The time loop or temporal loop is a plot device in fiction whereby characters re-experience a span of time which is repeated, sometimes more than once, with some hope of breaking out of the cycle of repetition. [1] The term "time loop" is sometimes used to refer to a causal loop; [1] [2] however, causal loops are unchanging and self-originating, whereas time loops are constantly resetting: when a certain condition is met, such as a death of a character or a clock reaching a certain time, the loop starts again, possibly with one or more characters retaining the memories from the previous loop. [3]
An early example of a time loop is the 1915 Russian novel Strange Life of Ivan Osokin , where the main character gets to live his life over again but struggles to change it the second time around. [4] The episode "The Man Who Murdered Time" in the radio drama The Shadow was broadcast on January 1, 1939, about a dying scientist who invents a time machine stuck on December 31. [5] [6] The short story "Doubled and Redoubled" by Malcolm Jameson that appeared in the February 1941 Unknown tells of a person accidentally cursed to repeat a "perfect" day, including a lucky bet, a promotion, a heroically foiled bank robbery, and a successful wedding proposal.[ citation needed ] More recent examples include the 1973 short story "12:01 PM" and its 1990 and 1993 film adaptations, the Soviet film Mirror for a Hero (1988), [7] the Star Trek: The Next Generation episode "Cause And Effect" (1992), [8] the American films Groundhog Day (1993), Naked (2017), Happy Death Day (2017), Happy Death Day 2U (2019), and Palm Springs (2020), [9] and the British found footage psychological analog horror web series No Through Road (2009–2012). [10] [11]
The time loop is a familiar trope in Japanese pop culture media, especially anime. [12] Its use in Japanese fiction dates back to Yasutaka Tsutsui's science fiction novel, The Girl Who Leapt Through Time (1965), one of the earliest works to feature a time loop, about a high school girl who repeatedly relives the same day. It was later adapted into a 1972 live-action Japanese television series, a hit 1983 live-action film, a 2006 anime film, and a 2010 live-action film. [13] [14] [15] The 1983 live-action film adaptation of The Girl Who Leapt Through Time was a major box office success in Japan, [15] where it was the second highest-grossing Japanese film of 1983. [16] Its success was soon followed by numerous anime and manga using the time loop concept, starting with Mamoru Oshii's anime film Urusei Yatsura 2: Beautiful Dreamer (1984), and then the manga and anime series Kimagure Orange Road (1984–1988). [17]
The time loop has since become a familiar anime trope. [12] Other popular Japanese works that use the time loop concept include Hiroyuki Kanno's science fiction visual novel YU-NO: A Girl Who Chants Love at the Bound of this World (1996), [18] the visual novel and anime franchise Higurashi When They Cry (2002), the light novel and anime franchise Haruhi Suzumiya (2003), Mamoru Oshii's Japanese cyberpunk anime film Ghost in the Shell 2: Innocence (2004), Hiroshi Sakurazaka's sci-fi light novel All You Need is Kill (2004) which was adapted into the Tom Cruise starring Hollywood film Edge of Tomorrow (2014), [17] and the sci-fi visual novel and anime franchise Steins;Gate (2009). [19]
Stories with time loops commonly center on the character learning from each successive loop through time. [1] Jeremy Douglass, Janet Murray, Noah Falstein and others compare time loops with video games and other interactive media, where a character in a loop learns about their environment more and more with each passing loop, and the loop ends with complete mastery of the character's environment. [20] Shaila Garcia-Catalán et al. provide a similar analysis, saying that the usual way for the protagonist out of a time loop is acquiring knowledge, using retained memories to progress and eventually exit the loop. The time loop is then a problem-solving process, and the narrative becomes akin to an interactive puzzle. [21]
The presentation of a time loop as a puzzle has subsequently led to video games that are centered on the time loop mechanic, giving the player the ability to learn and figure out the rules themselves. Games like The Legend of Zelda: Majora's Mask , Minit , The Sexy Brutale , Outer Wilds , 12 Minutes , Returnal and Deathloop were all designed to allow the player to figure out the loop's sequences of events and then navigate their character through a loop a final time to successfully complete the game. According to Raul Rubio, the CEO of Tequila Works that created The Sexy Brutale, "Time loops allow players to train to get better at the game, faster, smarter, by experimenting from a fixed starting situation, and seeing what it works to move 'forward' within the loop and adding something else to that structure to build a solid process." [22]
Masanori Ota, better known by his pen name Masamune Shirow, is a Japanese manga artist. Shirow is best known for the manga Ghost in the Shell, which has since been turned into three theatrical anime films, two anime television series, an anime television film, an anime ONA series, a theatrical live action film, and several video games.
Mamoru Oshii is a Japanese filmmaker, television director and writer. Famous for his philosophy-oriented storytelling, Oshii has directed a number of acclaimed anime films, including Urusei Yatsura 2: Beautiful Dreamer (1984), Angel's Egg (1985), Patlabor 2: The Movie (1993), and Ghost in the Shell (1995). He also holds the distinction of having created the first ever OVA, Dallos (1983). As a writer, Oshii has worked as a screenwriter, and occasionally as a manga writer and novelist. His most notable works as a writer include the manga Kerberos Panzer Cop (1988–2000) and its feature film adaptation Jin-Roh: The Wolf Brigade (1999).
Ghost in the Shell 2: Innocence, known in Japan as just Innocence, is a 2004 Japanese animated cyberpunk film written and directed by Mamoru Oshii. The film serves as a standalone sequel to Oshii's 1995 film Ghost in the Shell and is loosely based on the manga by Masamune Shirow.
Blood: The Last Vampire is a 2000 Japanese animated action horror film directed by Hiroyuki Kitakubo, written by Kenji Kamiyama and produced by Production I.G. The film premiered in theaters in Japan on November 18, 2000.
Mobile Police Patlabor, also known as Patlabor, is a Japanese science fiction media franchise created by Headgear, a group consisting of manga artist Masami Yūki, director Mamoru Oshii, screenwriter Kazunori Itō, mecha designer Yutaka Izubuchi, and character designer Akemi Takada.
Angel's Egg is a Japanese art film original video animation (OVA) written and directed by Mamoru Oshii. Released by Tokuma Shoten on 15 December 1985, the film was a collaboration between artist Yoshitaka Amano and Oshii. It features very little spoken dialogue. Its sparse plot and visual style have led to it being described as "animated art rather than a story".
Science fiction is an important genre of modern Japanese literature that has strongly influenced aspects of contemporary Japanese pop culture, including anime, manga, video games, tokusatsu, and cinema.
Ghost in the Shell is a 1995 adult animated neo-noir cyberpunk thriller film directed by Mamoru Oshii and adapted by frequent Oshii collaborator Kazunori Itō. The film is based on the manga of the same name by Masamune Shirow. It stars the voices of Atsuko Tanaka, Akio Ōtsuka, and Iemasa Kayumi. It is a Japanese-British international co-production, executive produced by Kodansha, Bandai Visual and Manga Entertainment, with animation provided by Production I.G.
Urusei Yatsura 2: Beautiful Dreamer is a 1984 Japanese adult animated fantasy comedy film written and directed by Mamoru Oshii. It is the second film in the Urusei Yatsura film series based on the manga of the same name by Rumiko Takahashi. Its predecessor, Only You, was also directed by Oshii. It was released in Japan on February 11, 1984 during the second season of the series.
The Girl Who Leapt Through Time is a 2006 Japanese-animated science fiction romance film produced by Madhouse, directed by Mamoru Hosoda and written by Satoko Okudera. Distributed by Kadokawa Herald Pictures, the film is a loose sequel to the 1967 novel of the same name by Yasutaka Tsutsui and shares the basic premise of a teenage girl who gains the power of time travel and repeatedly relives the same day in a time loop, but with a different story and characters than the novel. Riisa Naka voices teenager Makoto Konno, who learns from Kazuko Yoshiyama, Makoto's aunt and the protagonist to the original story, that Makoto has the power to travel through time. Makoto begins using the time-leaps frivolously to fix problems. Riisa Naka later portrays Makoto's cousin, Akari Yoshiyama, the protagonist of the 2010 live-action film Time Traveller: The Girl Who Leapt Through Time, which follows a different story.
StrayDog: Kerberos Panzer Cops is a 1991 Japanese science fiction action film written and directed by Mamoru Oshii and starring Shigeru Chiba and Yoshikatsu Fujiki. The second film in the Kerberos Saga and a prequel to 1987's The Red Spectacles, the film follows Inui, a former member of the elite Special Armed Garrison "Kerberos" police tactical unit who, after being arrested following a failed rebellion by his unit, is paroled three years later and travels to Taiwan to search for Koichi Todome, an elite Kerberos member who left Japan.
Tachiguishi-Retsuden is a 2006 live-action/animated hybrid film directed by Japanese filmmaker Mamoru Oshii, who also wrote the eponymous novel on which the film was based. Both works are part of the Kerberos saga. Live-action film and manga adaptations were produced few months later in Japan.
The Girl Who Leapt Through Time is a science fiction novel by Yasutaka Tsutsui. Originally serialized from 1965 to 1966, it tells the story of a high-school girl who accidentally acquires the ability to time travel, which leads to a time loop where she repeatedly relives the same day.
The Sky Crawlers is a Japanese novel series by Hiroshi Mori. First published by Chuōkōron-shinsha in June 2001 and spanning six books, it follows the journeys and tribulations of a group of young fighter pilots involved in dogfight warfare, and is set during an alternate historical period. The series is unlike other works by Mori, noted for his series of mystery novels. The series is illustrated by manga artist Kenji Tsuruta. The series was adapted into an animated film, a video game and a manga series.
Patlabor 2: The Movie is a 1993 Japanese animated science fiction political thriller film directed by Mamoru Oshii and written by Kazunori Itō, who also respectively directed and wrote Patlabor: The Movie. It was produced by Production I.G, Bandai Visual and Tohokushinsha.
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