passenger, an elderly man who asks to go to River and Elm. As he drives, Harris' memory of his old girlfriend return. The girl he had picked up in his taxi cab was in fact Penny, and they had spent a romantic summer together before she left suddenly. Harris subsequently died in a car crash. Harris takes the old man to River and Elm, a desolate place, and the old man pays him with a gold coin, like many other similar gold coins Harris finds in his cab. The Dispatcher calls to check in and tells Harris to get back to his job. Harris asks what is his job.
The Dispatcher explains that Harris is his ferryman, a punishment given to him after his and Penny's relationship. The Dispatcher is Death, and Penny, who is actually Persephone, is his wife. Death had taken away Harris' memory of Penny, and Penny had provided water to erase his memory of his job. Harris had been unaware of years passing, only aware of when he drove Penny, something that happened yearly as she returned to the underworld.
Harris continues his job and drives many different souls to the afterlife. After a year, it is again time to pick up Penny. She apologizes for everything and implores him to drink the water again for his own sake, but Harris says he has found nobility in his task and that he is grateful for their brief time each year to be together. He drops her off, and they express their feelings for each other before he drives away. [4]
Filmmaker Brinna Kelly said her inspiration for The Fare "came to me in the form of an email from our director, D.C. Hamilton. He sent me an article about how cab drivers near the Japanese Fukushima Nuclear Power Plant accident were reporting 'phantom fares' in the area. Apparently dazed people would climb into the backs of cabs and then disappear somewhere along the ride... The email came with the note: I think this would make an interesting premise for a horror film. I agreed with him, and took that initial idea of a person disappearing from the backseat of a cab and gave it a Twilight Zone twist." [5] The movie, she said, was shot in six days, "so we were allowed 1-2 takes per setup." [6]
Director D.C. Hamilton said, "We filmed all the taxi interiors on a sound stage in Woodland Hills, California, with our Checker Marathon parked in front of a rear-projection screen. The exteriors with the cab were shot on a long dirt road in Palmdale, California. We did some additional photography in Pasadena and Universal City, California." [7]
The movie was "self-financed based on earnings from my previous collaboration with Brinna Kelly, The Midnight Man ", Hamilton said. The Fare, which has both color and black-and-white sequences, was shot in color on Arri Alexa cameras. [7]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on seven reviews. [8]
Michaela Barton of VultureHound gave the film four stars out of five, stating "Like all great sci-fi mysteries, this feature has a classic twist, with a revelation that builds and is actually supported by small clues hidden within each repeating cycle. The construction of this plot is satisfying, intelligent and earned. As this month is Noir-vember, this indie-feature is a welcomed modern addition to the month." [9] Jeremy Dick of MovieWeb wrote "The pleasing visuals do a lot to enhance The Fare as well, blending black and white with color depending on the context of the scene. A lot of effort went into the cinematography, and aesthetically, this particularly made watching the movie a lot of fun. The noir look is also appropriate given the mystery elements of the thriller, and some twists along the way sort of call back to some of the greatest sci-fi classics from years past. It's an interesting way of paying homage to a style of filmmaking which seems to have gone by the wayside in recent years, giving The Fare a rather unique feel compared to other contemporary movies. Paired with a hooking storyline, the cinematography helps make the movie that much better." [10] Hayley Paskevich of Fleep Screen added "By taking its central premise out of the realm of pure sci-fi and infusing it with a dose of Greek mythology, The Fare skillfully manages to avoid the trappings of monotony, instead driving the plot in a surprising direction, giving it new depth. As simplistic as the film itself may be from a structural standpoint, Pesi and Kelly’s performances are genuinely compelling, making it easy to become invested in the relationship between their characters. Full of twists, turns, and lighthearted humour, The Fare is a mythos-steeped love story that’s ultimately worth the trip, proving that sometimes the journeys we’re destined to take together are more significant than the destination itself." [11]
Epic Pictures released The Fare on Blu-ray. It includes sections with unused footage, a gag reel, the original opening, and separate commentaries by director D.C. Hamilton and writer-producer-star Brinna Kelly. [12]
Taxi Driver is a 1976 American neo-noir psychological drama film directed by Martin Scorsese, written by Paul Schrader, and starring Robert De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, Leonard Harris, and Albert Brooks. Set in a morally decaying New York City following the Vietnam War, the film follows Travis Bickle, a veteran and taxi driver, and his deteriorating mental state as he works nights in the city.
Taxi is an American television sitcom that originally aired on ABC from September 12, 1978, to May 6, 1982, and on NBC from September 30, 1982, to June 15, 1983. It focuses on the everyday lives of a handful of New York City taxi drivers and their abusive dispatcher. For most of the run of the show, the ensemble cast consisted of taxi drivers Alex Reiger, Bobby Wheeler, Elaine Nardo, Tony Banta, and "Reverend" Jim Ignatowski, along with dispatcher Louie De Palma and mechanic Latka Gravas. Taxi was produced by the John Charles Walters Company, in association with Paramount Network Television, and was created by James L. Brooks, Stan Daniels, David Davis, and Ed. Weinberger, all of whom were brought on board after working on The Mary Tyler Moore Show.
Taxi is a 2004 action comedy film directed by Tim Story and starring Queen Latifah, Jimmy Fallon, Gisele Bündchen in her film debut, Jennifer Esposito, and Ann-Margret. An incompetent New York City police officer is banned from driving and comes to rely on a talented taxi driver to help him solve a series of bank robberies. The film is a remake of the 1998 French film of the same name and was panned by critics.
Night on Earth is a 1991 American comedy-drama anthology film written and directed by Jim Jarmusch. It is a collection of five vignettes, taking place during the same night, concerning the temporary bond formed between taxi driver and passenger in five cities: Los Angeles, New York City, Paris, Rome, and Helsinki. The action in the vignettes takes place at the same time, moving from Los Angeles in the United States to Helsinki, Finland. The scene in each city appears to occur later and later in the night due to the changing time zones. Jarmusch wrote the screenplay in about eight days, and the choice of certain cities was largely based on the actors with whom he wanted to work. The soundtrack of the same name is by Tom Waits. The Criterion Collection released the film on DVD and Blu-ray on April 9, 2019.
Quest for Love is a 1971 British romantic science fiction drama film directed by Ralph Thomas and starring Joan Collins, Tom Bell and Denholm Elliott. It was written by Terence Feely based on the 1954 short story Random Quest by John Wyndham.
The Killer is a 2006 Indian Hindi-language action thriller film directed by Hasnain Hyderabadwala and Raksha Mistry, and starring Emraan Hashmi, Irrfan Khan and Nisha Kothari. An adaptation of the 2004 American film Collateral, the film revolves around an Indian taxi driver in Dubai, who seats a hitman in his taxi unknowingly. He must face the consequences by doing everything The Killer tells him to do, may it be a ride or a murder. The film was released on 21 July 2006 and was a flop at the box office.
Taxis in Australia are highly regulated by each Australian state and territory, with each state and territory having its own history and structure. In December 2014, there were 21,344 taxis in Australia. Taxis in Australia are required to be licensed and are typically required to operate and charge on a fitted taximeter. Taxi fare rates are set by State or Territory governments. A vehicle without a meter is generally not considered to be a taxi, and may be described, for example, as a hire car, limousine, carpool, etc. Most taxis today are fueled by liquid petroleum gas. A2B Australia owns and operates the Cabcharge payment system, which covers 98% of taxis in Australia, and operates one of Australia's largest taxi networks.
Topper Returns is a 1941 American supernatural comedy thriller film directed by Roy Del Ruth and starring Joan Blondell, Roland Young, Carole Landis and Billie Burke. The third and final installment in the initial series of supernatural comedy films inspired by the novels of Thorne Smith, it succeeds Topper (1937) and Topper Takes a Trip (1938).
The Case of the Howling Dog is a 1934 American mystery film directed by Alan Crosland, based on the 1934 novel of the same name by Erle Stanley Gardner. It is first in a series of six Perry Mason films Warner Bros. made between the years 1934 and 1937.
Race to Witch Mountain is a 2009 American science fiction adventure thriller film directed by Andy Fickman. The film stars Dwayne Johnson alongside AnnaSophia Robb, Carla Gugino, Ciarán Hinds, Alexander Ludwig, Tom Everett Scott, and Christopher Marquette. It is a reboot of the Witch Mountain franchise.
All You Need Is Kill is a Japanese science fiction light novel by Hiroshi Sakurazaka with illustrations by Yoshitoshi Abe. The book was published in Japanese by Shueisha under their Super Dash Bunko imprint in December 2004, and was later released in English by Viz Media under their Haikasoru imprint. All You Need Is Kill follows a soldier named Keiji Kiriya, who, after dying in a battle with extraterrestrials, is caught in a time loop that makes him live the same day repeatedly, allowing Kiriya to improve his fighting skills.
Lost Voyage is a 2001 supernatural thriller directed, edited and co-written by Christian McIntire that debuted as a Sci Fi Pictures TV-movie on the Sci Fi Channel.
Vice is a 2015 American science fiction action film directed by Brian A. Miller and written by Andre Fabrizio and Jeremy Passmore. The film stars Thomas Jane, Bruce Willis, and Ambyr Childers.
ARQ is a 2016 American-Canadian science fiction action film directed by Tony Elliott. It was selected to be screened in the Discovery section at the 2016 Toronto International Film Festival. The film was released on Netflix worldwide on September 16, 2016. Robbie Amell plays an engineer whose invention causes a time loop during a home invasion. He attempts to save his former lover, played by Rachael Taylor, while learning who has targeted him and why.
Reset is a 2017 Chinese science fiction thriller film produced by Jackie Chan and directed by Korean director Chang; starring Yang Mi and Wallace Huo. The story follows a scientist who uses an experimental universe-hopping/time-travel technology to save her son from being killed. It was released in China on 29 June 2017.
Palm Springs is a 2020 American science fiction romantic comedy film directed by Max Barbakow from a screenplay by Andy Siara, based on a story by Barbakow and Siara. Starring Andy Samberg, Cristin Milioti, and J. K. Simmons, it focuses on two strangers who meet at a wedding in Palm Springs only to find themselves stuck in a time loop.
Travis Bickle is a fictional character and the anti-hero protagonist of the 1976 film Taxi Driver directed by Martin Scorsese. The character was created by the film's screenwriter Paul Schrader. He is portrayed by Robert De Niro, who received an Oscar nomination for his performance.
The Map of Tiny Perfect Things is a 2021 American science fiction romantic comedy film directed by Ian Samuels, from a screenplay by Lev Grossman, based on his 2016 short story of the same name. It stars Kathryn Newton and Kyle Allen as two teenagers stuck in a time loop.
Brinna Kelly is a United States film producer, writer, and actress. She is known for writing and acting in The Fare and The Midnight Man.